IMDb रेटिंग
6.3/10
2.3 हज़ार
आपकी रेटिंग
वन-नाइट स्टैंड के बाद एक जोड़े को इस भयानक संभावना का सामना करना पड़ता है कि वे वास्तव में क्या चाहते हैं.वन-नाइट स्टैंड के बाद एक जोड़े को इस भयानक संभावना का सामना करना पड़ता है कि वे वास्तव में क्या चाहते हैं.वन-नाइट स्टैंड के बाद एक जोड़े को इस भयानक संभावना का सामना करना पड़ता है कि वे वास्तव में क्या चाहते हैं.
- पुरस्कार
- 1 जीत और कुल 12 नामांकन
फ़ीचर्ड समीक्षाएं
I've just returned home from seeing the movie and well I cannot disagree with the previous few comments - it is very good.
Being an Ozzie I enjoyed David Wenham's performances on the TV series Seachange for instance but always found him a bit uncertain in his character - a point to which many women apparently disagree. I preferred his scabrous performances in Cosi and Boys for instance. But this film has expanded my appreciation of David - here he excels himself in a role Seachange fans will recognise, as a similar laid back very witty guy. Suzie Porter is a bubble of energy.
The two characters do have a chemistry and the sex scenes are very realistic without being revealing. They also have the usual neuroses - I loved the initial thoughts when they were in the taxi, at first daring themselves to start something and wondering if the other person was interested and then starting to worry about what they could be getting themselves into - all in the space of a minute without a word exchanged between them
I also loved the taxi driver - a very wise woman - who guides Josh through the stages of his developing relationship - telling him what she (Cin) is feeling and encouraging him to reveal his thoughts - almost as if she was a spider on the wall!
My slight disagreeances were Josh's departure outside the comforts of Cin's place to think etc (it jarred) and sometimes the music was overpowering but these are small quibbles.
Anyway highly recommended!
Being an Ozzie I enjoyed David Wenham's performances on the TV series Seachange for instance but always found him a bit uncertain in his character - a point to which many women apparently disagree. I preferred his scabrous performances in Cosi and Boys for instance. But this film has expanded my appreciation of David - here he excels himself in a role Seachange fans will recognise, as a similar laid back very witty guy. Suzie Porter is a bubble of energy.
The two characters do have a chemistry and the sex scenes are very realistic without being revealing. They also have the usual neuroses - I loved the initial thoughts when they were in the taxi, at first daring themselves to start something and wondering if the other person was interested and then starting to worry about what they could be getting themselves into - all in the space of a minute without a word exchanged between them
I also loved the taxi driver - a very wise woman - who guides Josh through the stages of his developing relationship - telling him what she (Cin) is feeling and encouraging him to reveal his thoughts - almost as if she was a spider on the wall!
My slight disagreeances were Josh's departure outside the comforts of Cin's place to think etc (it jarred) and sometimes the music was overpowering but these are small quibbles.
Anyway highly recommended!
I get so tired seeing heroin thin, twenty-somethings in romantic comedies, especially ones with lots of nudity. This one has the luminous Susie Porter reclining, pacing and prancing around nude, with the most fantastic confidence and comfort with her body. She doesn't have the perfect body mind you, but the type that I love more than a Hagen-Daz milkshake. She's got some meat on her bones, but she isn't fat. She is voluptuous, curvaceous, with the sweetest milky white, freckled skin. Her smile can take your breath away, and her eyes seem like they can see every lie you've ever told, and you want her to know. She's a WOMAN, a real woman, not some kid trying to be a woman. Most times with *women* you get lots of trying to be younger, but Susie LIVES in her body, her soul is older, wiser and more mature. She knows how to treat a man too. She lets a guy be a guy without sacrificing her will or self-esteem. Oh, I'm supposed to review this movie... OK...
Basically in this excellent flick you are watching two adults fall in love. Both are mature and confident, but they're leery of jumping into a relationship, but it never lingers on past baggage, and nobody needs to "get free" of some obstacle before they can continue. I've found that women rarely say they're ready for love, or looking for love, but if it presents itself to them they won't chase it off. Basically a woman is never NOT ready to fall in love, and this movie does a great job of showing men how a woman who isn't even THINKING about falling in love, can. It also illustrates luxuriously how head games, lies and bullsh*t are NOT the way to enjoy falling in love. Most young people think that head games are the only way to get what you want, or how to protect your heart, which is toss-all. Here two people say what they mean and mean what they say, and what they don't say they don't say because they're not sure yet that they feel it.
Have you ever met someone and it just clicked and while it was clicking you spent a day or three in bed? This movie sumptuously wallows in that intoxicating experience. These two people devour each other sexually and while they do, passion blossoms and intimacy becomes more and more desirable. I can't remember a movie that so eloquently illustrates the difference between lust and passion, between sex and intimacy.
Buy this movie now, you will not regret it, but watch it with a lover because watching it while you're single will make you jones too much for the real thing and that could be depressing. View it with someone you love and it could re-kindle a little magic, it will at least get you laughing and getting aroused in the same room.
A movie about adults for adults that makes you feel like a kid.
Basically in this excellent flick you are watching two adults fall in love. Both are mature and confident, but they're leery of jumping into a relationship, but it never lingers on past baggage, and nobody needs to "get free" of some obstacle before they can continue. I've found that women rarely say they're ready for love, or looking for love, but if it presents itself to them they won't chase it off. Basically a woman is never NOT ready to fall in love, and this movie does a great job of showing men how a woman who isn't even THINKING about falling in love, can. It also illustrates luxuriously how head games, lies and bullsh*t are NOT the way to enjoy falling in love. Most young people think that head games are the only way to get what you want, or how to protect your heart, which is toss-all. Here two people say what they mean and mean what they say, and what they don't say they don't say because they're not sure yet that they feel it.
Have you ever met someone and it just clicked and while it was clicking you spent a day or three in bed? This movie sumptuously wallows in that intoxicating experience. These two people devour each other sexually and while they do, passion blossoms and intimacy becomes more and more desirable. I can't remember a movie that so eloquently illustrates the difference between lust and passion, between sex and intimacy.
Buy this movie now, you will not regret it, but watch it with a lover because watching it while you're single will make you jones too much for the real thing and that could be depressing. View it with someone you love and it could re-kindle a little magic, it will at least get you laughing and getting aroused in the same room.
A movie about adults for adults that makes you feel like a kid.
This film is simple in plot line---the growth from a one-night stand of a relationship that is expected to end as one party has to leave in a few days---but manages to build the characters with a mixture of soliloquy, quick comment from friends, reaction to fast sexual progression, and so on. It gives the feeling that it was once a stage play, but does not suffer for this. It has a few amusing weird bits, like the taxi driver. It is no blockbuster, but it is well-acted, well photographed, well scripted, has an interesting ending, and is generally warming, while succeeding admirably in making you see the characters without seeing their appearance.
"Better Than Sex" is yet another mostly bedroom two-hander on a relationship, like "About Last Night" and "Breaking Up," but is quite charmingly done in a frank and funny tone.
With a gimmick of a time-bound, three-day relationship setting the limits, the talking to the camera by the two lovers and their friends works as a way to show what's going through their heads. This technique is especially useful when dealing with the visual problem foreign movies have grappled with but American movies have avoided since "Klute" (especially "Pretty Woman"): how to show when sex changes with feelings.
There is a touch of magic realism with a bemused cab driver, but she also could be their whimsical thoughts.
The Australian actors are not of the pencil-thin/gym worked-out American variety, but are lustily and cheerily robust as we see quite a bit of them.
What was confusing was the order their days together are presented -- did my projectionist mix up the reels or was the print I saw mixed up? At one point one character says "We've already had our first fight," which hadn't happened yet, and he leaves with a bag he hadn't brought over. But then later both the fight and the bag appear. I also got confused as to what was which with an indication of "The Third Day" vs. "The Last Day." There's a possibility it was shown out of order for emotional effect, but then I think the changed red sheets didn't appear at the end.
The Aussie pop songs are nice, but incidental and hardly noticeable.
(originally written 11/17/2001)
With a gimmick of a time-bound, three-day relationship setting the limits, the talking to the camera by the two lovers and their friends works as a way to show what's going through their heads. This technique is especially useful when dealing with the visual problem foreign movies have grappled with but American movies have avoided since "Klute" (especially "Pretty Woman"): how to show when sex changes with feelings.
There is a touch of magic realism with a bemused cab driver, but she also could be their whimsical thoughts.
The Australian actors are not of the pencil-thin/gym worked-out American variety, but are lustily and cheerily robust as we see quite a bit of them.
What was confusing was the order their days together are presented -- did my projectionist mix up the reels or was the print I saw mixed up? At one point one character says "We've already had our first fight," which hadn't happened yet, and he leaves with a bag he hadn't brought over. But then later both the fight and the bag appear. I also got confused as to what was which with an indication of "The Third Day" vs. "The Last Day." There's a possibility it was shown out of order for emotional effect, but then I think the changed red sheets didn't appear at the end.
The Aussie pop songs are nice, but incidental and hardly noticeable.
(originally written 11/17/2001)
Since you will have already read the plot by now, let me just say this movie was a lot of fun! I rate it much higher than the other folks on imdb.com The taxi driver, the refrigerator scene, and the final airport scene all brought big smiles to my face. Not a movie for the kids - see it with a close friend.
क्या आपको पता है
- गूफ़When Cyn is on the phone with Sam, Josh gets up from the bed wearing his socks, in the few seconds it takes him to walk from the bed to the window his socks are gone.
- कनेक्शनFeatured in Better than Sex: Susie Porter Interview - Urban Cinefile (2000)
- साउंडट्रैकThe Word
Written by David Hirschfelder (as D. Hirschfelder), David Hobson (as D. Hobson) and N. Smith (as N. Smith)
Performed by David Hirschfelder and David Hobson
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Better Than Sex?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Seksten daha güzel
- फ़िल्माने की जगहें
- सिडनी, न्यू साउथ वेल्स, ऑस्ट्रेलिया(location)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $19,521
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $19,521
- 28 अक्टू॰ 2001
- दुनिया भर में सकल
- $6,20,388
- चलने की अवधि1 घंटा 35 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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