Green Dragon

I would recommend this movie to anyone who would like an accurate perspective of the South Vietnamese people. Unlike the previous critic, I will leave any misinformed politics aside. Although the war was highly political, and the movie does comment on the war, the film is not based on any political agenda like the previous critic leads you to believe. Instead, I believe the movie's focus is on the human stories of people struggling to forge a new life after their country was taken away from them. What is refreshing and what gives the movie credibility is that the director and most of the actors are Vietnamese, many of whom went through similar experiences as depicted in the movie after the war. In that sense, the movie is real, not just some form of propaganda "intended for the not-too-bright oversentimental without-a-dose of a history-lesson or critical thought Americans." It is a movie for Americans, Vietnamese immigrants such as myself, and people who dare regard the United States as the great and imperfect hope that it is.

Along Southern California's coast, midway between Los Angeles and San Diego, sprawls Camp Pendelton, home to about 50,000 U.S. Marines. Less than an hour's drive to the north, not far from Disneyland, is a Vietnamese enclave of about 200,000 without political boundaries which the road signs call "Little Saigon". "Green Dragon" peers into the lives of a handful of Vietnamese who, in 1975 during the fall of Saigon, occupied a refugee camp at Camp Pendelton and went on to be assimilated into American society and establish communities such as "Little Saigon".

Part history lesson and part drama, "Green Dragon" is sensitive look at a people in flux agonizing over their expatriation and fragmentation while coming to grips with an uncertain future. The film is a somewhat uneven and austere hodgepodge with the look of a low budget indie. However, what it lacks in embellishments it makes up for in nobility of purpose and should be appreciated by those with a special interest in the time and the people involved. (C)

The intent of the film was good, however, the execution lacked the emotional punch that could have resulted from the storyline. We've seen the subplots before: the angry officer sympathizes with the foreigners, the big misfit befriends a young boy, the rebel in the crowd shouting out against the system..etc.

This is a quiet film and while not that bad, it didn't seem to capture the elements of "camp life" well enough to give me a sense of the refugee's fear of leaving the safe camp and starting a new life in America. There were moments in the film that had potential, but overall, it seemed a dull cinematic experience.

Not much happens in this movie. Go see "Heaven and Earth" instead.

This movie seems to be experiences of various Vietnamese people during the stay in the refugee camp. It has been sentimentalized, casting it as some sort of good old memories. Plus it seems most of the people who made it out are the ones, by whatever circumstances, either having power, connection, money or being in the armed forces. So we get a view biased toward the well to do who favored what we did for them.

The many little stories intertwined together gives an overall concern that most of the Vietnamese had when they first arrived, with a few like the Camp manager/Patrick Swayze character and Kid/Forest Whitaker character thrown in to reflect American's own remorse and problems.

I found that some of the subjects covered to be a bit abrupt, since many of the characters were not introduced, instead were thrown into the action. Like the man with two wives, and the husband and wife with the pictures of their son, who were dragged out of their beds in the middle of the night. Seeing the deleted scenes on the DVD made the characters more rounded and their situations more understanding, allowing us to connect with them better.

Many of the more important subjects seems to be lightly touched upon, and the whole American issue seem to play us out as the savior, as opposed to the aggressor. Even the radio reporting of seem to play to the fear of the well to do Vietnamese since they were the ones being preyed upon during the fall of Saigon, which is not unusual in situations where the oppressed overtakes a imperialist backed government.

Most of the acting were very humanistic, but I found Patrick Swayze a bit too apathetic, never allowing us to believe that he is filled with guilt. A big part is probably his natural facial expression, which does not gear toward the sorrow look.

All in all, still a good movie to see so that we would know what the people experienced when they first came to the US. A little less mush and a little more on the heavy or more controversial topics would have been welcomed.

Engrossing depiction of the many trials and sorrows of the 1970's Vietnamese reufugees. Forest Whitaker gives a telling performance as a cook who bonds with a Vietnamese boy.