Octobre à Madrid

A fascinating, fundamental work of and on art, perfectly thought, written, printed. Sharp and clinical, yet poetic and sincere.

A beautiful object (not only for the photography), and a conceptual tour de force: imagine Terry Gilliam filming himself "Lost in La Mancha" by filming himself at at the same time writing / filming / performing the autopsy of a yet to be started movie (wrapped between what could have been its first and last sequences).