IMDb रेटिंग
5.9/10
3.2 हज़ार
आपकी रेटिंग
सुल्तान एक अनाथ बच्चे बाबू को पालता है, जो बड़ा होकर एक अपराधी बन जाता है. जब उसे सपना से प्यार होता है तब बाबू अपराध की दूनिया छोड़ने का फ़ैसला करता है, लेकिन सुल्तान उसे उसके अतीत की याद द... सभी पढ़ेंसुल्तान एक अनाथ बच्चे बाबू को पालता है, जो बड़ा होकर एक अपराधी बन जाता है. जब उसे सपना से प्यार होता है तब बाबू अपराध की दूनिया छोड़ने का फ़ैसला करता है, लेकिन सुल्तान उसे उसके अतीत की याद दिलाने के लिए लौट आता है.सुल्तान एक अनाथ बच्चे बाबू को पालता है, जो बड़ा होकर एक अपराधी बन जाता है. जब उसे सपना से प्यार होता है तब बाबू अपराध की दूनिया छोड़ने का फ़ैसला करता है, लेकिन सुल्तान उसे उसके अतीत की याद दिलाने के लिए लौट आता है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
Shilpa Shetty Kundra
- Mamta
- (as Shilpa Shetty)
Johny Lever
- Bajrangi
- (as Johnny Lever)
फ़ीचर्ड समीक्षाएं
because it is an Akshay Kumar film we expect it to be a fighting film. But this film is more than that. It covers almost every aspect of our interests, ie. romance, tragedy, action and of course Johny Lever's comedy. A wonderful storyline and performance by Akshay, karishma and shipla Sheety. A defintly must see film. The songs are one of a kind.
Okay, an action film with Akshay Kumar, which is not bad at all. Right, it's not a great film but it is slightly watchable and, well, personally, most Akshay Kumar films even the very bad ones are at least not unwatchable, even if in parts, due to his effective presence. I may well be biased as I might be a bit of a fan of his screen persona of that time, but that's the way it is anyway. Jaanwar gives Kumar an opportunity to do what he had longed to do for years - a seemingly different role. Sadly, it is a melodramatic fare which doesn't really ring true, so not much could have been done here.
Kumar's role is that of a past goon who collects and adopts a kid from the street. His role goes somewhat along the lines of Mamohan Krishna's unforgettable role in Yash Chopra's social classic Dhool Ka Phool (1959). Now please don't get me wrong, this one is nowhere close to being the quality of Chopra's gem, but there's a fair attempt on the part of the director and particularly Kumar himself, who was already making some improvements in his career with Sangharsh, as well as other films that would be released later, including Hera Pheri.
Sadly, it is not enough - the film is really badly written. In one scene, Shilpa Shetty gives Kumar's little boy (who is actually her lost son, how predictable) a gift toy, and Kumar gives it back to her. This scene is one of the most embarrassing I can imagine as Kumar breaks into a monologue that is so cliché and exaggerated it's almost funny. Kumar is good in the first half, and quite weird in the latter (the hairstyle change is ridiculous). Shilpa Shetty and Karisma Kapoor are stagy and so is the boy. The ending is really badly overblown, but the film is not one of Kumar's ultimate worst.
Kumar's role is that of a past goon who collects and adopts a kid from the street. His role goes somewhat along the lines of Mamohan Krishna's unforgettable role in Yash Chopra's social classic Dhool Ka Phool (1959). Now please don't get me wrong, this one is nowhere close to being the quality of Chopra's gem, but there's a fair attempt on the part of the director and particularly Kumar himself, who was already making some improvements in his career with Sangharsh, as well as other films that would be released later, including Hera Pheri.
Sadly, it is not enough - the film is really badly written. In one scene, Shilpa Shetty gives Kumar's little boy (who is actually her lost son, how predictable) a gift toy, and Kumar gives it back to her. This scene is one of the most embarrassing I can imagine as Kumar breaks into a monologue that is so cliché and exaggerated it's almost funny. Kumar is good in the first half, and quite weird in the latter (the hairstyle change is ridiculous). Shilpa Shetty and Karisma Kapoor are stagy and so is the boy. The ending is really badly overblown, but the film is not one of Kumar's ultimate worst.
Why would someone watch this movie. Coz this movie lets you dwell deep into the river of emotions. Even if your heart is rock solid, you will feel for the characters in the film. That is called awesome direction and scripting. This is a one unique type of film in 90s and ran in the theater for long enough to become Blockbuster movie of the year.
For the First time Akshay looked so promising as actor, before this he was just a "Khiladi" of Bollywood.
So powerful was the acting in the movie, every moment of this film lets u feel, that you are watching a real story, and real people on the screen. The story is one of a kind and the execution is phenomenal.
The best scene of the film was when Babu Lohar was put in the cage and his kid was left for dogs. Every 90s film, would have shown some heroic flicks which might seem unbelievable, but the effort of the Babu Lohar to bend the Cage instead of breaking it. Justifies a top notch Directional skills. Loved the movie and Watched is many times.
Action , emotion , songs in every gener it is a perfect movie . Specially the emotional scene between father and son
I have not seen a complete movie but I watched a song million times and that made me really emotional.. every time I watch that song brings tears.. chemistry between father and son has never been shown in the bollywood movies before.. watch this movie only for the song..
क्या आपको पता है
- ट्रिवियाAkshay Kumar's first hit film after 10 consecutive flop films from 1996 leading up to 1999.
- कनेक्शनReferences Dil to Pagal Hai (1997)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Jaanwar?Alexa द्वारा संचालित
विवरण
- चलने की अवधि2 घंटे 52 मिनट
- रंग
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