La ley de Herodes

I just saw "La Ley de Herodes" last night. I really enjoyed the film. It is a great black comedy. The script by Leñero and Estrada is carefully written. This is the kind of cinema Mexico needs. One of the most amazing things is that they use real names of political parties and that they got away with it.

Great performances by everyone, I think. Marvelous ending! Congratulations to everyone involved in this project!

A perfect and abundantly Mexican version of Lord Acton's dictum, "Power tends to corrupt and absolute power corrupts absolutely." In 1949 a local official of the ruling PRI (Pedro Armendariz as López) chooses a humble janitor (Damián Alcázar, as Juan Vargas) to be presidente municipal ("mayor") of a dusty, dirty little village in northern México. Vargas' is supposed to bring "modernity and social justice" but as he gradually assumes power, he grows progressively more corrupt. He even acquires the 1930's symbol of rural elegance in México: a Packard. Vargas eventually challenges his mentor, with surprising but perhaps predictable results.

The film was initially denied release because it paints a hilarious but extremely negative picture of women, of local priests, and of local government. It also includes a great deal of amazingly foul, but ultimately very funny, Mexican slang. Even the title, La Ley de Herodes, is part of a very crude saying that might (with considerable liberty) be translated as "Law Blue: Do it to them or they'll do it to you."

I first heard about this film on NPR in an interesting program about the ruckus this film may have caused with with it's own government. This lively film pulls a number of punches at politics of this era. A sharp and amusing black political comedy that keeps you engaged from the very beginning. A lowly civil servant gets a "promotion" to become the law in a desolate backwater Mexican village. It is a universal tale of greed, corruption and fate which had me chuckling for hours. If you can imagine a tasty, spicy satire pie baked up with treachery, a wry wit and superb performances, then by all means take of big bite of this delicious treat.

Juan Vargas, the hero of "La Ley de Herodes" learns quickly his role as mayor of the forgotten town where the ruling PRI party has chosen him to preside. The town and its people stand as a Mexican metaphor for what's wrong in the country, as a whole.

At the beginning we watch as Juan is reluctant to follow the steps his predecessors took in governing the town, which stands as a microcosm of the way things have been done in Mexico. It speaks volumes that Mexico is one of the oldest 'democracies' in Latin America, where corruption is rampant. On wonders if Mexico is the role model, what can be found in other Latin countries. Mind you, not everything is perfect in the good old USA!

It is to Luis Estrada's credit that he has been able to do this satire that pokes fun at politics, but at the same time, it makes one thing clear: watch what politicians will do once they take public office.

Damian Alcazar is perfect as the goofy mayor Juan Vargas, who the bosses in the capital think he will be perfect for the job. Pedro Armendariz Jr. does wonders with his interpretation of a corrupt party higher-up. Delia Casanova as Rosa and Isela Vega as Dona Lupe, are excellent.

This is a lesson in Mexican politics!

An excellent hidden gem from writer/director Luis Estrada that won over 20 awards.

The Mayor of San Pedro loses his head while trying to abscond with the town's money, so the party puts in a figurehead (Damián , - Crónicas, The Crime of Father Amaro) until the elections.

Soon, he figures out the way of politics and is enjoying the benefits - and they are hot benefits! Soon, he is killing his enemies and extorting money like the rest of them. Of course, he manages to rise through his evil as all politicians do.

Alcázar was outstanding in this political satire, as was Salvador Sánchez, Guillermo Gil, and Isela Vega.