अपनी भाषा में प्लॉट जोड़ेंTwo restaurant employees begin a torturous and sexual killing spree after they accidentally kill a hitch hiker and find that murder and mutilation is their mutual aphrodisiac.Two restaurant employees begin a torturous and sexual killing spree after they accidentally kill a hitch hiker and find that murder and mutilation is their mutual aphrodisiac.Two restaurant employees begin a torturous and sexual killing spree after they accidentally kill a hitch hiker and find that murder and mutilation is their mutual aphrodisiac.
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During the mid-1970s and early 80's,Nikkatsu-the most important of the pinku eiga studios-launched a series of pink films which were progressively more extreme in their level of sexual violence."Assault!Jack the Ripper" is certainly one of the nastiest pink films I have ever came across.It tells the story of a young waitress and a cook,who after incidentally killing a young woman on a street ends up sadistically raping and murdering women via stabbing them in the crotch.The scenes of rape and sexual violence are truly unsettling,but the film is well-made and acted.Yasuharu Hasebe directed a series of very extreme Nikkatsu pink movies including brutal "Rape!" and horrendously offensive "Rape!13th Hour".In 1979 came Koyu Ohara's "Zoom Up:Rape Site",notorious for a scene in which a rapist shoves a light bulb inside a woman's vagina,then stomps on her stomach until it breaks."Assault!Jack the Ripper" is not easy to find,but for fans of misogynistic Japanese exploitation this sleazy sickie is a must-see.10 out of 10.
No matter where in the world, sex and violence in the cinema have always gone hand-in-hand.
Italian giallos; UK Hammer horror; the many films of Spain's Jess Franco; the trashy US gore flicks of H.G. Lewis: every country seems to have made its own contributions that combine the two elements.
Violent 'pinku' movies are the Far East's offering, and many fans of extreme cinema agree that they rule the roost as far as sexual nastiness is concerned, since almost nothing seems to be 'too taboo' to be portrayed. Assault! Jack The Ripper (a misleading title, if ever there was one, since 'Saucy Jack' is nowhere to be seen!), from director Yasuharu Hasebe, is a classic example of the genre and clearly illustrates why no-one does sleaze quite like the Japanese! After a fatal mishap with a crazy hitch-hiker, a pathetic pastry chef and a chubby domineering waitress discover that, for them, killing is a mutual aphrodisiac. They set about abducting and carving up innocent women (more often than not, by stabbing them in the genitals!) in order to fuel their sex life, but, when the chef eventually decides to go solo on his murder sprees, their bizarre relationship begins to crumble.
With umpteen steamy sex scenes, a couple of repulsive rapes, and loads of grisly deaths, Assault! is not a film for your 'casual' viewer. The killers are completely callous and, although the numerous crotch stabbings are not explicitly shown, the sheer offensiveness of the acts (coupled with some suitably yucky sound effects) is enough to upset most 'normal' people. Rabid fans of politically incorrect exploitation, however, will have a field day watching the killers as they indulge in all manner of wickedness, including a marvellously depraved finalé, in which an entire room-full of nurses are rapidly dispatched.
And if all that excess wasn't enough, solid acting, good production values, and a great score all go to ensure that Assault! is an experience that you won't forget in a hurry.
7.5 out of 10, rounded up to 8 for IMDb.
Italian giallos; UK Hammer horror; the many films of Spain's Jess Franco; the trashy US gore flicks of H.G. Lewis: every country seems to have made its own contributions that combine the two elements.
Violent 'pinku' movies are the Far East's offering, and many fans of extreme cinema agree that they rule the roost as far as sexual nastiness is concerned, since almost nothing seems to be 'too taboo' to be portrayed. Assault! Jack The Ripper (a misleading title, if ever there was one, since 'Saucy Jack' is nowhere to be seen!), from director Yasuharu Hasebe, is a classic example of the genre and clearly illustrates why no-one does sleaze quite like the Japanese! After a fatal mishap with a crazy hitch-hiker, a pathetic pastry chef and a chubby domineering waitress discover that, for them, killing is a mutual aphrodisiac. They set about abducting and carving up innocent women (more often than not, by stabbing them in the genitals!) in order to fuel their sex life, but, when the chef eventually decides to go solo on his murder sprees, their bizarre relationship begins to crumble.
With umpteen steamy sex scenes, a couple of repulsive rapes, and loads of grisly deaths, Assault! is not a film for your 'casual' viewer. The killers are completely callous and, although the numerous crotch stabbings are not explicitly shown, the sheer offensiveness of the acts (coupled with some suitably yucky sound effects) is enough to upset most 'normal' people. Rabid fans of politically incorrect exploitation, however, will have a field day watching the killers as they indulge in all manner of wickedness, including a marvellously depraved finalé, in which an entire room-full of nurses are rapidly dispatched.
And if all that excess wasn't enough, solid acting, good production values, and a great score all go to ensure that Assault! is an experience that you won't forget in a hurry.
7.5 out of 10, rounded up to 8 for IMDb.
Everyone with an eye to see this film will no doubt have heard about how brutal, violent and shocking it is; and after seeing it, I've got to say that Assault! Jack the Ripper lives up to its reputation. I've no idea what the title is alluding to, but to surmise the film; it's an unflinching depiction of murder and rape that is all the more shocking because of the fact that most of the film is really quite realistic. The film is a part of the 'pinky' genre that was popular in Japan around the sixties and seventies, but unlike many of these films; this is not amusing or 'fun' - Assault! Jack the Ripper goes straight for the jugular! The plot focuses on two restaurant employees. While out together one night, they accidentally murder a hitch-hiker. The pair soon realise that murder is their mutual aphrodisiac, and from there the murders continue as the restaurateurs begin an unflinching rampage of rape and murder, with any random stranger unlucky enough to be in their way the victim! Naturally, this relationship doesn't last too long...
The only place the film is lacking is on the actual 'money shots' - we don't get to see the protagonist stab his victims in the crotch, and the reason for that is down to the Japanese penal code - which states that no full frontal nudity can be shown in films. This is a shame both for this film and just about every other Japanese exploitation film ever made. However, director Yasuharu Hasebe doesn't let that stop him delivering the shocks. The lack of full frontal nudity is more than made up for by the brutal violence and the film features plenty. It's not a particularly gory movie, but there's plenty of stabbing and butchery going on to please the gorehounds. The atmosphere is dirty and sleazy throughout and this compliments the brutal action nicely. The film is very short at just seventy two minutes, but this is not really a bad thing. The plot is very thin and while there's more than enough to keep the audience entertained for the time that it's on for, any longer and the film may have ended up grinding to a halt considering the thin plot line. Overall, I'm not raving about this film; but it lives up to its reputation and I wasn't disappointed by it.
The only place the film is lacking is on the actual 'money shots' - we don't get to see the protagonist stab his victims in the crotch, and the reason for that is down to the Japanese penal code - which states that no full frontal nudity can be shown in films. This is a shame both for this film and just about every other Japanese exploitation film ever made. However, director Yasuharu Hasebe doesn't let that stop him delivering the shocks. The lack of full frontal nudity is more than made up for by the brutal violence and the film features plenty. It's not a particularly gory movie, but there's plenty of stabbing and butchery going on to please the gorehounds. The atmosphere is dirty and sleazy throughout and this compliments the brutal action nicely. The film is very short at just seventy two minutes, but this is not really a bad thing. The plot is very thin and while there's more than enough to keep the audience entertained for the time that it's on for, any longer and the film may have ended up grinding to a halt considering the thin plot line. Overall, I'm not raving about this film; but it lives up to its reputation and I wasn't disappointed by it.
Assault! Jack the Ripper (1976)
** (out of 4)
Original Title: Bôkô Kirisaki Jakku
Perversely sexual and violent, this Japanese film has a reputation as being one of the stronger "pinku" movies out there. The story centers on a cook and a waitress who one night accidentally run over a crazed hitchhiker. The two find themselves being turned on by death and blood so they keep killing women and borrow the trademark of Jack the Ripper by cutting them from their private areas on up. I just recently became aware of these pinku Japanese movies so I' doing research on which ones to start with and this here seemed to have pretty good reviews but in the end I was somewhat let down. The one part of its reputation that it lives up to is the rather bizarre sexual nature of the film. There are quite a few sex scenes here, which come off very perverted and sleazy even though nothing hardcore, or really softcore for that matter, happens. The lead actress, who's name I can't find anywhere, has a rather amazing body so seeing her strip off certainly wasn't a negative thing. Her round face also comes in quite handy because she looks so innocent yet is as deadly as they come. Her performance is quite good as is her co-star but yet again I couldn't find his name among various reviews I read. I think the most disappointing aspect is that the film really isn't all that violent. Yes, the aftermath of a woman being sliced up and down is pretty grim but very little of it is actually shown. Usually we see a minor stab wound and then the rest happens off camera and then we go back for the aftermath. I've read reviews saying the film was ultra violent and downright raw and nasty but I didn't find that to be the case. The biggest problem however is that the film runs 71-minutes and really doesn't have enough of a story to fill that short time. The movie starts to feel rather long because we keep going through the same thing of a murder, sex, a murder, more sex and so on.
** (out of 4)
Original Title: Bôkô Kirisaki Jakku
Perversely sexual and violent, this Japanese film has a reputation as being one of the stronger "pinku" movies out there. The story centers on a cook and a waitress who one night accidentally run over a crazed hitchhiker. The two find themselves being turned on by death and blood so they keep killing women and borrow the trademark of Jack the Ripper by cutting them from their private areas on up. I just recently became aware of these pinku Japanese movies so I' doing research on which ones to start with and this here seemed to have pretty good reviews but in the end I was somewhat let down. The one part of its reputation that it lives up to is the rather bizarre sexual nature of the film. There are quite a few sex scenes here, which come off very perverted and sleazy even though nothing hardcore, or really softcore for that matter, happens. The lead actress, who's name I can't find anywhere, has a rather amazing body so seeing her strip off certainly wasn't a negative thing. Her round face also comes in quite handy because she looks so innocent yet is as deadly as they come. Her performance is quite good as is her co-star but yet again I couldn't find his name among various reviews I read. I think the most disappointing aspect is that the film really isn't all that violent. Yes, the aftermath of a woman being sliced up and down is pretty grim but very little of it is actually shown. Usually we see a minor stab wound and then the rest happens off camera and then we go back for the aftermath. I've read reviews saying the film was ultra violent and downright raw and nasty but I didn't find that to be the case. The biggest problem however is that the film runs 71-minutes and really doesn't have enough of a story to fill that short time. The movie starts to feel rather long because we keep going through the same thing of a murder, sex, a murder, more sex and so on.
A disgruntled waitress and a shy male pastry chef "accidentally" become serial killers when, while driving home one night, they pick up a crazed hitchhiker (kind of a female version of the guy in "The Texas Chainsaw Massacre") who strips out of her clothes, smears cake batter all over her body, and cuts herself with a razor blade. After they accidentally kill this nut-job, they have frenzied sex for the first time and realize that murder is a real turn on. . .
This movie is kind of a horror/black comedy like Oliver Stone's "Natural Born Killers". But it doesn't have the smug hypocritical "social commentary" of that film (i.e. preaching against violence in the media at the same time you're wallowing in it). It's also a Japanese "pink film" so it has a lot of gratuitous sex and nudity. It's obviously very politically incorrect, so people who are always getting offended by movies (isn't there enough stuff to get offended about in real life?) should probably avoid it. The truth is though where American movies tend to take murder with a grain of salt (and sometimes even make it entertaining), Japanese films do the same with murder AND rape. Thanks to years of misguided feminism, Americans tend to take the latter very seriously, but nobody is REALLY being raped in these movies anymore than they're really being murdered. (Wouldn't all the political energy be better spent by, I don't know, trying to enforce the prosecution of REAL-LIFE rape as an international war crime or something?).
For what it's worth, this movie is not as "rape-happy" as a lot of Japanese exploitation flicks. The far more disturbing thing is that this couple is sexually turned on by blood and violence. It is also, however, a very well made by a respected Japanese director. The lead actress is not very attractive in the conventional sense (although she is a lot more impressive with her clothes off), but this actually works well with her "outsider" character. The male lead is also very good, transforming believably from a shy male virgin to a raving psycho. This movie obviously isn't for everyone, but if you're the right kind of viewer and in the right frame of mind, you might very well enjoy it.
This movie is kind of a horror/black comedy like Oliver Stone's "Natural Born Killers". But it doesn't have the smug hypocritical "social commentary" of that film (i.e. preaching against violence in the media at the same time you're wallowing in it). It's also a Japanese "pink film" so it has a lot of gratuitous sex and nudity. It's obviously very politically incorrect, so people who are always getting offended by movies (isn't there enough stuff to get offended about in real life?) should probably avoid it. The truth is though where American movies tend to take murder with a grain of salt (and sometimes even make it entertaining), Japanese films do the same with murder AND rape. Thanks to years of misguided feminism, Americans tend to take the latter very seriously, but nobody is REALLY being raped in these movies anymore than they're really being murdered. (Wouldn't all the political energy be better spent by, I don't know, trying to enforce the prosecution of REAL-LIFE rape as an international war crime or something?).
For what it's worth, this movie is not as "rape-happy" as a lot of Japanese exploitation flicks. The far more disturbing thing is that this couple is sexually turned on by blood and violence. It is also, however, a very well made by a respected Japanese director. The lead actress is not very attractive in the conventional sense (although she is a lot more impressive with her clothes off), but this actually works well with her "outsider" character. The male lead is also very good, transforming believably from a shy male virgin to a raving psycho. This movie obviously isn't for everyone, but if you're the right kind of viewer and in the right frame of mind, you might very well enjoy it.
क्या आपको पता है
- कनेक्शनReferenced in Mondo Macabro: The Erotic Empire (2002)
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