IMDb रेटिंग
6.5/10
1.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA man is forced to confront a dangerous female jaguar and his own past through the sacrificial killing of the beast he has grown to love.A man is forced to confront a dangerous female jaguar and his own past through the sacrificial killing of the beast he has grown to love.A man is forced to confront a dangerous female jaguar and his own past through the sacrificial killing of the beast he has grown to love.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 2 जीत और कुल 15 नामांकन
Fede Celada
- Juan
- (as Federico Celada)
Denis Fouqueray
- Election Official
- (as Denys Fouqueray)
Deen Abboud
- The Priest
- (as Noreddin Abboud)
फ़ीचर्ड समीक्षाएं
A leisurely and beautifully filmed movie which concerns an old man (Dreyfus) living in a remote backwater of the Amazon River. Late in life he has learned to read, and he has taken to reading love stories, savouring each word as if it were a morsel of a feast.
The narrative concerns the hunt for a jaguar which has apparently acquired a taste for human flesh. During this adventure we share the old man's reflections, reveries and regrets, fragments of a past life. In the unfolding of the story he is able to make reparation for at least one of his regrets.
The film could be criticised for being slow and uneven at times. I have not read the novel, but I'm sure that it was multi-layered and textured, with underlying themes of missed opportunities, loss of innocence, the environment and the egregious impact of civilisation. The movie only hints at these things and sometimes were are left a little puzzled. But the eloquence is in the mood, which is perfectly captured.
Highly recommended.
The narrative concerns the hunt for a jaguar which has apparently acquired a taste for human flesh. During this adventure we share the old man's reflections, reveries and regrets, fragments of a past life. In the unfolding of the story he is able to make reparation for at least one of his regrets.
The film could be criticised for being slow and uneven at times. I have not read the novel, but I'm sure that it was multi-layered and textured, with underlying themes of missed opportunities, loss of innocence, the environment and the egregious impact of civilisation. The movie only hints at these things and sometimes were are left a little puzzled. But the eloquence is in the mood, which is perfectly captured.
Highly recommended.
This film won the Adelaide International Film Festival's Audience Choice Award, and for good reason.
This is beautiful story-telling; it's subtle, beautifully paced and visually magnificent. And if whoever wrote comment number one couldn't find subtext then he must have been watching a different film.
I'm hoping against hope for an Australian release in the near future.
This is beautiful story-telling; it's subtle, beautifully paced and visually magnificent. And if whoever wrote comment number one couldn't find subtext then he must have been watching a different film.
I'm hoping against hope for an Australian release in the near future.
It is worth noting that Luís Sepulveda (the author of the novel upon which the film was based), upon meeting Rolf De Heer, grabbed him by the shoulders and thanked him for having brought the spirit of his novel alive onscreen. The nuanced performances of Hugo Weaving, Timothy Spall, Cathy Tyson and
Victor Bottenbley are as memorable as that of Richard Dreyfus, whose deeply-felt and brilliant portrayal of the old man of the title ('Antonio Bolivar') must be a late- career defining moment. It could so easily have degenerated into yet another bit of macho chest-thumpin' hunt-in-the-jungle fluff. However, the beautifully evocative cinematography and sensitive direction save it from such triteness. Highlights include the Mr De Heer's intimate close-ups of the characters, giving the audience a window into their personal space; and the scenes of Antonio Bolivar reading his beloved books by lamplight as he relishes each painstakingly spelt-out word and ruminates on the meaning of each hard-won sentence before moving on
to the next. It's the picture of a man for whom the mere act of reading is still a joyous miracle to be savoured. A nice little bit of synchronicity: Victor Bottenbley, the Dutch actor who plays Nushino, was indeed born in Surinam, which he left as a small child. When he
arrived in French Guiana to begin the shoot, he discovered that some of the other actors were of the tribe of his mother's people. A wonderful homecoming indeed. This year saw the first two preview screenings in Australia.
Victor Bottenbley are as memorable as that of Richard Dreyfus, whose deeply-felt and brilliant portrayal of the old man of the title ('Antonio Bolivar') must be a late- career defining moment. It could so easily have degenerated into yet another bit of macho chest-thumpin' hunt-in-the-jungle fluff. However, the beautifully evocative cinematography and sensitive direction save it from such triteness. Highlights include the Mr De Heer's intimate close-ups of the characters, giving the audience a window into their personal space; and the scenes of Antonio Bolivar reading his beloved books by lamplight as he relishes each painstakingly spelt-out word and ruminates on the meaning of each hard-won sentence before moving on
to the next. It's the picture of a man for whom the mere act of reading is still a joyous miracle to be savoured. A nice little bit of synchronicity: Victor Bottenbley, the Dutch actor who plays Nushino, was indeed born in Surinam, which he left as a small child. When he
arrived in French Guiana to begin the shoot, he discovered that some of the other actors were of the tribe of his mother's people. A wonderful homecoming indeed. This year saw the first two preview screenings in Australia.
Watching this movie I tried my best to experience the subtext, only - everything was so spelled out and manipulative, there was nothing for me to do. De Heer obviously doesn't trust an audience when it comes to interpreting characters. Every single one was simply in the film for the sake of highlighting Dreyfuss' character. Nothing more. This is the type of movie where the director's arm leaps out of the screen and clenches your face, telling you where to look, what to feel and how exactly to react. Give us some credit, Rolf!
For those who never read the book, this movie is enjoyable and thought-provoking on a human and environmental level. Even though there are "love stories" involved, there is also murder and a leopard hunt. I was very pleased with this version of Luis Supulveda's thoughtful, beautifully written story. Richard Dreyfuss really brought his character's personality to life. The Mayor was just as awful as expected, and enough of the story was brought forward to make it cohesive while maintaining poignancy and point. Thoroughly enjoyable.
The scenes are gritty, beautiful. It has humor in the right places. You may feel horror, sadness, and contentment.
The scenes are gritty, beautiful. It has humor in the right places. You may feel horror, sadness, and contentment.
क्या आपको पता है
- ट्रिवियाThe director originally envisaged Morgan Freeman in the lead role of Antonio Bolivar.
- भाव
Antonio Bolivar: It was a kiss of impassioned intensity, a kiss to remember their lives by.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Old Man Who Read Love Stories?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Den gamle som läste om kärleken
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $95,00,000(अनुमानित)
- चलने की अवधि
- 1 घं 55 मि(115 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें