Two of Us

When this movie was first advertised on VH1, I was extremely sceptical. But, the closer the day came for airing, the more the advertising gave us different teaser glimpses and it intrigued me. By the time of broadcast, I was determined to watch it, albeit with my sharp critique in tact. Well, to my utmost surprise, I was absolutely amazed at the acting and simple premise of the flick. I actually had to stop several times to remind myself that this wasn't really Lennon and McCartney, but extremely talented actors with a very accurate (in spirit) script. Both Aidan Quinn and Jared Harris deserved awards for their touching performances of two of history's most talented and prolific songwriters.

I wouldn't have expected most musicians or Beatles fans to like this film, what with our expectations and a feeling like we own our image of them in some personal sense, but I'm glad that many here did, because I think it is an excellent character study, regardless of whether it happened or not. And I think that especially for the general public, who may not have known much about John and Paul, at least outside of the Beatles, it gave an interesting portrayal of them as the remarkable people they were (and are, in Paul's case), both in good and bad ways, and accurately expressed some of the dynamic that they had between them, both in terms of friendship and conflict. Not that any of it was specifically accurate or would have happened that way, necessarily, but I think the dynamic itself was accurate, at least in terms of the mythology and perception we've gleaned from what we know about them and how they felt about eachother.

The only things I didn't like were parts of the rooftop scene, which kind of made Paul into a pseudo-saviour for John, although in terms of trying to instill some dramatics into the show, that was probably a valid device (John clearly had more demons and things unresolved in his life than Paul), and the scene of them in the park, which just seemed pointless. However, as they were walking into the park, there was a great line, where some guy asks John for change to help 'save the seals', and John says "I don't think they'd listen". I don't know if Lennon ever said that, but you've gotta admit, that's a great Lennon-esque line, and indicative of the sharp writing in this film...

EE

Recently shown on cable tv the movie opens with a disclaimer distancing itself from any co-operation of real life persons; that in itself is an eye catcher. Yet the script and acting from the main characters is superb and I found myself engrossed throughout.Due in no small way to the crisp, thoughtful and interesting dialogue.The film is about a meeting on one day between two real life musical "legends" who formerly composed together then seperated.The film captures the essence of their lives and philosophies, in a story which proffers an explanation for their initial "split". What is so impressive is that the actors give such seemingly realistic portrayals of the characters they play,faults and all, that this viewer at least was left believing I was witnessing a true event in almost every detail. The great skill of this play is that with astute writing and fine acting a movie basically about "two of us" talking can make an excellent picture. Worthy of at least an 8 out of 10.

I sat down to watch this film with much trepidation and little hope. I didn't think it would be possible for this film to live up to its subject matter. But it absolutely did, and then some. First, I must say that Jared Harris did an extraordinary job as John Lennon. At times it seemed that Harris was channeling Lennon. The resemblance was often uncanny, and he clearly studied Lennon's mannerisms and vocal inflections. Aiden Quinn was quite good as McCartney, also bearing a striking resemblance to Macca, although he did occasionally trip over his Scouse accent.

This work of fiction was well-written and well-directed. It was pure fantasy, of course, but sometimes I felt like a voyeur peeking through a keyhole at this reunion. The rooftop scene was especially moving, as McCartney told Lennon what he had never heard as a child--that he was worthy and important, and it could never be his fault that he was abandoned by his parents. I also enjoyed the scene in the park where the pair of them danced with absolute abandon to the reggae band!

My one complaint would be this: I am not so sure that John was as caustic as he was portrayed in the film at this stage in his life. He had settled in to his domestic situation quite nicely, and he was actually known to be quite friendly when approached by fans. Only a few years later, he was very friendly when he was first approached by his assassin for an autograph on the day he was murdered.

Mostly this film served to stir up those feelings again about what might have been had John lived a bit longer. I am quite sure the Beatles would have come back together at some stage. And I am quite certain that Lennon and McCartney would still be friends today.

Well done, VH1. I will watch it again and again.

As a musician, and devout worshipper of the Beatles, I was more than a little bit puzzled as to how VH1 could and would pull off the fictional "reunion" of perhaps, the most significant songwriters in the last millenium. I was worried that it would drip of the saccharine "Baby Boomerism" that made films such as Forrest Gump walk the indefinable line between touching and nauseatingly univiewed. I must say to VH1's credit, that unlike the horrific job they did with the Meat Loaf story "To Hell and Back.," this was subtle, and endearing without sacrificing a reality that grounded it in the here and now.

Firstly, Paul and John did in fact meet in New York to patch up their differences on that day in 1976, he has said that in interviews...what is different about the actual reunion is that Yoko was present in real life and was absent here for the film, which is already the first entry into fiction, and let's face it...a convenient one. Jared Harris, was absolutely breathtaking as John, right on down to the way he'd pace his speech patterns. Attention to actual accents was less important to me, than the pattern they were so known for. I will admit that the continual delving into the past he couldn't and wouldn't let go of, i.e., the death of the mother who had abandoned him as a child and the father who was as useless as balls on the Pope, got to be a bit soap opera-like, but no matter, the wit, the phrasing and the intensity that only Lennon had, was very closely brought back here.

Aidan Quinn as Mc.Cartney was not only astonishingly surprising, he was literally dead on. He was Paul, the charming, soft spoken, romantic thinker and apt businessman with the "pretty face" that even after the harshest of words could still reach down and stir John's battered soul in the way Yoko never could (nothing against Yoko of course...)

The movie was small, and I'm grateful for that because it gave one the ability to be the fly on the wall...and those moments as great in magnitude as they have the potential to be, are in fact quite small. John was the rebel, Paul the romantic realist, both wanted peace, both achieved it in the end. I absolutely choked up during the end of the film, cause you know as Paul walks out the door, that John's all too horrific ending is now inevitable.

As I shut the TV off, one thing was left with me...

"And in the end...the love you take...is equal to the love you make."