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Joshû sasori: 701-gô urami-bushi

  • 1973
  • Not Rated
  • 1 घं 29 मि
IMDb रेटिंग
6.3/10
1.8 हज़ार
आपकी रेटिंग
Meiko Kaji in Joshû sasori: 701-gô urami-bushi (1973)
CrimeDramaThriller

अपनी भाषा में प्लॉट जोड़ेंOnce again on the lam, Matsu is helped by a strip club worker who holds a grudge against the detective who's trying to find her.Once again on the lam, Matsu is helped by a strip club worker who holds a grudge against the detective who's trying to find her.Once again on the lam, Matsu is helped by a strip club worker who holds a grudge against the detective who's trying to find her.

  • निर्देशक
    • Yasuharu Hasebe
  • लेखक
    • Yasuharu Hasebe
    • Fumio Kônami
    • Hirô Matsuda
  • स्टार
    • Meiko Kaji
    • Masakazu Tamura
    • Yumi Kanei
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.3/10
    1.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Yasuharu Hasebe
    • लेखक
      • Yasuharu Hasebe
      • Fumio Kônami
      • Hirô Matsuda
    • स्टार
      • Meiko Kaji
      • Masakazu Tamura
      • Yumi Kanei
    • 22यूज़र समीक्षाएं
    • 21आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो74

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    टॉप कलाकार54

    बदलाव करें
    Meiko Kaji
    Meiko Kaji
    • Nami Matsushima (The Scorpion)
    Masakazu Tamura
    • Yasuo Kudo
    Yumi Kanei
    • Kinuyo Kodama
    Hiroshi Tsukata
    • Detective Hirose
    Yayoi Watanabe
    Yayoi Watanabe
    • Midori
    Sanae Nakahara
    • Akiko Inagaki
    Akemi Negishi
    Akemi Negishi
    • Prison guard Minamimura
    Toshiyuki Hosokawa
    Toshiyuki Hosokawa
    • Takeshi Kodama
    Junko Andô
    • Prison guard Mazaki
    Hiroshi Date
    Chikara Gonoue
    Kotoe Hatsui
    Kotoe Hatsui
    • Tome Kudô
    Hiroshi Hijikata
    Emma Hitomi
    Tatsuya Kameyama
    Yumi Kanai
    Osamu Kimura
    Hiromi Kishi
    • Bride
    • निर्देशक
      • Yasuharu Hasebe
    • लेखक
      • Yasuharu Hasebe
      • Fumio Kônami
      • Hirô Matsuda
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं22

    6.31.7K
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    10

    फ़ीचर्ड समीक्षाएं

    7truemythmedia

    Solid Conclusion to a Great Series

    And so at last we come to the end of the great Matsu the Scorpion's bloody, weird, and incredibly thrilling saga. This is the only entry in the series not directed by Shun'ya Ito, so I was a bit nervous going into this film; I've really enjoyed all the FPS movies, and I really didn't want the final outing to fall flat on it's face.

    To my great delight, this film didn't fall flat; it delivered everything I'd want from an outing with Matsu. At the same time, Matsu's story seems to be wearing a little thin; at this point in the saga she's escaped from prison with others, had her revenge, and in the last entry ("Beast Stable") she even become a kind of savior for oppressed women. In this entry, history more or less repeats itself; the storyline in "Grudge Song" is relatively the same as the first and second entries ("FPS #701" & "FPS: Jailhouse 41"), only the story is compressed into an hour and a half. If you've seen the other entries, you pretty much know what's going to happen in this entry, and while there isn't necessarily a problem (people still line up for Marvel movies, and they're all relatively homogenous), to me, the series has started to loose a bit of it's appeal, and I honestly think ending it here was probably the best choice: go out on a note that is still relatively positive, and people will be keener to return to the franchise. I, for one, will happily go through Matsu's journey multiple times in my life.
    6BA_Harrison

    Not a great swan song for Kaji's Nami Matsushima.

    Grudge Song, Meiko Kaji's final outing as sexy female prisoner Nami Matsushima (AKA The Scorpion), opens with our beautiful anti-hero narrowly avoiding capture by the police during a wedding. Badly injured during this latest escape, our tasty fugitive breaks into a strip club where she is tended to by club employee Teruo Kudo (Masakazu Tamura), who bears a grudge against the police for torturing him when he was younger.

    Grateful for his kindness, and recognising Kudo as a kindred spirit, Nami lowers her defenses and forms a relationship with the young man—but can Kudo be trusted not to betray Nami, especially when he is put under pressure by sadistic policeman Kodama (Yumi Kanei) and his brutal cohorts?

    After being somewhat disappointed by director Shunya Ito's third Female Prisoner movie, Beast Stable, which I believe lacked the effortlessly cool vibe of the first two films and saw the formula becoming somewhat tired, I was excited to see that this fourth chapter for Meiko Kaji's cult character was directed by Yasuharu Hasebe, the man responsible for such delightfully depraved Pinku classics as 'Assault! Jack the Ripper' and 'Rape! 13th Hour'. Surely this guy could inject some new life into the series.

    Unfortunately, Grudge Song proves to be a rather restrained affair from Hasebe, one that features little of the shocking sexual and violent content that I would normally associate with the director's work, with even the film's nastiest scene, a gang-rape, lacking his usual impact (possibly suggesting that the director was holding himself back, compelled to try and be as stylish and classy as his predecessor when dealing with such a well established franchise). Hasebe also unwisely turns Kaji's Nami into a much less sympathetic character than before, making it harder for the audience to care about her fate.

    Had Hasebe given Grudge Song the same outrageous, exploitative approach that made his aforementioned titles such deviant guilty pleasures, this would have been a lot more fun, and a great way for Kaji to leave the series. Sadly, as it is, this one is my least favourite of all the Female Scorpion films.

    5.5 out 10, rounded up to 6 for IMDb.
    8Falconeer

    Nami the Scorpion is at it again...

    The fourth installment in the incredible 'Female Prisoner' series, starring Meiko Kaji. Director Shunya Ito declined to direct this final part because of budget cuts. Yasuharu Hasebe takes over here, and directs a respectable final chapter to one of the most loved serials in Japanese cinema. Hasebe was also responsible for a controversial trilogy of rape themed films including "Rape! 13th Hour". His influence is seen here, as 'Grudge Song' features some over-the-top scenes of torture and rape. Of course though, not on the extreme level of his more subversive works, as I think the Scorpion series was aimed at a somewhat larger audience. This one begins with Nami on the run once again, from the angry cop that has been pursuing her through the entire series. She finds a little solace with a man (!) who hides her from the police and helps to nurse her back to health. Surprisingly, Nami allows a man to get a little close to her, however she keeps him at arms length, as she knows that no man can truly be trusted. No worries though; the film never gets bogged down by sappy romance, as that would make 'Sasori' look somehow weak. I believe she only mutters two lines of dialog to her companion throughout the film.'Grudge Song' takes a little while to pick up speed, but it surely does, just about at the halfway mark, when she is once again caught and thrown into prison. It is always a rush to see the 'Scorpion' dressed in the familiar prison stripes. I don't care how many times they do it, it never gets boring. With each passing installment Kaji seems more 'godlike'. Here she comes across as some vengeful spirit from another world. Was this sequel necessary? Not really, but who cares. A chance to experience another adventure with this amazing heroine is always welcome. If you are a fan of this series, then this film is a must. It also a good opportunity to see a film from Yasuharu Hasebe, as most of his other films are extremely hard to find. And if you are wondering if Nami puts on the black coat and hat to seek out revenge once again...She does! And this time her vengeance is more personal. Recommended!
    7christopher-underwood

    better fourth episode than many might have expected

    This begins well enough and has enough going on, a male helper this time, to maintain the interest until the most exciting scenes come along. It is a good idea that Meiko's seeming saviour here has had history with the police already from his days of 60s student rebellion. Flashbacks enable stand-in director Hasebe to double his violent police demonstrations with current and b/w past. This is number four in the series, however, and needed more not less in the way of interesting action and visuals. Gone are the stylish sequences and gone the surrealism. The endings, both false and actual are fun and if this is a disappointment it is no disgrace and while not the greatest of finales, probably a much better fourth episode than many might have expected. Worth seeing.
    7Witchfinder-General-666

    Urami-iiiii-bushi!

    The fourth and final of the brilliant original "Sasori" films with the unrivaled Meiko Kaji, "Joshuu Sasori: 701-gô urami-bushi" aka. "Female Prisoner Scorpion: 701's Grudge Song" was directed by Yasuharu Hasebe instead of genius director Shunya Ito, who had directed the three ingenious predecessors. Even this fourth "Sasori" flick does not quite reach the brilliance of its predecessors (all three of which are unique and unrivaled masterpieces of Exploitation cinema), "Grudge Song" still outshines almost any other film of the WIP ("Women In Prison") sub-genre by a thousand times. What makes this a little less brilliant than its predecessors is probably the replacement of Shunya Ito as a director. Ito had a great passion (and a great talent) for the use of surrealism, and Yasuharo Hasebe obviously preferred to use these elements to a lesser extent. The first three "Sasori" films were THE proof that making Exploitation and Art-house cinema at the same time was possible, and while "Grudge Song" still is a wonderful example of Exploitation-Art, it does not quite live up to the brilliance of the iconic original "Joshuu 701-gô: Sasori" and the ingeniously surreal sequels "Jailhouse 41" and the third masterpiece "Beast Stable", which is arguably the greatest of them all. Nevertheless, this fourth "Sasori" film is an absolute must-see for any fan of Exploitation and serious lover of film in general, that delivers pure brilliance in many aspects.

    While Meiko Kaji's character Nami Matsushima aka. "Sasori" was mainly looking for revenge in the first film, the films become more and more political throughout the series. "Grudge Song" is again full of social criticism and broaches issues such as poverty, police brutality, rebellion and the death penalty. The film once again features a lot of violence, as well as very artistic elements. The beautiful Meiko Kaji once again brilliant in the role of Sasori, I just cannot praise this great actress enough. The rest of the performances are also great, and the the film once again has "Urami-Bushi", which Kaji sings, as the main theme song. The photography is also amazing, the film is visually stunning throughout its 89 minutes.

    Though it doesn't quite reach the brilliance of its predecessors "Grudge Song" is definitely also an excellent slice of Exploitation-Art and a must-see for every serious lover of cult-cinema in general and J-Exploitation in particular.

    इस तरह के और

    Joshuu sasori: Kemono-beya
    7.0
    Joshuu sasori: Kemono-beya
    Joshû sasori: Dai-41 zakkyo-bô
    7.1
    Joshû sasori: Dai-41 zakkyo-bô
    Joshû 701-gô: Sasori
    7.2
    Joshû 701-gô: Sasori
    Shin joshû Sasori: 701-gô
    6.2
    Shin joshû Sasori: 701-gô
    Nora-neko rokku: Sekkusu hantaa
    6.3
    Nora-neko rokku: Sekkusu hantaa
    Nora-neko rokku: Onna banchô
    6.1
    Nora-neko rokku: Onna banchô
    Shurayuki-hime: Urami renka
    6.3
    Shurayuki-hime: Urami renka
    Joshuu sasori: Satsujin yokoku
    6.0
    Joshuu sasori: Satsujin yokoku
    Shin joshuu sasori: Tokushu-bô X
    5.6
    Shin joshuu sasori: Tokushu-bô X
    Nora-neko rokku: Mashin animaru
    6.3
    Nora-neko rokku: Mashin animaru
    Jinginaki Tatakai: Hiroshima Shito-hen
    7.4
    Jinginaki Tatakai: Hiroshima Shito-hen
    Shurayuki-hime
    7.6
    Shurayuki-hime

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • कनेक्शन
      Featured in Yutaka Kohira: Scorpion Old and New (2016)
    • साउंडट्रैक
      Urami-Bushi
      (Song of Vengeance)

      Written by Shun'ya Itô and Shunsuke Kikuchi

      Sung by Meiko Kaji

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल11

    • How long is Female Prisoner Scorpion: #701's Grudge Song?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 29 दिसंबर 1973 (जापान)
    • कंट्री ऑफ़ ओरिजिन
      • जापान
    • भाषा
      • जापानी
    • इस रूप में भी जाना जाता है
      • Female Prisoner Scorpion: #701's Grudge Song
    • उत्पादन कंपनी
      • Toei Tokyo
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 29 मिनट
    • रंग
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    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 2.35 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Meiko Kaji in Joshû sasori: 701-gô urami-bushi (1973)
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    By what name was Joshû sasori: 701-gô urami-bushi (1973) officially released in India in English?
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