La ley de Herodes

To understand "La Ley de Herodes" and its historical significance, it is necessary to consider a study of the backdrop behind its production and release. LDH is a product of the decadence of the crumbling, rotting 70-year old regime of the Institutional Revolutionary Party (PRI). The 90s were frantic years in Mexico. The Zapatista uprising, the murder of the PRI's presidential candidate/next president (apparently by his own party), the "Tequila Effect" recession, several political murders and former president Salinas' exile (as well as his brother's arrest for money laundering)... all these events created a dissatisfaction so huge that forced the government to loosen its freedom of expression. It would have been impossible to release this movie, or to listen to Molotov's angry music without the bitter complacency of the government. And in a way, LDH signals the end of the PRI regime and its ousting from the executive in the year 2000. Mexico is undergoing change. It's slow, and it's painful, but it's happening. The PRI has not fully disappear, though. You can now see the Juan Vargas figure clinging in congress,trying to obstruct change, holding to its last source of power. A wonderful mambo score, by the way.

Juan Vargas, the hero of "La Ley de Herodes" learns quickly his role as mayor of the forgotten town where the ruling PRI party has chosen him to preside. The town and its people stand as a Mexican metaphor for what's wrong in the country, as a whole.

At the beginning we watch as Juan is reluctant to follow the steps his predecessors took in governing the town, which stands as a microcosm of the way things have been done in Mexico. It speaks volumes that Mexico is one of the oldest 'democracies' in Latin America, where corruption is rampant. On wonders if Mexico is the role model, what can be found in other Latin countries. Mind you, not everything is perfect in the good old USA!

It is to Luis Estrada's credit that he has been able to do this satire that pokes fun at politics, but at the same time, it makes one thing clear: watch what politicians will do once they take public office.

Damian Alcazar is perfect as the goofy mayor Juan Vargas, who the bosses in the capital think he will be perfect for the job. Pedro Armendariz Jr. does wonders with his interpretation of a corrupt party higher-up. Delia Casanova as Rosa and Isela Vega as Dona Lupe, are excellent.

This is a lesson in Mexican politics!

Herodes' Law is great and perfectly accurate parody of the corruption that characterizes most of the Latin America's states (for not saying ALL of them). Brilliantly, director Luis Estrada uses a very poor small town to develop his exaggerate parody about the behavior of Latin-American rulers. I'm sure that for us who were raised in small Latin-American towns, have notice that our governors are just a small sample of how things works in the official grounds.

Good photography, characters perfectly conceived and excellent performances makes Lay Ley de Herodes a very enjoyable, sometimes disgusting, film. Don't miss it 9/10

A great film! Captures the essence of Mexico's political life, with a lot of humor and a great story. It's also a very well made... the story is perfectly constructed, the photography is beautiful and the acting is top of the line, with Demian Alcazar and Pedro Armendariz, Jr. clearly stealing the show. For Mexicans it should be a rather bittersweet experience... you can't help but laugh at the situation, but it's also so real that you can feel a little frustrated with your government. Filmed almost entirely in brown and sepia tones, to make it as close to 'black and white' as possible.

An excellent hidden gem from writer/director Luis Estrada that won over 20 awards.

The Mayor of San Pedro loses his head while trying to abscond with the town's money, so the party puts in a figurehead (Damián , - Crónicas, The Crime of Father Amaro) until the elections.

Soon, he figures out the way of politics and is enjoying the benefits - and they are hot benefits! Soon, he is killing his enemies and extorting money like the rest of them. Of course, he manages to rise through his evil as all politicians do.

Alcázar was outstanding in this political satire, as was Salvador Sánchez, Guillermo Gil, and Isela Vega.