Seijû gakuen

This is a beautifully shot movie and is definitely not a cheaply made porn. It's made to stand up as a legitimate movie and entertainment for adults.

Maya Takigawa (Yumi Takigawa) is enjoying her last day of freedom, having a wild time, because tomorrow, she will be entering a convent. She meets a good looking guy Kenta Aoki (Hayato Tani) and becomes friends with him. He wants to go steady with her but she declines. What's driving her to enter the convent ? 18 years ago her mother was at this convent and committed suicide while being pregnant with her. She aborts early but survives. She's now on a mission to find out why her mother had to die and who is her father. After she enters the convent, it's nonstop erotic violence with nuns beating up each other in name of God with beautiful breastages, and naked bodies shown at every opportunity.

The movie is high quality as it has real story, beautiful "real" actresses who can actually act, and crisp cinematography that's top notch.

How did such far out, and excellent movie come out from a rather conservative Toho studio ? I can put all the credit squarely on the director Norifumi Suzuki's capable talent. Suzuki is not well known in the west because he himself prefers not to be in the front line, but he is an unmistakable genius of Japanese cinema, and have directed many famous (and some considered masterpieces) of movies and movie series such as "Torrakku Yaro" (Trucker Guy) series starring Bunta Sugawara and "Hibotan Bakuto" (Hibotan Gambler) series starring Junko Fuji. Sugawara and Fuji both became famous after starring in Suzuki's movies. Suzuki's movies are all known to be somewhat eccentric and squarely focused on entertainment value. He is very versatile as he can direct movies of many different genre all with very high quality.

Seijyu Gakuen (Holy Beast School) gets all it's quality and entertainment values from the talent of its director. Beautiful Yumi Takigawa makes her debut in this movie, and she enjoys a long career as a movie and TV actress in the proceeding years.

Norifumi Suzuki's "School of the Holy Beast" is a masterpiece in it's own right. This film about a girls journey into depravity is one of the most erotic films I have ever seen. With each new scene, it gets more beautiful, like an exotic, poisonous flower opening to reveal it's center. Filled with breathtaking color and endless mystery, this is the first film i have seen featuring the amazing actress Yumi Takigawa. She plays her part of Maya with a delicate and subtle perfection rarely seen in this genre of film. Maya is a modern Japanese woman, who enters the "Sacred Heart", a convent shrouded in lies, hypocrisy and sexual power games. It seems as if everyone has something to hide. This film seems to be a direct attack on the Catholic church. The beginning of the film is a bit deceptive, as we are led to believe that there will not be much in the way of a real story here. But when we find out the reason why the beautiful Maya has entered this place, the tension begins to mount. To hear certain people referring to these films as trash, and exploitation, saddens me greatly, as it is so undeserved here. This film is top-notch in every way. The camera work, the editing, the beautiful, dreamlike cinematography, is far superior to anything coming out of Hollywood these days. Sadly, this style of film making is a thing of the past. We are fortunate however, with the advent of DVD technology, that these little-known 1970's masterpieces are again available. One of the classiest, and most elegant Japanese "pink" films ever made. I give this one the highest rating.

Or as with any other Nunsploitation movie: She'll have nun of that. Works every time like a charm, though I reckon this may only be the third or fourth one of these that I have seen. Still I'll keep believing (pun intended) in finding the ultimate one. This one right here isn't really bad. Most of the time it doesn't make much sense (I guess you have to be nude and show off your breasts for some reason), but it is sort of fun. If you're into bondage that is.

Apart from the already mentioned, that goes way deeper than 50 shades went (at least the movie, haven't read the book yet), this attempt on making a somewhat coherent story is really convoluted and it will be difficult to actually stay with it. Just pray you don't lose yourself. Then again it seems like those who lost themselves are doing mighty fine. Though they didn't expect the main actress to appear (something she didn't expect either, if you were to believe her interview on the disc).

I already wrote more than I thought I would, but somehow the whole thing was intriguing. Especially the innuendo, sometimes explicit (tongue between fingers symbolizing what? Yes exactly that) sometimes not so much. Also the main actress is really beautiful, with clothes, without and even as a nun. Do I have to mention that if you are religious you probably don't want to watch this? Though some would argue, that if you like good movies you'd also avoid it ... fair enough

Nunsploitation is a sub genre more often associated with trashy cheap Italian cinema; but Japan made a few as well, and while the bizarre Wet & Rope was worth seeing - their real masterpiece was this film, School of the Holy Beast. The most popular religions in Japan are Shinto and Buddhism, so it's rather strange to see Japanese women dressed in habits in a Roman Catholic convent, but even so - that hasn't stopped director Norifumi Suzuki from creating a fine slice of nunsploitation. One of my favourite things about this sub-genre is the fact that the films are often well photographed, and the directors take care with shooting the convent itself, and this is something that is adhered to with this film. There isn't a great deal of plot to speak of, but the central thread follows a beautiful young woman named Maya, who gets bundled off to a convent shortly after having sex with some guy. It soon becomes apparent that, like every other nunsploitation film, not everything at the convent is completely above board - as the nuns themselves are subjected to all manner of sexual punishments.

The attention to detail in the film is stunning, and the director delights in dishing up some stunning shots of the locations and his actresses. Japanese cinema is well known for being stylish, and that is certainly true of this film. There's plenty of sleaze on offer, but it all feels very artful and despite the fact that we're watching things such as whippings, lesbianism and rape, it never feels very shocking and that's because it's all very easy on the eyes. The script doesn't extend well to characters and character development, but it's not all that important and it is good to see that the story does develop past the basic plot layout - which certainly can't be said for every film of this type. Debutant Yumi Takigawa takes the lead role, and does well with it. Admittedly, it's not really because of her acting talent; but she does look good with her top off, and the director obviously knew that as he makes a meal out of scenes that see her half naked and bound with ropes. Overall, this is a fascinating cult film and comes highly recommended to anyone that enjoys this sort of cinema!

School of the Holy Beast is a weird concoction of exploitation who's very unusualness makes it worth watching. A girl enjoys her last night of freedom before entering a convent. The convent, of course, turns out to be a hotbed of immorality that de Sade might have scripted. Expect plenty of flagellation, lesbian trysts, and displaying of breasts – all in a style that crosses Hammer Horror with Russ Meyer mammary voyeurism. But throw in a script that plays hard and loose with Christianity in a way that only a foreign country could and it starts to appeal for its sheer audacity. I found the scene of one of the nun's punishment - being tied with rose briers and then whipped with bunches of red roses particularly aesthetically pleasing.