La mujer murciélago

The sad thing is that "Batwoman" has all the ingredients for an entertaining luchador romp -- an alluring protagonist, a series of murders to solve, an exotic location, decent underwater scenes -- but wastes them with glacial pacing and a lack of exciting fight action. The supposedly athletic and clever heroine spends more time socializing than clue-hunting, then becomes all girly and helpless at the climax when she should be kicking butt. The film could be improved immensely by chopping it down to 45 minutes. That would at least progress the plot at a reasonable speed. Unfortunately it is decades too late to bring in one of the heroines from "Wrestling Women vs the Aztec Mummy" to whomp up on some villainous goons. Yvonne Craig's status as Batgirl is safe.

Basically just a Santo movie with a female wrestler in the lead nipping like Santo in a sports car about the glamorous backdrop of Acapulco without ever attracting the attention of traffic cops or the public. Currently dropping in is the diabolical Dr Eric Williams (what kind of name is that for a mad scientist, even if he does have an assistant called Igor?), who travels the world in a yacht called Reptilicus harvesting wrestlers to provide components for his prototype fish-man Pisces (who rewards his master by putting more effort into clobbering Williams' goons than fighting The Batwoman).

Crime-fighting heroine Gloria is supposedly a millionairess who moonlights as the masked superheroine The Batwoman; keeping herself in trim when not fighting bad guys as a pro woman wrestler. (The bodysuit and trunks she wears to wrestle being far more becoming of a superheroine than the beach party bikini and cape she adopts a couple of times in the movie - and for the poster- as The Batwoman.) Like Yvonne Craig in the TV series, Maura Monti is far tastier without that stupid cowl covering her hair; and in the film's best (and probably most expensive) sequence she does battle underwater with Pisces wearing just a one-piece, after which Dr.Williams and Igor both get a good look at her without her mask without anyone being remotely concerned.

The Batwoman is the campiest movie ever made and I say that with great respect and admiration. Movies that are so bad they are good are hard to find and this one has it all. The well-endowed Maura Monti is Batwoman who wears a very revealing 2-piece bikini and a cape through most of the movie. She is called Batwoman but there is no bat about her - she is ALL woman! Not only is she the crime fighting heroine but she is also a pro wrestler and police agent who fights mad scientists. And what is a mad scientist who does not have a faithful servant name Igor and calls him Master? Well, this film has it all. Our mad scientist has created a fish man who is also a wrestler and now he wants to create a fish woman and that woman shall be none other than our favorite batwoman. He plans on creating an army of fish men/wrestlers to rule the sea! I admire his ambition. But the big question is will he get his woman, er I mean his bat, to create the first fish woman? I highly recommend this movie. It is so bad that it is good and highly entertaining.

To wrestle she uses a Bat-suit. Only to save the world she wears the smallest bikini...

A mad scientist (who else?) tries to breed a mutant being between fish and wrestlers!!! To see how it works drops a Ken doll in a fish tank where a goldfish swims happily and nothing happens. Of course nothing will happen, he need to use real people in his experiments, not dolls!

As more and more experiments fail, mutant dead bodies are found on the beach and this is the time for the bat-signal! Bat-woman with her statuesque body, brief bikini and lethal karate moves will take care of that crazy Doctor Frankenfish...

Mr. René Cardona only wanted to take advantage of the Bat-craze during the Batman high peak, with his version of the hero in the shape of a beautiful woman, Maura Monti... and he got it.

From 1950 to 1980, cinema had the world in its grip. The power of film as a tool for political and religious propaganda had been firmly established after World War I and II. In countries like Mexico, Turkey, Iran, and the Balkans, the political and economic climate made it difficult to create a unique cinematic identity from scratch. Instead, they opted to clone the established and widely accepted American/British cinema, building their own film culture upon it. Copyright laws? Tossed out the window. But hey, many of the biggest names in non-English speaking cinema today grew up watching these films and found their passion for filmmaking through them.

LA MUJER MURCIÉLAGO (The Batwoman) is one such film, much like Drakula Istanbul'da (Dracula in Istanbul). While my home country, Turkey, boasts a rich collection of these types of films, Mexico undoubtedly takes the crown. The rise of technology and the blurring of artistic boundaries have made these films more accessible to a wider audience, allowing us to appreciate their cultural significance.

René Cardona is, without a doubt, one of the biggest names in this genre within Mexican cinema. His LA MUJER MURCIÉLAGO, a film that boasts cinematography even better than Adam West's Batman, is now streaming on Mubi in a remastered version.

Looking back from today, these films might seem raw and simplistic, but as I mentioned, their cultural impact is immense. They're a testament to a time when filmmakers in developing countries were finding their footing, experimenting with genre conventions, and creating a unique cinematic language that resonated with their audiences.

Mubi's Turkish subtitles for the film, as usual, leave much to be desired. Hopefully, they've done a better job with the subtitles for other countries. Despite this minor hiccup, LA MUJER MURCIÉLAGO is a must-watch for anyone interested in exploring the rich and diverse world of international cinema. It's a reminder that great films can emerge from unexpected places, and that even the most seemingly derivative works can hold hidden treasures waiting to be discovered.