Homicide: The Movie

To be sure, Homicide (the series) deserved a TV-movie after it's unsatisfying series finale, which was admittedly rushed (NBC cancelled the series only a few weeks prior to the end of the 1999 season). Indeed, viewers were left hanging as many storylines were left unanswered, and "Homicide: The Movie" does work as a coda for the series. However, it seems like a series finale elongated to fill 90 minutes.

The premise is extremely promising (for those who don't know): Lt. Giardello is the front-running Baltimore mayoral candidate, whose primary issue is the decriminalization of drugs. During a campaign stop, he is shot (but not killed) by an unknown assailant. This event brings every regular character (and I mean everyone) back to investigate the crime and visit Giardello in the hospital. [This brilliant premise is also frustrating to me as a long-time fan. If NBC had given the show one more full season (and let the producers know it would be the last) there could have been some intriguing episodes leading to the campaign.]

As a fan it's satisfying in sense to see all the regular characters again, but it's also a tremendous burden on the film. Several scenes do nothing to enhance the story: Shepherd and Ballard repeatedly watch videotape of the shooting in an an attempt to find a lead; Mike Giardello and Kellerman roust everyone who might have a grudge; Med. examiners discuss medical advancements at Gee's bedside. These and a few other scenes only serve to give some members of the bloated cast a reason to make an appearance. What probably would have worked brilliantly as a 40-minute series finale just doesn't cut it as a full-length film.

Fortunately, this substantial shortcoming is largely redeemed by the film's conclusion, which is set-up perfectly by the writers. The final twist is a complete and devastating surprise that's entirely believable and satisfying in the spirit of the original series. Even if "Homicide: The Movie" is more than a bit diluted, it works as an appropriately bitter-sweet coda for one of the best shows in the history of television.

I was a big fan of Homicide: Life on the Street which remains one of the television shows I've most enjoyed watching. The last two seasons do colour my impression somewhat but I usually like to remember the good times of the first five seasons.

Homicide: The Movie is definitely in the mold of the last two seasons in that it's good but the magic is missing, the movie is a pretty good effort all the same though. Pembleton is back to his old self and old favourites Brody and Detective Howard are back, although their input is minimal. I liked spotting actors from the HBO show "Oz" (not coincidentally this movie was co-written by Oz creator Tom Fontana).

Homicide: The Movie is worth watching but it's not great, eg. I didn't bother burning a copy of the rental DVD, I'd rather hold out for a DVD boxset which I'll probably have to import from overseas. The story is fairly interesting but still isn't up to the standard of the early days of the show, the presentation is very "TV movie" but we can hardly knock that given its source material. The writers went for Bayliss/Pembleton as the main dynamic which is reassuring, but again the magic is never quite recaptured.

Homcide: The Movie ends up being a fitting end to the unfortunately downward trend of the TV series. It was good to see all the characters back but it ends up being yet another installment of Homicide that doesn't live up to the show's brilliant first five seasons. It was a good effort though.

In the UK Channel 4 used to show Homicide but gave up on the whole project about four years ago and never showed series 7 or the movie. Now, thanks to the Hallmark Channel, UK viewers have had a chance to see the whole series from beginning to end and the final movie.

To me, the movie doesn't really work. The story is just an excuse to bring the characters back together and frankly misfires a little, having one of the show's best, Giardello, out cold for most of its length and unable to interact with anyone. I was also a little uncomfortable with the appearance of Adina Watson, given that the case was based on a real life tragedy. Still, it was nice to see Jon Polito and Daniel Baldwin back from the dead.

Season 7 turned out to be far better than I was expecting, having read some fairly awful things about it on the internet. The final episode wrapped things up beautifully, mirroring and reversing the events of the very first as Tim Bayliss packed his things and quietly walked out of the Unit. The movie just wasn't needed.

This fittingly idiosyncratic ending to the Homicide saga is the most densely interwoven fusion of continuity and narrative I've ever seen. Deeply rewarding for fans of the series and a solid final point for hours of gritty 90's storytelling mixed with strange contemporary alt rock songs (and whacky dated music video editing to match). Giancarlo Esposito features in the two best sequences ever put to screen: a manic dream sequence with a gleefully cartoonish Yaphet Kotto and a screeching guitar montage where he puts the boot into various people for no reason whilst Reed Diamond indifferently scoffs pizza. All series should end this way.

Homicide:The Movie reunites the principal leads of the original show eight years after the events of the last episode occurred. The story revolves around former Homicide Captain Al "G" Giardello, who is running for mayor, and who is shot at a political rally. The next two hours involves the search for the assailant and it has some interesting moments, such as a brilliant scene between Bayliss and Pembleton, along with great acting and directing. The only real flaw here is the script, which brings back all these characters, but hardly gives most of them anything to do. The show's more interesting characters, such as Munch and Lewis, are given minimal screen time, while the supporting characters are given even less. However, if you enjoyed this show when it aired, you might want to take a look at Homicide:The Movie.