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964 Pinocchio

  • 1991
  • 1 घं 37 मि
IMDb रेटिंग
5.5/10
2.9 हज़ार
आपकी रेटिंग
964 Pinocchio (1991)
बॉडी हॉररसाइबरपंकSci-Fiहॉरर

अपनी भाषा में प्लॉट जोड़ेंPinocchio 964, a lobotomised cyborg sex slave, is abandoned by his owners due to his inability to maintain an erection, while the corporate entity plans to kill him.Pinocchio 964, a lobotomised cyborg sex slave, is abandoned by his owners due to his inability to maintain an erection, while the corporate entity plans to kill him.Pinocchio 964, a lobotomised cyborg sex slave, is abandoned by his owners due to his inability to maintain an erection, while the corporate entity plans to kill him.

  • निर्देशक
    • Shozin Fukui
  • लेखक
    • Shozin Fukui
    • Makoto Hamaguchi
    • Naoshi Gôda
  • स्टार
    • Haji Suzuki
    • Onn-chan
    • Kôji Ôtsubo
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.5/10
    2.9 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Shozin Fukui
    • लेखक
      • Shozin Fukui
      • Makoto Hamaguchi
      • Naoshi Gôda
    • स्टार
      • Haji Suzuki
      • Onn-chan
      • Kôji Ôtsubo
    • 36यूज़र समीक्षाएं
    • 11आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 जीत

    वीडियो1

    Trailer
    Trailer 1:40
    Trailer

    फ़ोटो31

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    पोस्टर देखें
    + 25
    पोस्टर देखें

    टॉप कलाकार19

    बदलाव करें
    Haji Suzuki
    • Pinocchio 964
    Onn-chan
    • Himiko
    Kôji Ôtsubo
    • Narishima
    Kyoko Hara
    • Secretary
    • (as Kyôko Hara)
    Rakumaro San'yûtei
    • Taichô
    Kôta Mori
    • Shimada
    Tomio Watanabe
    • Hosa
    Anri Hayashi
    • Yôjo
    Kyôko Irohani
    • Meido
    Michiko Harada
    • Kangofu
    Yûko Fujiwara
    • Kangofu
    Yoshimitsu Takada
    • Kanja
    Naoshi Gôda
    • Gaki
    Takahiro Hosoya
    • Michi Yuku Otoko
    Ranko
    • Raburî A-ko
    Kôji Kita
    • Majikku Man
    Aaron William
    • Narration
    • (वॉइस)
    David Progosh
    • Narration
    • (वॉइस)
    • निर्देशक
      • Shozin Fukui
    • लेखक
      • Shozin Fukui
      • Makoto Hamaguchi
      • Naoshi Gôda
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं36

    5.52.8K
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    10

    फ़ीचर्ड समीक्षाएं

    7Jeremy_Urquhart

    Take notes, Zemeckis.

    I feel like half the runtime of 964 Pinocchio is made up of people charging at the camera or screaming, often both at the same time. It's not an easy movie to rate out of 10, but it is a little easier to talk about in general.

    To keep the synopsis as PG as possible, there's a "cyborg" on the loose that's malfunctioned for "reasons," but it wasn't properly gotten rid of. So when it's taken in by a strange young woman, it starts to learn how to function again, regaining something of what it seemed to have before. I guess that's broadly where the Pinocchio link comes into play (twisted/unusual journey of beoming a "real" being), but anyone expecting something with more similarities might be unpleasantly surprised by the directions 964 Pinocchio goes in.

    It's a gross, dirty, repetitive movie. It has a certain beyond-grimy aesthetic and simply chooses to wallow in it for 97 minutes, and I admire it for that. Sometimes, I liked how dirty the film felt, to the point where maybe it was a mistake to pause it at one point and take a shower (something I genuinely did; not related to the movie necessarily). Sometimes, I felt worn down by it all, but that's perhaps more a feature than a bug.

    I will say, at about the halfway point, 964 Pinocchio did become a bit boring, and I thought it had run out of steam after a fairly engaging first half. Thankfully, it saved a bunch of bonkers things for the last 20-ish minutes, so it ends on a high... or low, depending on your definition.

    Probably don't watch this, if you're most people. Those wanting something different and gross should sign up, though.
    5hbeeinc

    Cut 20-30 Minutes And It Would Be A 8

    Having loved Rubber's Lover, I felt psyched to see this. It starts off strong with some stunning graphics and the same over-the-top performances I loved from Rubber's Lover. The respect I have for the actors' dedication and focus goes well beyond enormous. I loved the slow, lyrical pace of the first third where Himako finds Pinocchio. The chemistry and trust between the two actors brought it unexpected depth.

    And then the vomiting started.

    And went on pointlessly for at least five minutes.

    I accept this in Hershel Gordon Lewis films since he needed to pad them out to a certain length and contained endless tracking shots of a woman walking or someone's band playing a cheesy song. But with a running time of 1:37 extended scenes of vomiting or running or just general strobe-lit screaming makes me cranky. All the camera work and editing in the world can't make me say "WOW! That's the best 10 minute running sequence I've ever seen!".

    Given the gravitas it began with, I felt cheated at the end. I suffered thought the last 30min hoping for a redemption that never came. Given the choice between Places in the Heart or a Marvel franchise film, I'd choose this every time. But I wouldn't be happy about it.
    8lrtb-34348

    Aaaaarghaaaaatttaaaaaaabaaaaaananannanaaaagbbbaaaaaaa

    Aaaaaaaaaaaaaaarghaaaaaahhhhhaaaaaatttttaaaaaaaabbbbaaannnaaaa - Weird - Aaaaaafffffaaaaaaaggggaaaahhaaaggaaaggggggggaaaaaaaaafffffaaaggg - Vomit - Aaaaaagggaaaafffffaaahhhhhaayyyaaaaabbbaaaabbbbbnnnnaaaahhhaaq - Japan - Aaaaaggggaahhhaahhhajjajjajajaaaahhhhhhhhhaaagggggggggggggggggg - Cyberpunk - Aaaaaaggggaahhhaahhhhhhhhhhhhhhttttttttttaaaaaaagggggaaaafffffaaa - Crazy Japan -
    10Food

    Very kinetic, dark humored science fiction

    This is one of my favorite films. It seems to deal with a society in which people have been made into commodities, and it focuses on principal characters who have become discarded.

    Rather than take a heavy handed or moralistic stance, Shozin Fukui brings a strangely restrained humor and an extreme, hysterical weirdness to the story. Along with Shinya Tsukamoto's 'Tetsuo' it is one of the classics of Japanese mutation film. (It is said that Fukui actually worked on 'Tetsuo.')

    The cinematography is amazing, ranging from ponderous and Tarkovsky-like to accelerated stop-motion.

    The performers are wonderful and likeable. Hage Suzuki is like a spastic butoh performer having a constant seizure. Onn-Chan's amazing face seems to have been genetically grown for the specific purpose of being viewed by wide-angle lenses. (Where did these people come from and why is it hard to find any information on them?!)

    As an added bonus, this film has what has been touted as the most prolonged vomiting sequence in cinema history.
    5jmerlino

    An awful lot of screaming

    Having watched "Death Powder" earlier in the day, I found this little ditty refreshingly straightforward.

    I don't know if there's some kind of Japanese cultural touchstone for people contorting their faces in agony and screaming for extended periods, but there's a lot of that in this movie.

    Anyway, I enjoyed the movie despite all the screaming. I can't say I got a huge ton or artistic satisfaction out of it, but the visuals were pretty crazy to say the least.

    I thought the idea was promising - a discarded sex cyborg who can't function anymore. It could lead any number of places. You could make ten movies from that idea. But the idea never really gains traction. It falls by the wayside for some strange thing wherein he fuses himself with his captor/rescuer.

    Maybe it means something if you're Japanese or steeped in Japanese culture. It seems to me that I've seen anime with similar kinds of body horror elements. But to me it feels like it would have been more satisfying to actually explore the theme in a thoughtful way.

    I hesitate to judge the movie too harshly given my suspicion that there's culture resonance that I'm not getting. I've seen Tetsuo the Iron Man, so I get that this is part of a distinct "school" of filmmaking. It was interesting eye candy (if you can call a five minute vomit sequence "candy") and I was entertained by the sheer lunacy of it, but ultimately, it's a big WTF for me.

    Five stars for novelty and over-the-top-ness.

    इस तरह के और

    Rubber's Lover
    6.3
    Rubber's Lover
    Gerorisuto
    5.1
    Gerorisuto
    Tetsuo
    6.9
    Tetsuo
    Nekeddo burâddo: Megyaku
    6.1
    Nekeddo burâddo: Megyaku
    Tetsuo II: Body Hammer
    6.4
    Tetsuo II: Body Hammer
    Begotten
    5.6
    Begotten
    Kyatapira
    5.7
    Kyatapira
    Bakuretsu toshi
    6.0
    Bakuretsu toshi
    Ekusute
    6.3
    Ekusute
    Yume no ginga
    7.3
    Yume no ginga
    Den-Sen
    5.4
    Den-Sen
    Ichi the Killer
    6.9
    Ichi the Killer

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The actress was a staff member who was trained for one week by the director. After this movie, she never acted in another one again.

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल14

    • How long is 964 Pinocchio?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 14 सितंबर 1991 (जापान)
    • कंट्री ऑफ़ ओरिजिन
      • जापान
    • भाषा
      • जापानी
    • इस रूप में भी जाना जाता है
      • Screams of Blasphemy
    • फ़िल्माने की जगहें
      • टोक्यो, जापान
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 37 मि(97 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Stereo
    • पक्ष अनुपात
      • 1.33 : 1

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