Snakeskin

I went to Snakeskin not expecting much, perhaps something along the lines of "Stickmen" a NZ version of a successful overseas production, with a focus on Kiwiana and gimmicky NZ references. Too a large degree I was not disappointed. Oliver Driver plays yet another weirdo (although this time a skin head speed freak) which he does well, however, his appearances are becoming a little too familiar. While the acting and actors are excusable the writing is not, the first half of the film is nothing particularly new but works, but, by the second half the writing is completely incoherent. At one point towards the end it seems as if too many characters have been introduced and writer/director Ashurst just gets rid of them, they walk off, get shot etc. etc.... More noticeable than their demise is the increasingly strange (dare I say quirky) mishmash of ideas thrown in to try to hold the script together as it winds down towards the end which is neither a surprise nor original. (In fact for all you B-grade film viewers, very "Tales from the crypt" type thing). The whole film is very New Zealand on the surface and should be praised for being true to "NZ", those of you who liked "Stickmen" will like this film, but for me it does not compare with "Goodbye pork pie". Go and see it if only for the landscape.

New Zealand movies have a knack for being slightly 'quirky' and this film is no exception. The characters are somewhat enigmatic, the scenes are at times surreal, and the plot is suitably 'dark'. Unfortunately, "Snakeskin" is unable to live up to its premise, and the viewing experience is somewhat unfulfilling. However, this is not to say that the film is without its good points: Firstly, the cinematography is absolutely breathtaking and showcases the beauty of Southern New Zealand; secondly, the camera work is extremely effective (especially in the first half) thus adding an element of intrigue; and thirdly, the acting is slick and well-polished (in particular Melanie Lynskey and Oliver Driver).

Despite its good intentions, "Snakeskin" does not run as smoothly as it ought too. The first half of the film runs like a typical road movie, and this is reinforced by the use of humour and brisk action (car chases etc). The second half of the film takes a dramatic change however, and veers into thriller territory. The scenes become darker, more complex, and more serious. I found this shift in genres quite distracting, and it made the film increasingly difficult to comprehend. Obviously, the snake motif plays a central part in the film, but this is undermined by the 'twilight zone' treatment it receives in the latter stages. Ultimately, I think the film would have been more effective if it stuck to a simpler story-making formula.

Superb acting and cinematography compliment a fresh writing style that skillfully guides us through this modern-day "Alice in Wonderland" set in New Zealand. Lynskey especially takes us on an ultra-realistic joy/horror ride, as the subtle changes in her character hook us almost subconsciously, and before we know it, drag us forever down the rabbit hole, screaming for more!

As the film opens there is a song playing, the lyrics are something along the lines of "there's a dust cloud out there, and its bigger than Texas.." I have searched high and low for what this song is and who sings it on the internet but to no avail. If anyone has the slightest idea about it I would really appreciate it if you let me know. It plays just before Melanie Lynsky starts narrating and listing her heroes, various movie characters including Thelma and Louise. I think the lyrics in the song represent her desire for the adventure she has always lived for which is about to finally happen to her, though she doesn't yet know it. What is before her is elusive and hidden, behind a giant dust cloud. Lol even if you just liked the song as well I'd love to know i'm not alone and the song actually does exist!

I loved this film so much I've seen it several times, and with each viewing am rewarded with another layer of story telling, symbolism, character development and references to Kiwiana - & NZ v USA culture.

On first viewing it's a twisty road trip with lashings of humour and a sci fi flavour, but subsequent viewings reveal a much darker story and complicated characters - once you recognise clues delivered in short sequences, or understand that throwaway lines are crucial to the story.

Cinematically it's an eye popping feast of vast landscapes and gorgeous lush scenery, but it's the dark twisty story which satisfies the most. Melanie Lynskey as Alice blew me away in her first sexy lead role rather than as the usual "suburban friend" she gets cast as; even Dean O'Gormon surprised as I'd only ever seen him acting in a soap before.

The soundtrack deserves special mention - especially the mood inducing soundscapes as the road trip progresses.

Overall this is a classic NZ film which will affect an entire generation of New Zealanders as Goodbye Pork Pie did in the 70s. Well worth a look.