A.I.

This Movie is as Underrated as E.T. (1982) is Overrated.

Steven Spielberg and Stanley Kubrick, Two of the most Admired Directors, combined Visions and worked Together until Kubrick's Death. Spielberg Took Over the Project but did Not Cheat on Kubrick's more Cynical and Pessimistic Approach.

The Result is this Great Film that is an Emotionally Exhausting, Visually Exciting Fairy-Tale. It is Disturbing and Delightful. Basically it is "Pinocchio", Restyled and Revisioned in a Sci-Fi-Horror-Cautionary-Allegory for Modern Times.

Not for Everyone, it may be too Unsettling at times for very Young Viewers. It is Heartwarming and Heart-Wrenching and Deeply Depressing. The Futuristic Visual Template is Amazing.

Only the most Hardened of Hearts could be Unmoved by its Sentimentality seen through the Eyes of a Robot Child. The Parallels and Direct Links to Real Children are Painful to Watch as the Artificial Boy must go through Parental Rejection and some of Real-Life's Horrifying Realities.

A Good Cast all Deliver Searing Performances in Difficult Roles. Overall the Movie is Not a very Pleasing Entertainment for those Wishing for the Usual Spielberg Scrubbed Suburbanism.

Although the Movie does have an Abundance of Heart. The Viewer will find His/Her Heart Warmed and then Frozen, Filled with Love then Broken and Drained, only to have it Filled Again.

For some it may be just Too Much of an Emotional Roller-Coaster Ride, but for others Willing to be Shaken and Stirred, Caressed and Cuddled, Shocked and Stunned, all at the Same Time, this is Just the Thing.

An Under Appreciated Masterpiece of Manipulation, with No Pull Back along the Road Trip Search for Enlightenment.

The A.I. Child, Prays and Searches for, the "Blue Fairy" His Whole "Life". Organic Types Frequently do the Same Thing. Orga = Mecha = Orga

The short review: if you're in the mood for E. T. then you will LOVE this flick. If you're in the mood for 2001: A Space Odyssey then you'll HATE it.

Steven Spielberg, the director who brought us family-friendly scifi/fantasy hits like "E. T.", Amazing Stories, and Raiders of the Lost Ark, inherited a project that was originally headed by chillingly cold scifi master Stanley Kubrick (2001 A Space Odyssey, Clockwork Orange). Spielberg delivered, 2 years after Kubrick's death, "A. I." The familiar two-letter acronym title ought to spell out for us the direction Spielberg chose to take with Kubrick's material. The result, as you might guess, is a very mixed bag of creepy disturbing brilliance and groan worthy Disney type stuff all jumbled together. Much like putting m&ms on a pizza, some elements should never be mixed.

Plot: An artificially created robot child navigates the gauntlet of human cruelty while slipping into a Disney-esque subplot (literally Disney) of trying to find the Blue Fairy from the fable Pinocchio so she'll turn him into a real boy. You can practically skip the first half hour of this 2 1/2 hour movie because it amounts to a very predictable and irritating parade of scenes where the robot child is bullied for being a robot, despised by his apathetic 'father' and erratically loved/hated by his weak willed 'mother'. You can literally skip the whole string of clichés and you won't be missing anything. The movie starts to pick up after the 30 min mark when the child finds himself on the run.

It picks up due to the excellent performance of Jude Law as "Gigolo Joe" a suave, charming, not-too-bright but very loveable cyborg prostitute. Jude plays the character with a very interesting spin: not a soulless hunk of lumbering metal like we've seen in all of our Hollywood robots but as an animated, cat-like, Gene-Kelley-Singin-In-The-Rain street dancer with a ton of personality and some great dance moves. I don't know if Jude won any awards for this performance but he really should have.

Accompanying Jude's entry into the film, the story becomes considerably darker but not in a predictably melodramatic way like the first part of the film. Rather, we are immersed into a wonderfully nightmarish, satirical portrayal of human cruelty as we witness the renegade robots being subjected to a sickening carnival show in which they are mutilated in horrific ways to the rapturous applause of human crowds. Yes, it's disturbing but it's done with an air of dark comedy like in Terry Gilliam's masterpiece "Brazil" or in Veerhoven's "Robocop" or even Kubrick's own "Clockwork Orange".

Unfortunately for the final 2 acts of the film we return to Disney territory as the robot child becomes obsessively (and quite stupidly, for an advanced computerized intelligence) rapt in chasing down the imaginary character from a Disney fable, that Blue Fairy. Complicating our enjoyment, there are at least 3 false endings where you feel like the story could've wrapped up on a poetic note, but it keeps going. By the time the real ending happens we're too emotionally exhausted to feel it.

While being a failure on these levels, "A. I." is an absolute triumph in terms of special effects. The visuals were way ahead of their time in 2001, and they still hold up better than most big budget scifi films today, 20 years later. Unfortunately the delivery screams 1980s Spielberg (E. T.) and might leave you feeling very skeptical about the whole experience. Unless, like I said up front, you're in the mood for E. T. - in that case you'll have a wonderful time. But in either case we can only imagine how Stanley Kubrick had intended to approach his story as originally planned: an evolution of the deeply philosophical & abstract theme presented in "2001" about the newborn lifeform finding its footing in a dark and hostile human world.

I saw A.I. on the first night it ran here and I must say I was disappointed in the size of the audience. How strange to see so few people show up for a Spielberg film. This film did not enjoy the normal hype that most of Spielberg's films enjoy, I think I know why. Lack of product placement. They're may have been some somewhere but I didn't see them. A.I.'s story line and flawless visual effects reflect what I can only describe as the meeting of two great film makers. Kubrick (who started work on the project after he read the Aldiss book in '83),and Steven Spielberg who's long list of intelligent blockbusters made him the perfect person to bring this story to the screen. I could, I believe see the story boards and concepts Kubrick developed and I could also see the sensitivity that Spielberg added to scenes and characters. These two things are not entirely separate in good Science Fiction. All good science fiction has some human sensitivity in it otherwise it would just be a horror film. The script reflects some of the darkness and coldness that sometimes underlies each character human and machine, there is no fear of this in the story. This darkness draws us on in the story.

The visual effects are stunning and come darn close to genius. The story line takes us in and the visuals make it almost real.

I wish I had Mr. Mannings grip of syntax, but all in all at the end of the day it's good science fiction and a good story too. I beleve that Stanley Kubrick's choice of asking Steven Spielberg to make this film was the kind of genius that Kubrick showed in all his work. It is a tribute to both men that they saw a vision of something and worked toward it's creation. I think they came to a great place in film making.

AI - ARTIFICIAL INTELLIGENCE / (2001) ***1/2 (out of four)

By Blake French:

"AI - Artificial Intelligence" is the hardest kind of movie to review-but it's also the most enjoyable kind of movie to watch. It's been over three weeks since my screening of Steven Spielberg's emotionally harrowing epic about a robot boy. Before writing my review, I wanted to let its themes, content, and characters sink into my head and make a solid impact. The film was based on an idea by Stanley Kubrick, but when he died in 1999, Speilberg took charge of the project. I could spend pages discussing the techniques of Kubrick's intentions and Spielberg's decisions, but I will not. Stanley Kubrick and Steven Spielberg are two of the greatest directors American cinema has to offer; it's pure pleasure watching their ideas clash and flow. I am not going to examine each individual theme here, either. That would ruin the movie for you.

"AI - Artificial Intelligence" presents many themes on screen, but it's important to take what you get out of it. Whenever I read a review of Kubrick's "A Clockwork Orange" or "2001: A Space Odyssey" I feel influenced by the reviewer's interpretation of the movie's themes. Every time I watch either of those movies I get something new out of it. I hate it when other critics state the movie's themes on paper as if it's a fact. There is far too much room for interpretation to reveal this movie's message, or the message of any Kubrick film for that matter. Ask 100 people, and you might get 100 different answers. "AI - Artificial Intelligence" is that kind of movie-one of the year's best.

Critics and audiences alike have torn apart this movie's ending-a clear miscalculation by Spielberg. If Kubrick were in charge, the movie would have called it quits about twenty minutes earlier in an unsettling sequence that takes place in the ocean. But Speilberg, who always seems entranced by science fiction, injects an additional segment into the mix that does not work quite as well, but isn't so completely awful that it deserves such harsh criticism. It still leaves us with an open, startled emotional disorientation. I left the theater with tears in my eyes. The movie before the conclusion is so complex, moving, and involving in so many different ways the last twenty minutes didn't even come close to spoiling the movie for me.

"AI" transpires sometime in the near future after the polar ice caps have melted and flooded coastal cities and reduced natural resources. Mechanical androids have become popular since they require no commodities. Reproduction has also become highly illegal. Machines provide sexual services and if anyone wants a child, they will purchase a robot. However, the difference between a robot child and a living child is that robots cannot love. That's the task professor Hobby (William Hurt) of Cybertronics Manufacturing has solved. He has made a robot child that can love.

We can separate "AI" into two separate segments. I do not want to reveal too much about each plot because the pleasure of watching this movie evolves from the revealing of the connecting plots. I will, however, briefly say the first details a robot child's interaction within a family, and the second deals with the robot's estrangement from its family and the quest to regain the mother's love.

I can imagine the material in Kubrick's hands. The movie's opening scene has a female robot begin to undress in a public office. Speilberg cuts the action before she reveals any explicit nudity. Kubrick would have had various shots of full frontal nudity. Spielberg, never comfortable with sexual material, leaves out much of the motivation behind Kubrick's ideas. One of the biggest problems in "AI" is the lack of edge with the sexual content. Jude Law plays a robot gigolo who lives in a sex fantasy called Rouge City where people from everywhere come to seek sexual satisfaction. The central character, a robot boy played by Haley Joel Osment, motivates every action in the story except for the scenes in Rouge City. Why contain such a perverse character and setting when his entire existence simply displays a mood that has already been well established. Obvious, the filmmakers toned the aspects of "AI" down to warrant a gutless PG-13 rating-but why? The movie isn't appropriate for children anyway, and it's far too complex. Undoubtedly if Kubrick were in charge "AI" would have to be re-cut to avoid an NC-17 rating. Spielberg should have either taken advantage of the perverse material or completely eliminated it.

Here I am, doing exactly what I said that I wouldn't do, and at nearly 900 words, I still have not clearly expressed my own opinions on the film. I have many notes in front of my that display my reaction as I watched the film, but I am not going to use them-they reveal too much about the movie. "AI" is a very personal film, a deeply moving, scientific, careful, and harrowing motion picture that displays startling talent on screen and behind the scenes. The special effects are extraordinary. The performances are alarming-the immensely talented Haley Joel Osment may once again be up for an Academy Award nomination. Go see the movie, then talk about it with others. It's the kind of film that you can spend hours thinking about, then go see it again.

I was 13-14 when I watched this movie. It's a long movie if I recall it correctly. I was so moved by it's theme, so I watched it all. I had strong feelings of sadness and sympathy towards little robot David that wanted to be a real child and to have a mom to love him. And that little bear ... I cried during some scenes. I don't think I cried that much at any movie like at this one. Even though it's a Sci-Fi movie it has a lot of emotions. I have never watched it again since then. It'll be too hard for me P.S I don't get how some people can rate this incredible movie with an 1 ? like why ? Of course it's not a perfect movie, but sometimes it doesn't have to be. It matters your feelings about it, because this movie is that deep. 10/10