The Mexican

The Mexican really has it all. It has the feel of an old Western, mixed with gangster flicks and a nice romantic comedy. It's really entertaining and pleasing.

Pitt plays a bumbling slacker gangster criminal dude who makes a mistake on a job, and is forced to undertake one last job. The gig is retrieving an ancient pistol. Little does he know he will have to go through great lengths to retrieve that pistol, and everyone around him may be feeding him lies to attain it as well.

Pitt plays his character so well. It's fun watching him throughout the movie. He is what the slackers should look upto, and it's his best role yet. I couldn't suggest a better time in the cinematic world.

Spend some time with this movie. You may regret it, but I liked it at least.

7 stars

What do you get when you combine two of Hollywood's most famous sex symbols, the director of "Pirates of the Caribbean" and Mexico? Apparently, an overlong, boring mix of comedy, romance and violence -- which, in this case, is a rather lackluster result considering the potential.

Jerry (Brad Pitt) is one of the most inept criminals in history. Five years ago he crashed into the back of a crime lord's car and, as a result, found himself working off the accident by running errands. Jerry's last retrieval before retirement involves skipping the border into Mexico, finding a rare and beautifully crafted pistol (The Mexican), returning it to Margolese (Gene Hackman) and walking away from everything happily. But Jerry's girlfriend, Samantha (Julia Roberts), is tired of Jerry's continual lying and criminal feats, so she dumps him and heads for Las Vegas.

After arriving in Mexico unscathed, Jerry soon finds himself at the wrath of thugs, murderers and hit men intent on stealing The Mexican from him. Meanwhile, Samantha finds herself taken hostage by a gay hit man with a heart named Leroy (James Gandolfini of "Get Shorty" and TV's "The Sopranos"), who -- by following all of the Hollywood cliches -- is an amiable, likable guy who wouldn't harm a fly.

The advertising for "The Mexican" had it all wrong. The studios advertised it as a sweet, funny comedy starring two of Hollywood's biggest stars. The major cop-out is that Pitt and Roberts share most of the film far apart from each other -- which isn't a huge problem anyway, as it provides a pleasant twist on the repetitive buddy formula. But the movie's twisting, turning, violent, harsh style soon grows weary -- especially as the second hour draws nearer. The end almost redeems the rest of the film, but not quite.

"The Mexican" is primarily interested in doing things that have already been done before, such as culture clashing. Take, for instance, the scene where Jerry spends a good minute or so trying to tell a band of traveling hombres that he needs a ride to the nearest town. Somehow, Jerry confuses "carro" for "deniro" and the driver's eyes suddenly light up. "Robert De Niro?" he asks with a big gap-toothed grin. Another joke that indicates foreign countries know more about Hollywood than actual language. Har-har. It'd be funny if it hadn't been done before.

If you're looking for something harsh, "The Mexican" may very well be too sweet. And vice versa. The movie is too wish-washy -- sometimes it wants to be the next gritty comedy ("Trainspotting") and sometimes it's aiming for cute gimmicks and completely silly characters.

And then, even worse than trying jokes and failing, "The Mexican" never even strives to give us funny moments. In that scene where Jerry tries to hail a ride to the next town, the punchline is never delivered. All road travel movies are about confusion, usually resulting in two people misunderstanding each other. What should have happened is this: Jerry has a hard time explaining to the Mexican driver that he wants a ride. Finally, they both understand each other, and Jerry thinks everything is OK, but soon finds himself being left in the dust by the car, which continues driving on. Because confusion is funny, and "The Mexican" never understands this. That is one of its most fundamental flaws.

GOOD - Story was interesting the first time around.....loved the cinematography; nice Mexican scenery.... liked Brad Pitt's dialog and his character was fun to watch.....enjoyed the few side-bits with the dog and was surprised when Gene Hackman showed up late in the film.

BAD - Julia Roberts ruined this film, at least by the second viewing. She was either yelling at Pitt all the time or gushing over a hit-man who admitted he was gay, and both routines wore thin. She thought (being gay) that was just the greatest thing and really overdid it.

Overall, if you modified Roberts' character into someone less abrasive this might have been a "keeper."

I have heard a lot of criticism (sp?) on this movie for various reasons. I have to say that I agree to pretty much every one. The plot is sketchy and incoherent at times, it crosses too many genres, etc. etc. The characters don't fit together right, but that's alright. For me all the flaws are what makes me want to watch The Mexican. For some reason I love this flick, even though I don't really know anyone else who cares for it! Why do I like this movie? I haven't figured that out yet, but I believe it's because I never tried to read that much into it, just sat back and took the trip. It will never make my top 10, but that doesn't mean its not worth repeated viewings. If you haven't seen it, give it a shot.

Being quite a harsh critic myself, I was surprised to see how badly recieved this film was. Admittably the film tended to drag a little length and was missing something to make it a little more entertaining.

But the film has some interesting characters, situations, and scenery to make this film highly watchable. Pitt and Roberts are good, but have put in much better performances elsewhere. And spend the majority of the film apart. I suspect the main criticisms of this film are mainly to do with high expectations: in having Pitt, Roberts and the Sopranos guy in. But in summary, an alright film - but nothing special.