Les filles ne savent pas nager

Was this supposed to be the french "Marny". I don't know, I just know that the lead girl was pretty boring. When her girlfriend finally showed up, it was too late to save the film.

I never could figure out where anyone was coming from, except the father and he was portrayed as being unsympathetic.

The mother needed a bigger role, as the director found out too late.

"Girls Can't Swim (Les filles ne savent pas nager)" gets a lot right about teens, in a debut by writer/director Anne-Sophie Birot:

The endless summer feeling of life Down the Shore (only here the Shore is at Brittany so there's no Bruce Springsteen music, let alone any beach music).

The implied class tensions between townies and seasonals.

The restless rebellion of adolescence, particularly as bursting sensuality.

The casual back-and-forth between parents and teens as the kids alternate between neediness and independence, complicated by the parents' own financial and relationship problems.

And most particularly the exaggerated passions of teen girl friendship.

But the aimlessness of summer vacation is mimicked too much in the pacing, with an abrupt culmination that's not fair to the characters. I must have missed the explanation for the title.

Clearly Eric Rohmer's "Pauline on the Beach" has haunted today's French women filmmakers as this is the second such movie I've seen in a year that feels like an angry response to that sage putting a teen girl amidst adult sharks, after "Fat Girl (a ma soeur)."

(originally written 5/11/2002)

The film lacked direction - where were we going? I would have preferred further exploration of the sexual tension between Lise and Gwen. What were all the erotic/romantic letters from Gwen all about? Once Lise shows up, Gwen treats her bad. The viewer had been led to believe that a certain amount of sexual attraction existed, but I never saw it at all, and that is unfortunate. It would have given an average film an "edge" over other coming of age stories.

This film was a startling surprise. I found the natural performances and "un-rushed" pacing remarkably refreshing. I would compare the originality of the teenage characters more to Ghost World than the way they are often portrayed in popular American films like "Fast Times . ." or "Clueless". Gwen is a full of life, imaginitive, dark and original character. Lise was the misguided, down on her luck loner looking for answers in her mixed up world. I dont see how people could say this was boring.

How many times have you seen two French teenagers slap each other with fish guts. No, there is no gun scene and unlike Road to Perdition, it lacks stylized violence which may be hard for some viewers to handle. Aside from the abrupt ending, Its original characters, lovely seaside vistas, natural performances, and creative storytelling make this a hidden masterpiece.

Being a long-time viewer of French cinema, I had no problems with the pacing or style of this film. In fact, that's why I like European film in general, for a break from the predictability of Hollywood/American cinema.

Actually, I didn't think the pace of this film was particularly slow. "Gwen" seemed constantly on the move, one crisis quickly followed another in her family.

Both girls, as perhaps most people, seemed to have positive natures, but life was dealing them some hard blows, and neither had the tools to overcome the difficulties being dealt them.

Both needed affection and love, but were going about getting in unhealthy ways. They seemed to be searching for affection almost blindly, or instinctually, to me.

I felt empathy for both characters; and as for the comment that "the lead needs to be better looking," I disagree. I thought both were very attractive in their own way.