Himalaya - l'enfance d'un chef

US or European movies about non-US, non-European people are usually faulty, even when they mean well : often, they need to use some bland occidental character (think Brad Pitt in "7 years in Tibet"), or the non-occidental people are actually occidental people with make-up and funny accents, or everybody speaks English but the bad guys, or everybody behaves like a bunch of Californian housewives or New York traders. So I was a little apprehensive about "Himalaya". Fortunately, French director Eric Valli knows the Himalayan (Dolpo) people he's filming, he has been living with them for years and speaks their language. So what we got here is a true movie, with true cinematic characters, a true plot and no condescending stuff. It's actually amazing to behold a story where the people have problems so remote from the ones someone from Paris, France can have (like having to set up a 2-weeks cattle drive across Himalaya to trade salt against barley), and however these problems and emotions are made more real than, say, a comedy about bourgeoisie with sex trouble. Not that the plot is truly original : it deals, in a rather classic way and not unlike some war movies, with the essence of leadership (the original French title is "Himalaya, the youth of a chief"). What makes a leader, and how and why can leadership be challenged ? Why people do follow some leaders and not other ? From what we see in the film, these are questions that people who live in such extreme conditions find of extreme importance. Add a magnificent scenery (no need for filters for clear blue lakes there) and talented actors who literally inhabit their complex roles (partly because they've been in situations like this or know people who have), and here is one impressive adventure movie.

Usually I complain that not many good movies make it to Las Vegas. This beautiful film is one of the best photographed film I haver ever seen. Every shot could be framed and would make a great picture. That alone would be worth while to see it, but the plot is interesting and shows us the life and problems of a different culture. I was captivated from the beginning to the end and realized that even if I would go to Nepal I would never have a chance to get such an insight into the people and experience the land the same way. Go and see it.

This film is simply beautiful to watch. The cinematography is absolutely stunning, the music and directorial mood is captivating. The film is light on plot and the little bit of intrigue sort of fades away, but that really doesn't matter.

I have been to the Himalayas (Tibet, Nepal and Bhutan) and it is really hard to capture the exquisite beauty of the place and the grace of the Buddhist people who dwell there. This film captures that beauty and grace.

If you have any interest in that part of the world and its people, this film will hold your attention and inspire your imagination. How? I don't know, perhaps some of that Himalayan magic rubbed off on the film crew.

If you believe film should be an artform, then you'll love Himalaya. As the director states in the bonus audio track, the production team did not identify and write to a "target market" when developing the screen writing, they did not follow the dreary Hollywood "recipe" for film-making, and, most importantly, they did use non-actors to portray almost all the lead and back-up roles.

Tinle, the lead character, is a treasure. The first time I viewed the movie, I thought, 'what a wonderful actor.' His timing is exact yet unpredictable, his personality forceful, his face is exquisite, his form unique and authentic. A natural, I thought. Indeed, he plays himself in a quasi-autobiography, and what a wonderful character he is.

This is a movie about an ancient civilization we are losing and, sadly, will soon be lost. Really, its a documentary, and, as the director states, will certainly be used by future historians as a visual artifact of what is soon to become the lost Dolpo civilization of Nepal. The soundtrack conditions you to this heartbreaking reality.

The movie is successful on many levels: a mother's lost love (who hasn't seen her adult child since he was eight); a loving grandfather/grandson relationship, which is painfully lost; a wife who loses her husband, and a young boy who loses his father then attempts to make sense out of the loss; a young religious man who chooses the 'difficult' path over the easy monastic life; a classic confrontation between generations; and an old man whose entire life is built on strength, perseverance, and admiration, but then who ultimately must let go of it all to those who are destined to succeed him.

I loved this movie. It made me think of my mother, an artist, whom I miss dearly. Himalaya is a work of art.

This film is about conflict & mistrust between generations. Walking is the minor element. The mutual mistrust between the 2 generations were very well portrayed. Although there was an obligatory change from mistrust to mutual respect, the story is still very convincing and gripping. The film almost seemed like a documentary of the villagers' life, which is what makes the film even more interesting.

The location of filming were really stunning. The scenery of the barren mountains and snowy mountains were totally breathtaking. This film may be boring for some people, but for people interested in the Tibetan culture, this is a film for you.