Los sin nombre

You're walking through an amusement park. All the rides around you look wonderfully scary and thrilling; they taunt you as you pass them, they promise something different, something new, at journey's end.

The final ride is a fiberglass pony in front of the supermarket.

That's the "Los Sin Nombre" experience. You, the viewer, watch as the protagonist follows clues to find her daughter -- a girl supposedly tortured and killed but now, 5 years later, apparently living. With the help of the detective who handled the original case, she stumbles from clue to clue and into...uh...well, it gets hazy. A cult dedicated to "synthesizing the ultimate evil" through "the final atrocity" and "mastering pain", because "evil is a key". A good idea crops up hither and yon, and gets you waiting, waiting for The Big Finish.

After some disturbing imagery, a whole lot of "Oh, yeah?" clues, some confusion as to why this guy named Toni is following Mom around, the overuse of the "choppily-edited-video-is-creepy!" effect and the introduction of a character whom we're asked to care about and then gets whacked, the final reveal arrives...and then...uh...the movie ends.

But the final reveal is so totally mundane in relation to the rest of the film as to feel as let-down, a waste of energy spent in caring how it will end.

This film is all style -- all tired, overdone style. Oooh, look, everything's bleak and cold-looking! Oooh, look, choppily-edited nightmare imagery! Oooh, look, clues on a videotape! Sounds familiar, doesn't it? Yeah, I know, I said the same thing.

"The Nameless". It's in Spanish. There's some icky stuff and some fodder for your "Call of Cthulhu" game. Your call.

Bring some coins for that pony.

One who did not see the movie may be surprise by all the contrasting comments ranging from "LAME" to "EXCELLENT". But there is a simple answer to this: There are 2 types o movie-goers: those who let themselves go and get involved in the story, and those who stay in a safe shell of rationality and judge from the outside. So, this movie lives on atmosphere and the mood it is able to arouse, and in this it works greatly, it really scares. But to a cold-minded analisys, it reveals flaws in the plot. Anyway, I think that RATIONAL-AT-ALL-COSTS people should simply give up with horror movies: their inner cords just can't be reached... For all the other ones, you should watch this movie, becasue it is a scary movie that really scares, and features excellent acting and direction. The only right criticism regards the ending. I suppose that they could have done better, not necessarily changing WHAT happens, but possibly HOW it is described. But it is still a decent final, and the movie is a well worth experience.

Well, after reading all the good reviews; some of which coming from reviewers that I often agree with, I was really looking forward to seeing The Nameless. After having sat down and watched it, however, I'm really disappointed. The film is not really 'bad', but it's not very good either and that's a shame considering that the film clearly so much wanted to be a great thriller. The plot is not very original, though that isn't the film's main problem. Many recycled plots have sprung great movies; the main problem here is that the plot moves too slowly and it's never interesting enough to remain thrilling for the duration. The film does have a few nice ideas, though. The Nameless starts with an editor named Claudia, who goes to identify the mutilated body of her dead daughter. The body has had every trace of its identity removed and can only be identified by a bracelet and the fact that one leg was slightly shorter than the other. Five years later, however, Claudia receives a call...from her daughter, who is begging her mother to save her.

Director Jaume Balagueró, who later went on to make the even more disappointing horror thriller 'Darkness' does manage to create a nice atmosphere for the film. Everything looks slightly grey, which makes it depressing and in turn serves the film well. I would guess that the film's main influence was David Fincher's hit 'Seven' as the two are very similar in tone. The film was made in Spain, and that is also disappointing. Spain, along with Italy, made some of the very best thrillers in the seventies, but the recent output of this genre from both countries has been disappointing - the Italian 'Occhi Di Cristallo' is another example of this. The recent films have lost what made them great previously, presumably because they're attempting to copy recent American films. The plot sort of drones on for the first eighty minutes as the dull characters uncover various facts and clues, and finally the film becomes interesting in the last ten minutes - though by this time, of course, it's already too late. The film was based on a good idea and it does have a few nice moments; but overall I would have to rate this as not much more than an interesting failure.

I saw this film a few years back and have been a supporter of Balaguero ever since! It starts on a very disturbing note and then constantly pushes and pushes your buttons. I can only compare it to being on a torture rack and in pain from the start only to have the cogs turned constantly and very slowly increasing my agony for every minute of my time spent on it until i reach my limit only to realise that the end is SO much nastier now that they have stopped turning the cogs that a totally unforseen pain and agony is about to hit me just when i thought it was over! The tension levels are very slowly but expertly cranked up throughout this film from the opening moments until the very end...and even THEN the cruelest of climaxes awaits us. I have read comments about the ending to this film that do not do it justice or feel that it does not work. I cannot understand or share that viewpoint. Any such accusations levelled at this film are lacking. The climax is simple, yet one of the most intelligent, psychologically perverse, emotion-shredding and horrible (without resorting to blood) ever commited to celluloid. On it's own it would pack a seriously intense punch...but as the climax/pay-off/culmination of such a profoundly creepy film it is downright cruel and disturbing and a fitting finale to a soul-destroying film... Balaguero's style has been disregarded by some as too similar to that of David Fincher. Well, the similarities in LOOK are there but style isn't based on cinematography alone. The film is a beautifully dark, stylish, polished affair with menace in the shadows, angst around every corner and terror on the horizon. Dread and evil have not been portrayed this vividly for a long, long time...

Good and unsettling Catalan terror/thriller by expert filmmaker Jaume Balaguero and based on the British novel "The Nameless" by Ramsey Campbell . More spine-tingling from the director of ¨Darkness¨ , a convincing sense of impeding dread and essential to any effective Horror-Thriller . Some years after a little girl was killed when her mummy named Claudia (Emma Villarasau) , addicted to tranquilizers , seemed to have started to recover , but a phone call once again shatters her existence : "Mummy, it's me... come and get me". Helped by an ex-cop named Massera(Karra Elejalde) and a parapsychology journalist named Quiroga (Tristan Ulloa) who is expert in the supernatural, she sets out on a desperate search for encounter her daughter . Other mysterious clues appear , indicating that the daughter is indeed still alive , and very much in risk . Later on , they discover incredible deeds : a sect of the occult with conceal things and dark secrets which rejects its own name , called ¨Nameless¨ and wishes the essence of pure evil.

The official English title is The Nameless -but the correct translation is "Los Sin Nombre", which to me is far more creepy- lives up to Jaume Balaguero's reputation . This suspenseful and frightening movie was produced by the successful Catalan producers Julio and Carlos Fernandez from Fantastic factory ; it displays relentless horror , thrills , intrigue , shocks , hard-edged drama , plot twists , creepy images and some gore when crime takes place . Director Jaume Balagueró (Rec, Rec 2, Fragiles , Darkness and the recent "while you sleep" or Mientras Duermes) uses that uneasy non-knowledge for both horror and occultism , introducing brief psychological observations . Interesting writing credits by the same director/writer Balaguero based on a story by Ramsey Campbell . ¨Nameless¨ is a motion picture that balances precariously over the terror and occultism . The overall result is chilling proof that Balagueró can take a little budget while delivering a completely different scare . Extraordinary performance by Emma Villarasau , she plays a real tour-de-force in one of his best acting of his career as a solitary and unhappy mother , unsettling for past records and disturbing future . Furthermore , excellent Karra Elejalde as a run-down ex-'policeman . The picture packs a thrilling and intriguing musical score by Carles Cases . Furthermore , a cold and appropriate cinematography by Xavi Gimenez , Balaguero's usual .

'The Nameless' demonstrates director Balagueró's versatility , resulting to be a sublime thriller that every genre buff should be excited for . Rating : Good , better than average . The movie will appeal to thriller and terror fans . Worthwhile watching .