Child Star: The Shirley Temple Story

Child Star is appropriately produced by someone who knows something about the subject...Paula Hart, mother of Melissa Joan Hart ("Sabrina the Teenage Witch"). Paula Hart has with varying success parlayed her famous daughter's success into careers for herself as producer and her other children. And though the Family Hart has shown to have talent in each of their endeavors, this particular film was just too much for them to handle. Melissa Joan is also listed as a producer (the name that set the deal in motion), and Melissa's sister Emily (the voice of the animated version of Sabrina) stars as teenager Shirley Temple. Emily is cute, as is Ashley Rose Orr who portrays the younger Shirley, and both are good actresses, but neither capture the essence of the child star that created a phenomena during the depression. Ashley Rose Orr has talent as the younger Shirley but not the button-nose or the frail body of the moppet that danced on table tops and under the legs of such human scarecrows as Buddy Ebsen. Shirley Temple was a "glass doll" who acted tough. That's what made us laugh. The fact that her character THOUGHT she could lick the world with her fists, and in reality could by melting the hearts of her opponents with her optimism. Without her personality, she was dead meat. Ashley Rose Orr looks like she could handle herself quite well in a fight, and probably would have to given her personality. I think she will make a fine actress, she just wasn't up to this particular role beyond the song-and-dance routines. And I am afraid her nose was just too big to make a convincing Shirley Temple. Emily Hart is slightly more convincing probably because the image of an older Shirley Temple is not as embedded into our senses. Finally, this was an authorized film based on Shirley Temple Black's fine autobiography. Great biographical films present a story researched from different points of view. Child Star leaves us with a film based on Mrs. Black's perspective and doesn't delve into the effects she left on her millions of fans, and the world. What separates Shirley Temple from the countless "true Hollywood stories" is the sense of hope she brought to a depression stricken America. It is this phenomena that the producers failed to capture, thus making Shirley Temple just a Melissa Hart of the 30's and 40's. Sorry Paula Hart, Shirley Temple was...and is...much more than a Child Star.

Really quite a peculiar bio pic. In fairness, I didn't catch the first 15 minutes of this when it was shown on TV, but I can't imagine it being substantially different from the rest of the movie. Some observations:

• it's difficult to believe that a screenplay like this got through development. - The movie seems to have a somewhat sanitized view of shirly's relationship with her parents, the scenes where she interacts with them are strangely muted - Nothing (that I could see) is mentioned about race and shirly's relationship with Bill Bojangles (uncle billy) - surely this would have been interesting to learn about - we see how the studio boos sees shirly, and makes some offhand comments privately, but in terms of the screenplay, it leads nowhere - the young lady who plays Temple is fine, but doesn't resemble her in any way physically or in the way she speaks or mannerisms. - the movie seems to end mid-scene

Based on a published autobiography, and with the author as consultant, this production portrays the protagonist as well nigh flawless. And for all the grumbling of the adults around her about warding off the danger of spoiling her, she seems to be pretty well cocooned, with her most fearsome enemy the impending career uncertainty at the end of her childhood. The viewer can see adulthood haunting her constantly in the person of her mother, who (at least as presented here and excellently acted by Connie Britton) looks very much like the grown-up Shirley Temple. It is not a terrifying adulthood to look forward too, except that it holds no magical excitement. More ominous as a hint of the inevitable future is Shirley's attachment to the ill-fated Amelia Earhart, but the script cannot pretend it was a central concern of Shirley's; that would make Shirley look like a maniac. So the movie leads up to the question of how Shirley will confront the end of child stardom. Unfortunately, that is where it ends. There are a few words of reassurance from her mother, but how Shirley Temple is forced to attempt to re-invent herself, where she fails and how, and where she succeeds and how, are a missing denouement.

The cast in this movie were all wonderful, but Ashley Rose Orr far outshines them all. She was adorable and she truly captured Shirley in her performance. She may not have been Shirley's twin but she did wonderful playing her as on screen and off screen Shirley. Loved the dance scenes. The girl who played Shirley at age 3 was absolutely adorable. I didn't care much for the older Shirley, played by Emily Hart. She looked nothing like Shirley or even Ashley Rose Orr. Emily would be better in more modern movies. A better older Shirley could have been found, or I think Ashley Rose Orr could have done it fine with some help from makeup and hair, etc. Overall Ashley Rose Orr was very entertaining and I'd love to see her on the screen again, whether big screen or small screen!

This movie was awful! Ashley Rose Orr, while a talented tap dancer, and singer (actually a little better than Temple was in terms of the latter), is a terrible actress. She plays the character as the Shirley that we saw on screen in her movies whether she's playing her onscreen or offscreen persona. So what we get is an overly cutesy, and wholly unrealistic (not to mention uninteresting) portrait. If one wants to see that side of her, one can just rent one of her movies. The only bright light here is Connie Britton's portrayal of Gertrude Temple. I don't think it was terribly realistic, but at least it was well acted. Save yourself the trouble and rent The Poor Little Rich Girl.