Hellraiser: Inferno

I must admit to expressing a certain level of cynasism when I selected Inferno from my local video store. While I had found the frist two installments of the Hellraiser Series to be both disturbing and visually breath taking I was in no way impressed with three and four and am usually very sceptical about any direct to video horror movies. In this case I had little need to be.

The production values throughout this film are far above it's direct to video peers. The lighting and set designs are of the same caliber as many theatrically released horror movies. I will admit that the production design doesn't compare to sureal atmosphere of Hellraiser 1 & 2, but the this film seems to be grounded in a more gritty realistic environment. Craig Sheffer gives an excellent performance as the film's flawed protagonist a corrupt cop. He gives a minimally emotional performance giving his vice riden character a hollow and feel reflecting his soul's depravity. Character actor Nicholas Turturro gives an excellent performances as Sheffer's partner. The special effects and gore are far above those of a B-Movie. I was especially impressed with the transformation of pinhead.

What really sets this sequel apart from it's preadecesors is the script. In an inspired move writer/director Scott Derrickson choose to vary his story drastically from 3 & 4 an focus on the seductive nature of evil and takes the form of a modern morality tale. It is essentially the story Sheffer's struggle to purify himself of his own corruption, and return to innocense. This is in many ways the movie The Bad Luetenant as interpreted through the horror genre. Yes, Pinhead and his demon companions on make short cameo appearances and this is bound to anger some fans. I must argue however that the dread of their presences is always felt in the films atmosphere, and their use in the "surprise" ending is very effective.

I do have some minors critasisms which prevent me from giving this film a ten rating. First of all the film as times does degrade to cliches from both horror films and police dramas. I also felt the use of the demons in cowboy hats performing martial arts border on being unbelievable. In order for a film to be entertaining the audience must be able to suspend disbelief moments like this are difficult to accept. Finally, there are several false ending to this film. While years ago this may have been seen as an inventive horror tactic in the eighties it has become static and predictable. In many ways it takes away from the viseral power of the films conclusion. I rate this film as an eight out of ten due to it's inventive interpretation of the Hellraiser Series, and I would recommend it to both fans and non-fans of the series.

This was a very good movie. I'm a big fan of the Hellraiser series and I was very disappointed when I first saw Bloodlines. But this was a good one. The disturbing thing is the role of pinhead. In all other movies he is a messenger of ultimate pain an desperation, an active tormentor of souls, so in his role he is very disposable this time. This story doesn't need "Hellraiser" written on it's label to become a success. On the other hand it has more similarities with the book than Hellraiser 2, 3 and 4. Good actors, some good SFX, a dark, violent atmosphere and an entertaining story sum up to one of the best sequels for a long time.

I saw this film alone in a "house container" in the middle of the night, during my 24H shift as the radio Duty Officer in a UN military camp in Eastern Africa. Maybe that's why it made such an impression on me, partly, anyway!

Whatever the unusual setting for viewing it, it must be said I'm a long time fan of Clive Barker and his universe(s), and that that of course helped in gearing up my imagination. In my opinion, the special Barker trademark, namely a mood of overwhelming and insanity-inducing Biblical horror, translates well to the screen in this film. The protagonist, played by Sheffer, remembered from another Barker movie, Nightbreed, is caught in a web that seems impossible to escape. Even though he's a real dumb b*****d, you just can't help feel a little sorry for him; the way he is manipulated by gruesome, hellish powers is almost too much. No way he can experience what he does without loosing his mind!

The acting isn't anything special, but I tell you, if you are capable of living yourself just a bit into the story, you'll feel like I did: That movie has warped my fragile little mind!

Advice: see it alone, tired, just before you are going to sleep, and with your senses alert to begin with - and you'll be ready to continue the roller coaster ride in troubled dreams afterwards. Disturbing! 7 out of 10.

It's important to note that the writers decided to take the series in a new direction with Inferno. The problem is that the direction they chose is far enough removed from the heart and soul of Hellraiser - from the very things that made it great - to be nothing short of off-putting and disappointing. It's a near impossibility to view this film without doing so through the lens of the straight-to-video format in which it was released. This film takes a budgetary back seat to its four predecessors and it shows painfully. It's very evidently a film script that the studio couldn't otherwise sell and, seizing on the opportunity, Miramax wrote in the Lament Configuration and, subsequently, Pinhead and slapped the Hellraiser moniker on it. A frequent statement fans of this film have used is that it must be viewed out of context of the Hellraiser series and entirely separate from the four films that came before it. When viewing it through that lens, Inferno becomes nothing short of a TV-movie-style production with some non-TV-appropriate profanities strewn throughout. The movie is bland, the acting is subpar and the plot is disappointing to say the absolute least. For a film that was promoted and released as a Hellraiser film with Pinhead on the cover, it's nonsensical to expect the viewer to enter into the film viewing it as anything but a Hellraiser sequel and, in that regard, it's not the worst movie ever made (and probably not even the worst Hellraiser sequel) but it definitely delivers an unhealthily large portion of boredom. Hellraiser: Inferno is an absolute pass. Not good.

A shady police detective (Craig Sheffer) becomes embroiled in a strange world of murder, sadism and madness after being assigned a murder investigation against a madman known only as "The Engineer".

So, the story is that parts five through eight of Hellraiser were actually other films that had the script tweaked in order to make them part of the franchise, under the idea that more people would rent or buy the movie if it had Pinhead in it. Well, that last part is certainly true: many Hellraiser fans rented or bought this film and were gravely disappointed.

The problem is that this is actually a decent movie... except the Hellraiser parts. A corrupt cop tracking a serial killer, while going mad and being taunted by the killer? That always works. But why would Pinhead involve himself in this? It makes no sense with the character or the story as we know it. Remove the chains and Pinhead, and you have a good story that actually makes some level of sense.

So, now what about the franchise? Is it screwed? Do we ignore this and other films or do we just say it got worse as it went? Horror franchises going downhill is pretty standard, but by accepting this one into the mix, we are muddling the mythology. Why did they do this?