Shadow Hours

"Shadow Hours" is a well shot, well acted, impatient B-flick which gets moving quickly and keeps up the momentum throughout. Although the film is a journeyman production at best, it creates a curious mystique by asking more questions than it answers and keeps the audience guessing to the end and beyond. Weller's character is particularly compelling as he mentors a recovering addict, Getty, on life with a series of tours through the decadent underbelly of Los Angeles nightlife. Not for everyone, some will find this film provocative and will be looking forward to better offerings from this auteur in the future.

wasnt a bad film, had a powerful message albeit presented in a often cliche'd form. i especially liked the philosophy of where the devil went wrong with Job....all in all, a good film with solid performances by the leading men.

I'm a tough sell when it comes to contemporary American films, and have

turned almost exclusively to watching foreign films or classics (ie: loved "Night of the Iguana;" admire Hitchcock), but when my 15 year old grabbed "Shadow Hours" off the shelf I thought I'd give it a shot for the sake of mother\daughter movie night.

Smart writing (a bloody rare attribute), terrific acting, fabulous score and a film noir look--I was hooked. Loved the jump cut gas station scenes, the crazies, the repetition of certain phrases/themes, the progressive descent into urban madness, and, Oh, Lordy, that Moby piece that tied it together at the end.

I've watched it twice, the second time with my husband, who is recommending it to fellow 'good film' afficionados, and so on, and so on...

Interesting to read B'zar Getty's bio. Note the tattoos on his hand in the film - they're the real deal.

Shadow Hours is the best movie Balthazar Getty has done since Lost Highway and is also probably the best movie Peter Weller has done since Robocop. Anyone who has spent considerable time within a major city nightlife scene will be able to identify with this movie. People who also like a film to leave a few questions unanswered will also probably get a kick out of Shadow Hours.

The film has a great look to it, this film is so much slicker looking than any recent mainstream or indie film in the past few years. This is probably the slickest looking movie Ive seen since Blade. Kudos to the director and dp. The soundtrack is top notch as well. Weller is in top form here, his unique look and commanding voice really make his character. Getty gives a good performance as well. The cast of supporting characters is really amazing. Every few minutes you will see a familiar face pop up in a small role.

The only small problem I have with the film is that a few scenes referenced other movies a little too blatantly, but the film's main story is very original and intrigueing. Overall it is a great little movie with alot of style and a thought provoking story. It was great to see a movie made for adults compared to all the pg-13 bland entertainment that the gutless hollywood studios have been releasing lately.

This film is no direct to video cheapie my friends.

'Shadow Hours' opened in late 2000 to some harsh reviews. Many critics believed that director Isaac H. Eaton borrowed from one too many films and that his storyline is jumbled and confused. I for one think that while the storyline can get familiar, the general storyline was going in interesting directions that made it more interesting to watch. And what made it even more interesting is that this film had a supporting cast of many familiar faces.

Balthazar Getty, in the lead role of the recovering addict, is servicable, but not exceptional. He seems one-note in many scenes, and clearly gets his scenes stolen from co-star Peter Weller, who has (I think) his best role in years as the devious writer Stuart Chappell. This is clearly Weller's best performance since 'The New Age' and he relishes it with a passion. One definitely doesn't know where his character is going, and Weller fleshes him out with enough mystery and charisma (without resorting to absurd overacting) to make him an enjoyable antagonist. If losing out to Weller isn't enough, Getty's acting chops also get more heat from Peter Greene, playing a cop, is just as creepy as the other man named Peter.

The soundtrack, with it's constant techno beat, is actually a refreshing change and works with the various set-pieces in the movie. All in all, check this film out. One might be surprised how good it is. It's more proof that one shouldn't always listen to critics.