Mandei

This one is definitively stunning. I've already heard about this director, under the pseudonym "Sabu", reading some reviews about his late work "Drive" that I hope to see asap.. In fact, this is a very talented director. "Monday" is a story of mystery, misfortune, hope and strangeness. I think the comment of the director explain clearly what is really "Monday": "I've just decided to do what I wanted to do, and that was ... a comedy, an action film, a painful story, imaginary with a bit of horror and also a "dancing" film very rigorous, intransigent, with much, much, much dancing. I wanted all of these elements to be putted into this movie, I wanted that was full of cynic laughter and also to be less long than 100. I've tried and I made it!" Just watch it!

Wakarimasen deshita....

Any Japanese movie involving alcohol, beautiful Yakuza brides and guns will be a funny ride into the Asian subconscious, and this movie is no exception.

It amalgamates plot elements such as drinking Whisky, hands-free peeing, Yakuza bashing, pacemaker bomb defusing, drinking Whisky, lynching street muggers, Devils, Sprites, an obnoxious but finally sympathetic girlfriend, drinking Whisky, Japanese twist dancing, smoke grenades, drinking Whisky, palm reading, fake laughter and moronic TV talk shows into an adventure of the absurd. A ride into the cesspools of one man's private hell. A blatant appeal against alcohol and weapon abuse, or a devilishly clever satire about modern day Japan and its underworld. Oh...and did I mention drinking Whisky?

If you're a fan of Takeshi Kitano's movie, you will like "Monday".

If you are a fan of Bruce Willis and expect a Japanese "Die Hard", you won't find it funny! But if you're open minded, can appreciate satire for what it really is, then you will enjoy this movie thoroughly!

Without these "enlightening" fifteen minutes (at the very end) this movie may seem quite hopeless, though. It may seem too simple, too odd, too surreal... phony even. But make no mistake: MONDAY is plotted out much more clever than it appears.

It is about a guy waking up in a hotel room with bit of a cloudy memory. Things start to come back to him as he bumps into all kinds of leads he find in his pockets. I imagine that the main thought behind it was, what the human mind capable is of doing with the means it has, and how it could be shown in a film. I can say that the creators have come a long way in showing the answer to this.

As said, it will takes time to see there is more to it than it seems. Fortunate enough, the retrospective march of events that made the guy end up where is now, makes it perfectly clear that the unrolling celluloid is to be sure of revealing a well-thought-out plot. Second, the whole story raises enough questions about the sanity of the characters as well as the people who wrote the story, that one will sit it out no matter what, if only excited with hope for a plausible explaination for it all.

It is unlikely that MONDAY (by Hiroyuki Tanaka) will be a boring experience to anyone. To many, especially those unfamiliar with Japanese cinema, it will be something different than usual, perhaps less exciting, a bit clownish, here and there the surrealistic texture will be a bit hard to swallow, but it surely will keep one curious. And that is the only thing this film needs.

This is a movie, and, I think, Japanese directors, Tanaka in particular, have well understood what this means. It isn't real life and it doesn't have to appear this way. Even though some characters and their actions seem to be right from out of a comic book, this movie is as real as (a movie) can be.

I heard someone comparing aspects in this film with Tarantino. I'm not entirely sure about that. Frankly, I believe the approach Tarantino uses in his work isn't that unique to begin with. I think it was to be expected that directors would make films the way he does some day. As for Japanese movies like that of Tanaka, I think it has little to do with Tarantino. I actually think we should speak of it as the 'Japanese approach' than the 'Tarantino approach', anyway. Was "Reservoir Dogs" not a remake of an underrated Japanese gangster film??? I think is was.

Well. Tanaka is nowhere near Kurosawa yet. But surely no less than Miike, Kitano or Nakano. I therefore rate it 7.5!

Watch it and be patient, enjoy it and be astound ;)

Actors making films is a new trend in Japanese cinema.It is a known fact that many of them are no so successful.The only exception in the history of Japanese cinema is Takeshi Kitano who is good as an actor as well as a film maker.Monday is directed by Hiroyuki Tanaka who is one of the most important actors of Japanese cinema.In this film he has given viewers unfettered access into the minds of various sections of Japanese society.What we see in the film is the way people like a family,a salary man,some yakuzas and some of the police behave in the course of their normal lives.The idea of the film is not to criticize a section to praise a different one.In this film,Sabu wants to show us his protagonists with their real intentions,moods and motives for leading lives which they feel are suitable for them.Monday is also a plea for peace as Japanese people have suffered enormous losses in the past especially during the World War 2.This is the reason why violence has been shunned in this film.PS:kindly watch with close attention the performance of Terajima Susumu who also stars in Sabu's wonderful film "The Blessing Bell".

Well, I was getting myself ready to watch Brian De Palma's "Body Double" and when I pressed the play button to my surprise I wasn't watching "Body Double". I had I got the blank tapes mixed up (because they were unlabeled) and on screen was "Monday". To lazy to get up and change, I thought I might as well stick with it since I've been meaning to get around to it anyway.

A young salary man wakes up rather confusedly on a Monday morning in a hotel room. He slowly begins to remember what had happened over the weekend - where he attended a funeral, had some drinks with some mafia figures, danced around with one of their girls and finally in a drunken state of mind he murders some petty crooks. This last act has caused a real stir amongst the media with it being discussed on TV and the police have surrounded the building ready to take him into custody.

"Monday" is my second viewing of a Sabu (Japanese director / writer Hiroyuki Tanaka) film and it was another pleasant surprise, just like "Drive" (2002) was. Three things I have come to notice about his work is that his pieces are highly original, the odd sense of humour is darkly downbeat and there's an expressive message on life. This black comedy / thriller just feeds off it's cynical statement on the influence of guns in society and the power it asserts on people. It questions the morality about justice - even if you're are on the laws side and shoot someone that doesn't mean you're not a murderer. Really, are you any better because you have a badge? Even alcoholism gets a spray at. The violence is raw, but from glorified. The tense moment involving a swat team toys around this question. We even get a quick taste of the media's involvement too that really portrays the differing perception on both sides of the coin. But these serious thoughts play out more in a dreamy vibe because of all the kooky situations that occurred, strange folk he encounters and the quirky dialogue we hear. It's a more a spur-of-the-moment build up with the infectious story unfolding in non-linear narrative. That's because half the film is spent with the protagonist putting the blurry pieces together of what had happened over the weekend. Just like the main character you would like to see how this clouded chain of events eventuated and we feel every minute of his misfortunes. Shin'ichi Tsutsumi as Koichi Takagi, the salary man who gets drunk, while carrying around shotgun is superb in demonstrating flexibility in his emotions and it's hard not to feel for the guy. Director Sabu leisurely paces the film with many comic ideas, dim humour, icy scenes mixed with suspense, provocative camera shots and a spanking rock / dance soundtrack. In the end I guess you could say that was one rough weekend just waiting for the consequences (Monday) to come along.

A very glum and low-key black comedy that boldly throws up some thought-provoking scenarios in a satisfying manner.