Possible Worlds

Very interesting.Thought provoking.Surprising. Philosopical mystery, that touches the very essence of our existence: "I think and therefore I exist". The brain/mind is everything, and all the world that we "sense" is created inside it by stimuli that may be of false origins.

Possible Worlds played yesterday at the Vancouver International Film Festival to a packed theatre. From the opening credits onward, I was completely absorbed in this film. Possible Worlds moves between being shocking, romantic, eerie, and funny. And not only is this film very entertaining, it also gets you thinking about some pretty weighty ideas - like what it means to live, and the infinite possibilities of life. If you love movies that make you think while they entertain you, go see this film!

Tom McCamus gives his best performance to date. And Tilda Swinton is perfect in the role of Joyce - her best since 'Orlando'!

Science Fiction is hooey, and so too is multi-dimensionality, which is, from what I've heard, the latest theoretical craze in philosophy. These elements may be highlighted in "Possible Worlds"; they can be used to categorize the film. I, contrarily, would rather not fix my viewpoint on "Possible Worlds" while referring to film texts (science fiction), or to texts of philosophy (multi-dimensionality).

I enjoyed Possible Worlds as a whole, and my explanation of what made it enjoyable is inexact. There was a unearthly mood to it, a friction of impossible magnitudes. And then there was the score. Peter Gabriel's contribution mystified "Possible Worlds," a necessity, we may say in hindsight. The film's captured images similarly aided mystification. I didn't at all get the feeling the director was slipping in pictures from a "nature calendar." It seemed "Possible Worlds'" imagery was that of solitary reflection, they were of the detached mind, when memory overrules whatever continuity we're surrounded by. Individuals sat alone, in their minds.

I suppose "Possible Worlds" isn't an everyman's film. And it should not be. It should not find a category whereby it becomes easily approachable.

Throughout the film I was reminded of Krysytof Kieslowski's superb films "The Double Life Of Veronique" and "Three Colours Red" and its bugging me why. In parts the music reminded me of the soundtrack to "The Big Blue". I think the trick this film does well is to start the viewer off speculating about maybes, what-ifs and connections. I don't think its a great film but I like to think that if I was Niels Bohr, I'd probably imagine that the film only existed when I collapsed its wave function, if I was Hugh Everett III I'd think it would be a lot better seen in another universe and if I was Albert Einstein I'd reject the whole premise of the film on the grounds that God does not play dice.

As Kieslowski said when asked what "Red" was all about - "Watch it and decide for yourself".

As its title suggests, "Possible Worlds" is a film about the possibility of infinite parallel worlds, but if you're expecting some kind of Hollywood-style CGI extravaganza, you've come to the wrong place: it is a low-budget Canadian film and the special effects are minimal. Nevertheless, it invites you to soak in its dreamy, fluid images. As he proved in his writing-directing debut, "Le Confessionnal", Robert Lepage is a wizard especially at scene transitions. Both films are ambitious and interesting, if not 100% successful. But, as an old saying goes, sometimes an ambitious "failure" is preferable to a safe "success". Tilda Swinton is captivating, as always. **1/2 out of 4.