The Score

The caper doesn't have a perfect plot -- either as a movie or a crime. Too much is left to chance or quite formulaic. How many times have we seen a soon-to-retire/just-retired master thief called up by a life-long friend/partner/lover for one last job with a huge pay-off and forced but whatever means to work with a young, arrogant unknown? But despite my best efforts to dismiss this movie, the three main actors are captivating ... passing the viewers' attention around as effortlessly as the Harlem Globetrotters with a basketball. It's well-worth seeing just for the acting, but it's sad to think what was missed by not giving these guys a better script.

Seven of ten from me.

Yes, it's a cliché script, but it's a good one. De Niro, Norton and Brando in a classic heist movie from 20 years ago. What do you want more? It's 2 hours of oldschool moviewatching. Not too deep, no psychology, just a plan to rob an artefact and everything that can go wrong with that. De Niro and Norton team up with Brando on the background doing his cottonball in mouth dialogues. The movie delivers what it promises.

Yep, it's another clichéd script: Career cat burglar Nick (Robert De Niro, Meet the Parents) is about to take on a nearly impossible heist that requires his joining forces with a talented but brash young accomplice, Jackie (Edward Norton, American History X), whom he doesn't particularly like. The dubious alliance, arranged by Nick's longtime friend and fence, Max (Marlon Brando, Don Juan deMarco), throws a wrench into Nick's plan to retire from crime and settle down with his lady love, Diane (Angela Bassett, Supernova).

Uh-huh. The old, "One more job, then I'll retire," routine. But that's where the routine ends. The trio of brilliant lead actors transcend the plot, and overcome the sometimes sluggish direction (courtesy of Frank Oz, who did Bowfinger and many other comedies -- and children's flicks, such as The Indian in the Cupboard). It's an absolute pleasure from start to finish, just to watch and study these men -- but then, they could probably be taking turns reading the phone book and make it seem fascinating. (Angela Bassett is excellent too, but she is unfortunately relegated to the one-dimensional, obligatory "girlfriend role" here.)

The score is a big one: a 16th century royal scepter worth $30 million dollars. It's locked away in the basement of The Customs House in Montreal, Canada, and security is getting tighter by the day. Jackie infiltrates the House, posing as "Brian," a janitor afflicted with cerebral palsy. Norton is flawless in his dual roles (remember his schizo debut in Primal Fear?), and better still, he plays Brian as funny and endearing without ever creeping into caricature-ville. Meanwhile, Nick is figuring out how to bypass the ironclad security system and crack the uncrackable safe. DeNiro doesn't have a lot to do with his character, but what he was given, he runs with. He not only makes you believe the clichés, you like them, dammit. Brando is clearly having fun with his role -- one tailor-made just for him. "I wrote the part specifically for Brando," said co-writer Kario Salem. "I imagined him as a cross between Truman Capote and Tennessee Williams -- someone of great flamboyance and humor and wit and someone of great size, both literally and figuratively." Brando nails it all the way. (Interesting aside: the roles of Nick and Jackie were originally slated for Michael Douglas and Ben Affleck.)

The twist ending is given away a bit too early (but then there's another twist), and there isn't anything here we haven't seen before. However, with three generations of the world's best actors on the screen, The Score scores big.

The Score seems to start off slow for some, but the film's speed is important for the movie. It shows how DeNiro's character lives his life and his life is essential to the plot. "One more" is what he has been saying for years, but this time he means it and will do whatever it takes to make sure nothing goes wrong. Edward Norton's character gives Bob the most grief because he isn't sure if Norton will fly straight. Norton's performance is doubly magnificent and anyone who hasn't seen this actor in action is missing out big time. Brando delivers about 5 scenes that are right on key and provides some comic relief that fits nicely. Overall a really good film that will leave audiences with their jaws on the floor.

A fairly good heist movie with 3 outstanding mega stars in Robert De Niro, Marlon Brando & Edward Norton. It really is the generation game with 3 different generations represented. De Niro & Norton are on top form and it's good to see them going back and forth. Marlon Brando is fine but it's clear to see he is being his usual awkward self as he spends most of the movie sitting down in large robes, it's obvious he was just doing his own thing with little effort or requirement. The biggest failure in the movie is Angela Bassett. It's hard to see why she took such a nothing role other than to work with the talent on show. Her character is reduced to 3 or 4 scenes with absolutely nothing to do. The ending is ok but seeing De Niro walk off into the sunset with Bassett doesn't feel earn as there has been hardly any development between the 2 characters to make us care. A solid heist movie which should have been a great one with the talent it had.