An American Rhapsody

I saw "American Rhapsody," last night; it's the first film by a 50-ish Hungarian-born female filmmaker. It's features an amazing, personal, story of the early Cold War-era immigration to America of a Hungarian family, and it was really incredibly done. We love Scarlett Johansson ("Ghost World"), who plays the 15-year-old, but the girl who plays the lead character at age 6 is one of the most loveable child actresses ever, Nastassia Kinski as the mother is great, Tony Goldwyn, as the dad, is good, the pair who play the Hungarian rural couple (especially the man) are fantastic. Hungary and Budapest too play a key role. The movie will sicken you, somewhat, about the America-in-the-early-60s mentality (sicken you because you know how much a part of all of us it is). As one reviewer said, this is no State Department-backed immigration story. And it will make you fall in love with the Hungarian countryside. It's a terrific movie-going experience. I cried several times throughout.

Because of how little marketing and buzz the movie has generated, I fear it will come and go in a flash; that's why I issue this appeal.

By the way, don't go expecting great filmmaking techniques and perfect direction; it's her first movie and mistakes were made. But the experience, if you go in the right frame of mind, is great. It's in English.

Moving take of family disconnection and loss as a result of war and politics. Although Scarlett Johanssen has a very strong performance as Zsuzane I feel the younger version played by Kelly Endresz-Banlaki was the standout performance. Conveying with few words the stories message and feeling of loss and confused definition of home. Well worth watching.

The film was entertaining and touching, but what I liked most about it was its faithful recreation of the 1950s. Having grown up in that period, I don't think I've ever seen such a faithful recreation of that era on screen. I kept looking at the screen and sayin, "Oh my God, I remember that."

It is difficult to encompass this film in a few words. It is a compelling drama that is delicately crafted by the director and superbly acted by the entire cast. In those respects it is flawless. There are enchanting, and disturbing pictures of life in America and Hungary. The story is at once sad, and heartening. It is a film of contrasts, skillfully presented. It draws the emotions of the viewer along with it, and evokes genuine sympathies for all the characters. That is rare in any film.

A young girl is torn between her youthful memories of one world, and one set of parents, while trying to grow up in another world with her real family that she seems to barely know. She is caught emotionally between her memories of two diverse worlds. The conflicts come to a crisis when she is 16, and she decides that she must return to Hungary in order to resolve them. I was so enthralled by that premise, and the skill with which the story was crafted, that I was engrossed from start to finish. I'm not even sure if I blinked the entire time. The scenes on the Hungarian side paint a poignant picture of people trying to live under the hopelessness of the communist regime after the invasion by the Soviets in 1950.

Natassja Kinski is superb. Her role is a departure from past efforts but she, as always, delivers a sterling interpretation of her character. But Scarlet Johansson and Kelly Endresz Banlaki really steal the show. Their performances as Suzanne are understated and genuine. There are some minor plot flaws in "An American Rhapsody", but they are inconsequential compared to the superb emotional ride the story provides. Watch this one for the dramatic and irresistible acting.

A true story: While her parents and older sister flee Hungary a young girl is unfortunately left behind with her grand-mother who then ends up in prison. The young girl is adopted by a childless couple who adoringly bring her up until she is 5 or 6, at which point her grandmother takes her back to her real parents in the USA. The young child is very brave, but also confused, and never forgets her adopted parents. This story leaves you feeling desperate for all those involved. The scenes of the girl in her early years with her adopted parents are very powerful and poignant. They are so genuine and sincere in their love for the child and they hope she will never have to leave them, but deep down they know that some day it will happen, and it happens when they are least expecting it. I can't imagine the pain those two people went through, as well as the child, and yet there is more to come. I spent the whole film fighting back the tears, I was completely absorbed by the depth of feeling. Some have said this film was flawed in some aspects but I'm no film critic and I have to say that I was so involved with the story and first class acting that if it was flawed I didn't notice. It is slow-paced but justly so. I was happy with the ending and felt it resolved nicely.

A note about the acting which was superb throughout. I'm a big fan of Tony Goldwyn who is perfect in these roles. The young Suzanne was delightful and incredibly genuine as were the adopted parents that were so authentic. The teenage Suzanne was also very naturally interpreted and believable. All in all, a fine film.