Sidewalks of New York

Edward Burns is the kind of writer/director whose movies make you feel like you definitely could be one of the characters.

The feelings, insecurities, confidence, etc. of the characters you can see and make connections throughout the movie because of the way it was filmed, as if it were a documentary. It gave the audience a more unique perspective than most romantic films. There was much less of the "meant for each other" bull that you see in most romantic comedies. The characters were believable without tending towards cynical. The best facet of the movie is that it allows the audience to draw their own conclusions about love, sex, and these relationships without pushing too hard the director/writer's ideals.

A good film, refreshingly real, but without the big important moments (transformation, change, when characters learn something, etc.) it is ultimately forgettable. This movie doesn't teach an audience anything it doesn't already know, it simply confirms/denies our own viewpoints on relationships. Edward Burns seemingly takes a camera to real life people and shows the all encompassing exterior of their relationships with their lovers.

This is a very funny movie. The subject matter is near and dear to everyone's heart: Dating and relationships, marital or otherwise. The story centers around 6 main characters that are made to look like they're just regular people on the streets of New York. Each one is `interviewed' on the street about topics ranging from sex, dating and relationships. Then we see what each person's dating or marital life is like. Each of the 6 people's lives are intertwined somehow throughout the movie. A well done, well acted cross-section of the 6 people's love lives. Also, look for Dennis Farina's character. This guy had me rolling on the floor laughing; everything he said and did was funny to me. An enjoyable hour and a half. Highly recommended.

Edward Burns latest film shows us the inhabitants of the island of Manhattan in all their splendor. We know a lot of the people that inhabit this movie since, at one time, or another, we have known people just like these. The sidewalk interviews are a lot of fun to watch, as we're always guessing where they were shot. All the interviews pale in comparison with the one where the director, is photographed with the World Trade Center as a background in all its majesty and glory. Stanley Tucci keeps getting better all the time, being the actor, as he is seen here, or the director in his own film. His interpretation of the creepy dentist whose own masculinity is put into question by the same person he is trying to use and won't let go. Heather Graham plays against type and the result is excellent. Rosario Dawson was a revelation. Her character makes a painful and necessary decision, although, perhaps, we are not prepared for it, when she breaks away from a situation that will only bring her unhappiness, in the long run. Brittany Murphy keeps getting better all the time. She's a natural with a winning smile. The only trouble was that Dennis Farina's character doesn't have a bigger role to play.

The lives and lovees of 6 New Yorkers by writer/director Edward Burns.

Heather Graham plays an unhappily married woman whose husband, Stanley Tucci, is cheating on her with Brittaney Murphy who is 20 years his junior. Meanwhile, David Krumholtz is attracted to Murphy but she can;t dump Tucci. Also Graham is attracted to Edward Burns but won't cheat on her husband. Burns is attracted to her and Rosario Dawson who is Krumholtz's ex-wife. Got all that? Trust me...it plays out very well.

It's all talk about sex, love, sex, relationships, sex, marriage, sex...too much about sex, but it's all interesting and the characters are well-drawn and believable. The acting helps. Graham is just great; Tucci is so-so but OK; Murphy is interesting--she can be really good and really bad, but more good than bad; Burns is VERY handsome and appealing (if a bit whiny); Dawson is wonderful and Krumholtz is interesting. They all work well together (and separately) and really put the script across. Even when a really melodramatic whopper is thrown in towards the end, it works.

Only two complaints--it's too long (Tucci and Murphy complain about the same thing FIVE TIMES!!!) and it's all shot with a hand-held camera which is way too jittery and annoying--I realize Burns used it to keep down costs but still...

Absorbing and realistic...well worth catching.

"Sidewalks of New York" feels like a retread of Ed Burns' earlier works. Once again we have a bunch of intermingling couples who do nothing but talk talk talk and obsess about relationships and their personal insecurities with them. When I first saw "The Brothers McMullen," I was surprised at how drawn into the story I was. But this story (as was also the case with "She's the One") seems way too similar to "McMullen." Things that were forgivable in that film are growing tired and distractive: Everyone meets in a classical "cute" way from the golden era of cinema. Everyone coincidentally runs into each other at the most convenient moment. Most of the characters are forgettable, and their relationships are not very believable. The film isn't very funny, and most of the running jokes fail. The film also doesn't live up to its title in that New York is shot in a most un-passionate, unflattering way--this better not appear on any list about the best films depicting New York. Burns puts alot of trust into improvisation, apparently telling his actors to just "roll with it." But he seems to feel that realism and improvisation can substitute for substance, and this is not true--many actors rant on and blurt out lines that don't feel genuine, almost forced by improvisation, when Burns should have just shouted "cut" and done a retake. The phony "interview" moments when the fictional characters speak to the camera, react to something offscreen, or ask if they should "start over" come off equally unnatural. Performances are bland for the most part, save Dennis Farina. Heather Graham comes off particularly bad, at one point I even thought I caught her fighting a smile, ready to bust out laughing during a "serious" scene.

Once again, we have a self-hating, self obsessed older male jerk who has an affair behind his insecure wife's back, we have a young idealistic kid who romances a girl with immediate promises of love and marriage, and again we have Ed Burns meeting someone by fighting over a material object--in "McMullen" it was an apartment, in "Sidewalks," it is a copy of "Breakfast at Tiffany's."

It's not that I hate this movie, its just that I see a lack of passion in it. It is almost as if Ed Burns doesn't trust his ability to move on, and that leaves us with total mediocrity. Grade: C-