2176 में, एक मार्टियन पुलिस इकाई को एक दूरस्थ खनन पद पर एक अत्यधिक खतरनाक अपराधी को लेने के लिए भेजा गया है. यहां आने पर, पुलिस को पता चलता है कि वह जगह एक मुर्दाघर बन गयी है.2176 में, एक मार्टियन पुलिस इकाई को एक दूरस्थ खनन पद पर एक अत्यधिक खतरनाक अपराधी को लेने के लिए भेजा गया है. यहां आने पर, पुलिस को पता चलता है कि वह जगह एक मुर्दाघर बन गयी है.2176 में, एक मार्टियन पुलिस इकाई को एक दूरस्थ खनन पद पर एक अत्यधिक खतरनाक अपराधी को लेने के लिए भेजा गया है. यहां आने पर, पुलिस को पता चलता है कि वह जगह एक मुर्दाघर बन गयी है.
- पुरस्कार
- 2 कुल नामांकन
फ़ीचर्ड समीक्षाएं
I'm not some naive fan who thinks Carpenter can do no wrong. I didn't care much for Vampires or Village of the Damned (they were alright, but the scripts for those two were not up to snuff for a great director like Carpenter). However, I think Ghosts of Mars is one of his greatest movies. If you can't appreciate this movie then you can't really appreciate Carpenter, IMO. From the Lovecraftian story and atmosphere, to the anamorphic photography, to the excellent music, everything here is Carpenter. Hopefully this movie will find its audience, in time, rather than be forgotten. One criticism of Carpenter I've never been able to understand is that people say he isn't subtle, he relies solely on shocks and violence. Yes, his movies have shocks and violence, they are the release mechanisms for all of the terror he slowly builds up, neanderthals! It seems some film critics are just too good for American horror, they can't stoop to its level from their lofty perch.
I first saw this during Christmas vacation in 2001 in Regal theatre, South Mumbai, Colaba.
I enjoyed it then, especially the gore n Jason Statham's fight choreography.
Inspite of owning a VCD, I never played it on the player.
Revisited recently again in the month of December.
This movie hasn't aged well n I found it to be boring n very silly.
The movie has too many flashbacks.
Also I never understood how the possessed fellas get earrings or nose rings or whatever they wear.
In fact even the lead villain/ghost/demon is wearing a rubber suit representing a six pack. Now that is something very ridiculous.
I enjoyed it then, especially the gore n Jason Statham's fight choreography.
Inspite of owning a VCD, I never played it on the player.
Revisited recently again in the month of December.
This movie hasn't aged well n I found it to be boring n very silly.
The movie has too many flashbacks.
Also I never understood how the possessed fellas get earrings or nose rings or whatever they wear.
In fact even the lead villain/ghost/demon is wearing a rubber suit representing a six pack. Now that is something very ridiculous.
The wild-west inspiration is obvious.
It could just as easily have been made as a "regular" horror-western, and perhaps a remake/reimaging will make it so.
The sets are OK, the CGI is so-so.
The actors are doing a decent job and all in all, the film accomplishes what it sets out to do: A two-fisted action-romp with a splash of horror and gore.
It's not high art but it is silly fun and good enough for an evening along with popcorn and soda.
It could just as easily have been made as a "regular" horror-western, and perhaps a remake/reimaging will make it so.
The sets are OK, the CGI is so-so.
The actors are doing a decent job and all in all, the film accomplishes what it sets out to do: A two-fisted action-romp with a splash of horror and gore.
It's not high art but it is silly fun and good enough for an evening along with popcorn and soda.
Apparently GOM was originally intended to be a 3rd entry of the Escape franchise, with character Snake Plissken (Oh my god, I wish they did that instead, because Ice Cube always was, and still is terrible at acting). Anyways, that info in mind, it made so much more sense. John Carpenter's Escape visual style was right there all along, and I never noticed. The costumes, the train, the future technology, and all the visual effects are exactly the same as the Kurt Russel Escape films, just transported to the Mars location. I think part of the issue with fans is that people didn't understand what this was. It was an old fashioned future (if that makes sense). The story takes place in the future, but using visual techniques and story elements that feel dated in the past. It's actually fun that way, if you don't treat it like the Matrix, or something that actually was progressive at the time.
That's it, no deep dives. This film is Ice Cube playing a dangerous prisoner that was meant to be transferred, when things go amok for all the human survivors. It's Escape from NY/L.A. mixed with Assault on Precinct 13 set on Mars. The bad guys causing all the trouble are the "ghosts"/ weird creepy monsters that self mutilate, and are more or less what happens to people from the Mad Max movies when they have a supply of meth. Oh, I forgot the ghost spirit can travel into people's bodies.
It is fun if you let it be. It's a low budget nothing action. You get a young Jason Statham as a perv, Clea DuVall, Pam Grier in a weird pushy lesbian commander role, and Ice Cube if you are into his wide range of abilities (gangster with a Cali accent on Mars, go figure).
This is the definition of a 4-5 star flick. It is fun, and has people I like long enough to keep watching. I give 5 stars, just because it's been given an unfair wrap over the years. If you treat it like it was made in the 80's you might actually like it a lot!
That's it, no deep dives. This film is Ice Cube playing a dangerous prisoner that was meant to be transferred, when things go amok for all the human survivors. It's Escape from NY/L.A. mixed with Assault on Precinct 13 set on Mars. The bad guys causing all the trouble are the "ghosts"/ weird creepy monsters that self mutilate, and are more or less what happens to people from the Mad Max movies when they have a supply of meth. Oh, I forgot the ghost spirit can travel into people's bodies.
It is fun if you let it be. It's a low budget nothing action. You get a young Jason Statham as a perv, Clea DuVall, Pam Grier in a weird pushy lesbian commander role, and Ice Cube if you are into his wide range of abilities (gangster with a Cali accent on Mars, go figure).
This is the definition of a 4-5 star flick. It is fun, and has people I like long enough to keep watching. I give 5 stars, just because it's been given an unfair wrap over the years. If you treat it like it was made in the 80's you might actually like it a lot!
Carpenter's films tend to age like fine wine. When they're released, they're lamblasted by critics and fans. Ten years later, they're classics; for instance, "The Thing", "Big Trouble in Little China", "They Live", "Prince of Darkness" -- and "Ghost of Mars" is no exception. This is a tremendously entertaining film that shouldn't be viewed as a horror film, but rather, as a tongue-in-cheek western, in the vain of the Spaghetti Westerns. You all have to pull your heads out and watch this film again...in about nine years. I'll bet you'll say, "You know what, that was a hell of a lot of fun." In the meantime, get off Carpenter's ass.
क्या आपको पता है
- ट्रिवियाIn a 2011 interview, John Carpenter stated he was intentionally trying to make Ghosts Of Mars as over-the-top and tongue-in-cheek as possible. He claimed he was trying to make a mindless and silly, yet highly entertaining and thrilling, action flick where "the universe allows its characters and plot points to be silly without being full-fledged comedies", akin to 80's movies like कमांडो (1985), रेंबों: फ़र्स्ट ब्लड पार्ट 2 (1985), and प्रिडेटर्स (1987). Looking back on the film and its criticism, he stated he was frustrated that most people thought the film was meant to be a serious horror movie, and feels that he should've made the film more openly comedic and "in on the joke", saying "...it's called Ghosts Of Mars for Christ's sake, why would people take this movie seriously?"
- गूफ़During a shot out the front of the police station, a crew member is visible loitering in the shadows while the leader of the Ghosts yodels in the center of the street.
- भाव
Melanie Ballard: [to Jericho] Let me put it this way. Maybe I'd sleep with you if you were the last man on Earth. But we're not on Earth.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $2,80,00,000(अनुमानित)
- US और कनाडा में सकल
- $87,09,640
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $38,04,452
- 26 अग॰ 2001
- दुनिया भर में सकल
- $1,40,10,832
- चलने की अवधि
- 1 घं 38 मि(98 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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