Hellraiser: Inferno

A shady police detective (Craig Sheffer) becomes embroiled in a strange world of murder, sadism and madness after being assigned a murder investigation against a madman known only as "The Engineer".

So, the story is that parts five through eight of Hellraiser were actually other films that had the script tweaked in order to make them part of the franchise, under the idea that more people would rent or buy the movie if it had Pinhead in it. Well, that last part is certainly true: many Hellraiser fans rented or bought this film and were gravely disappointed.

The problem is that this is actually a decent movie... except the Hellraiser parts. A corrupt cop tracking a serial killer, while going mad and being taunted by the killer? That always works. But why would Pinhead involve himself in this? It makes no sense with the character or the story as we know it. Remove the chains and Pinhead, and you have a good story that actually makes some level of sense.

So, now what about the franchise? Is it screwed? Do we ignore this and other films or do we just say it got worse as it went? Horror franchises going downhill is pretty standard, but by accepting this one into the mix, we are muddling the mythology. Why did they do this?

After the disappointing reception of Hellraiser: Bloodline in 1996, the Hellraiser series had little promise. But, apparently enough promise that the series would be released direct to video and the first film to do that was the fifth entry, Hellraiser: Inferno. Released in 2000, Hellraiser: Inferno was not originally meant to be a Hellraiser film but, the studio found it cheaper to take a pre existing script and shove Hellraiser elements to then make it a Hellraiser film. Hellraiser: Inferno was written and directed by Scott Derrickson and stars Craig Sheffer, Nicholas Turturro, James Remar, and Doug Bradley. The film would be enough of a success that the series would continue well after the release of this film on direct to video.

Detective Joseph Thorne (Craig Sheffer) is a shady cop. He does drugs, takes money from dead victims, and hooks up with prostitutes while he is still married. When he finds the Lament Configuration and opens it, people start dying and someone known as the Engineer is behind all of this.....

Hellraiser: Inferno is a peculiar film in many ways. First off, it does not feel like a Hellraiser film. But that is not a bad thing at all. This film is a psychological horror/thriller that is actually fairly well constructed. It just has Pinhead sprinkled throughout the film. Clearly though, this was all unintentional. They had no idea that the already pre existing script would actually work as a Hellraiser film. The film is still dark and creepy all around. But what this film does bring that is new to the series is a sense of mystery. The cop plot and the whole murder plot is very gripping and while one probably would catch on a bit too early as to what this all boils down to, it is still very interesting to watch. This story in a way reminds me of the first Max Payne game. It is a psychological thriller with a cop/detective who is apart of a much bigger scheme. The story is a slow burn all around (with this film even managing to be the Hellraiser film with the longest runtime) but it is well worth it when the film gets to the climax and eventually the reveal which, as mentioned before, does get made a little obvious before hand. For some, the story may get a little convoluted if thought about too much but is otherwise fairly straightforward. The main character is not very likeable in the least bit but that is most certainly the point of the film. The character of Pinhead is not present in the film for very long and has little impact on the plot. But on the other hand, it is nice to see Pinhead more so as a neutral force as seen in Hellraiser and Hellbound: Hellraiser II. The other Cenobites are creepy enough and are fairly simple in design. Special effects are done by Gary Tunnicliffe who did effects for Hellraiser: Bloodline and would do effects for the rest of the series and even go and direct Hellraiser: Judgment. The special effects are nothing great and considering a small budget, you are very limited on things that you can do in a film. CGI is used a few times and it does not look terrible considering that this is a low budget, direct to video film. We do get a good look at some great practical effects but there is not too much of them. It is probably the least gory Hellraiser film up to this point in the series.

Hellraiser: Inferno is highly underrated but I am seeing this film slowly gathering a cult following and it brings a smile to my face. If you did not like Hellraiser III: Hell on Earth and Hellraiser: Bloodline, and you want something a little different, Hellraiser: Inferno is the film for you.

I must admit to expressing a certain level of cynasism when I selected Inferno from my local video store. While I had found the frist two installments of the Hellraiser Series to be both disturbing and visually breath taking I was in no way impressed with three and four and am usually very sceptical about any direct to video horror movies. In this case I had little need to be.

The production values throughout this film are far above it's direct to video peers. The lighting and set designs are of the same caliber as many theatrically released horror movies. I will admit that the production design doesn't compare to sureal atmosphere of Hellraiser 1 & 2, but the this film seems to be grounded in a more gritty realistic environment. Craig Sheffer gives an excellent performance as the film's flawed protagonist a corrupt cop. He gives a minimally emotional performance giving his vice riden character a hollow and feel reflecting his soul's depravity. Character actor Nicholas Turturro gives an excellent performances as Sheffer's partner. The special effects and gore are far above those of a B-Movie. I was especially impressed with the transformation of pinhead.

What really sets this sequel apart from it's preadecesors is the script. In an inspired move writer/director Scott Derrickson choose to vary his story drastically from 3 & 4 an focus on the seductive nature of evil and takes the form of a modern morality tale. It is essentially the story Sheffer's struggle to purify himself of his own corruption, and return to innocense. This is in many ways the movie The Bad Luetenant as interpreted through the horror genre. Yes, Pinhead and his demon companions on make short cameo appearances and this is bound to anger some fans. I must argue however that the dread of their presences is always felt in the films atmosphere, and their use in the "surprise" ending is very effective.

I do have some minors critasisms which prevent me from giving this film a ten rating. First of all the film as times does degrade to cliches from both horror films and police dramas. I also felt the use of the demons in cowboy hats performing martial arts border on being unbelievable. In order for a film to be entertaining the audience must be able to suspend disbelief moments like this are difficult to accept. Finally, there are several false ending to this film. While years ago this may have been seen as an inventive horror tactic in the eighties it has become static and predictable. In many ways it takes away from the viseral power of the films conclusion. I rate this film as an eight out of ten due to it's inventive interpretation of the Hellraiser Series, and I would recommend it to both fans and non-fans of the series.

It's important to note that the writers decided to take the series in a new direction with Inferno. The problem is that the direction they chose is far enough removed from the heart and soul of Hellraiser - from the very things that made it great - to be nothing short of off-putting and disappointing. It's a near impossibility to view this film without doing so through the lens of the straight-to-video format in which it was released. This film takes a budgetary back seat to its four predecessors and it shows painfully. It's very evidently a film script that the studio couldn't otherwise sell and, seizing on the opportunity, Miramax wrote in the Lament Configuration and, subsequently, Pinhead and slapped the Hellraiser moniker on it. A frequent statement fans of this film have used is that it must be viewed out of context of the Hellraiser series and entirely separate from the four films that came before it. When viewing it through that lens, Inferno becomes nothing short of a TV-movie-style production with some non-TV-appropriate profanities strewn throughout. The movie is bland, the acting is subpar and the plot is disappointing to say the absolute least. For a film that was promoted and released as a Hellraiser film with Pinhead on the cover, it's nonsensical to expect the viewer to enter into the film viewing it as anything but a Hellraiser sequel and, in that regard, it's not the worst movie ever made (and probably not even the worst Hellraiser sequel) but it definitely delivers an unhealthily large portion of boredom. Hellraiser: Inferno is an absolute pass. Not good.

Hellraiser: Inferno marks the first juncture in the franchise where ideas deviated beyond the formula set in place by the first borderline surreal, masochist piece.

Gone is the dreamy, sordid aesthetic used back then, the Cenobites who were front and centre are reduced to limited appearances and the story is less otherworldly and something decidedly more noirish and down to earth. Whether that's accepted by franchise die-hards and horror hounds alike is subjective, but I didn't mind it's slow burn approach or sidewinding tone. Craig Sheffer, the closest thing you'll get to Josh Brolin without breaking the bank, plays a crooked Detective who finds himself dragged down a rabbit hole of creepy, murderous goings-on when he's assigned to hunt a serial killer known as 'The Engineer'. Of course the murders always seem one step ahead of his grasp, and naturally dark secrets from his sketchy past are brought to light as he gradually begins to lose his mind. Doug Bradley does eventually return as the iconic Pinhead, with a few members of the Cenobite posse, but their presence is kept mostly on the back burner for quite a while. Taking antagonist duties for a while instead is Sheffer's eerie psychiatrist, played with sinister charm and knowing charisma by James Remar, a dubious fellow with a few tricks up his own sleeve. This is the one entry that sticks out from the franchise in it's diversion from the usual path of distinct, abstract psychosexual horror and mutes the whole icy nightmare down to rebuild a story in it's own image. You'll either appreciate the initiative, or you'll miss the good ol' freakshow of the original film. Up to you.