Gangster No. 1

I loved this movie soooo much! I was first introduced two thirds into it and I was immediately ready to sit down and watch it at three in the morning staying up till five am. The way it is shot is like pure genius! There is a scene in it that is shot from the perspective of the person being murdered and I mean it is aw inspiring! Seriously if it weren't for the way this movie ended it it would have been a 10 on my voting. Point in fact though the ending isn't horrible it just leaves a little to be desired. NON-SPOILER ALERT about the ending, they use a different person for the main character as the older version, but everyone else plays themselves just with makeup....(Don't get me wrong the guy they got 'Malcolm McDowell' to play as the older gangster is the best narrator and therefore carries the movie, but it's just weird and very hard to over look) Not to mention Paul Bettany who is a genius in this movie as well! My god the man can play psycho! All and all a must watch and a pass on to any friend who is in the mood to see a great flick!!!!!

GANGSTER NO.1 (2002) *** Malcolm McDowell, Paul Bettany, David Thewlis, Saffron Burrows. Bloody good Brit flick about English thugs recalled in flashback by McDowell and portrayed by Bettany (both equally excellent in a teeth-gnashing kind of way) recollecting their bumpy ride to the top and rocky relationship with head kingpin Thewlis getting in the way. Graphically violent yet smartly directed by Paul McGuigan eschewing stylistic violence for violence sake and encapsulating the Mod 60s effectively.

What a mug! The evil-harlequin mask of Malcolm McDowell, so familiar from those bugeyed closeups of him "mounching lumpchiks of toast" in A CLOCKWORK ORANGE, has aged into a fabulous ruin. And one of the pleasures of the glib, slick, cocky, brutal, shallow, and terrifically entertaining GANGSTER NO. 1 is in the realization that McDowell is the same McDowell--his voiceover has the same energetic sneer it had 31 years ago in CLOCKWORK. He's the same guy under a withered and weathered facade. As Gangster No. 1--a sociopath with a schoolgirl crush on his boss, spit-shined David Thewlis--McDowell brings you into the succulent pleasures of aged corruption and long-swallowed brutality. No. 1's nuttiness--a kind of belch of guilt, generally released in Francis Bacon-derivative silent screams--seems, for a while, like fun. Paul Bettany, playing Young No. 1, has a great, lizardlike, histrionic deadpan--he keeps telling his victims "Look into my eyes!" as if something scary and deep were hidden there. (Instead, there is zero--an effect Young No. 1 may be unaware of.) The movie takes such a jaunty and directorially piquant view of its own shin-kicking nihilism that you can't help but play along; until the moralizing but utterly earned finale sets you on your ear.

Not deep stuff--not even as deep as the superbly unself-reflective head-smackers who made up GOODFELLAS' crew. But Saffron Burrows, as a Cockney chanteuse who's mad in love with Thewlis' Mr. Big, brings you back to the days of much-posher-and-prettier-than-their-parts British character actresses. (Could Burrows in fact be the Susannah York of the millennium?) And the director, Paul McGuigan, and Bettany keep the joint jumpin'. Why did this get such a crummy release? There's been almost nothing this year as sheerly, undilutedly fun.

Gangster No. 1 follows the rise and fall of a particularly brutal and disturbed Cockney English gangster.

It would be improper to compare this gem to the likes of Goodfellas (1990), big budget American gangster films and Guy Ritchie Brit slick criminal films. No.1 is in the vein of The Krays (1990) and has a for the most part a traditional narrative. That said, Director Paul McGuigan has a grand visual flare and Johnny Ferguson's screenplay takes the time to actually delve into the psyche of gangster who is arguably more psychopath that sociopath, (either way he is a killer). Ferguson's script gives the dialogue weight and realism which can be very thought provoking at times.

McGuigan superbly crafts the period pieces of 60's London right through to the 90's, with fantastic set design, locations, music soundtrack and score. The viewer gets to witness England in all its swingin' 60's glory. The direction and Andrew Hulme's editing isn't mediocre and great effort has been made to make you feel the emotion that happens on screen, especially when there is a killer and victim scene. The use of P.O.V, manipulated shots and stylised lighting are used to achieve this. There are some gruesome and violent scenes, which is to be expected given the genre. This includes a torture scene that will stay with you for a while after the credits roll. Since its production 11 years ago only the ageing make-up has dated and yet this still doesn't impair on the magic of the film.

The talented cast is any array of familiar UK faces including Saffron Burrows, Eddie Marsan, Doug Allen and Walking Dead's Andrew Lincoln to name a few. David Thewlis is on top form as the quintessential gentleman gangster head Freddie Mays and show stealer Jamie Foreman is outstanding as rival gang leader Lennie Taylor in a smaller but pivotal role.

Paul Bettany's performance is simply mesmerising, edgy, scary and he perfectly plays the jealous and ambitious Young Gangster. Incidentally, Bettany is reminiscent of Malcolm McDowell in Clockwork Orange (1971). Similarly, McDowell gives a fitting first-rate performance as the Gangster aged 55, who is just as intimidating and menacing. It's a great piece of casting thats credit goes to Jina Jay.

Overall, it's a satisfying British gangster film that approaches the subject matter from a different angle, and that is from the inside out.

The subject matter aside it's a self-effacing cinematic experience.

The story begins in 1999, with an old gangster performed by Malcolm McDowell being advised that Freddie Mays (David Thewlis) would leave jail after thirty years in prison. His mood changes and he recalls 1968, when he was a young punk (performed by Paul Bettany), and he joined Freddie Mays' gang, his envy of his mob boss and his betrayal. The whole story of these two characters is presented slowly, alternating violent and luxury places and action. I liked this movie a lot. I would dare to say that it mixes 'Goodfellas', 'Casino', 'Pulp Fiction' and 'Reservoir Dogs'. Paul Bettany has a great performance as a psycho-killer: differently of those sadists in Hollywood movies that make grimaces, the simple look and expression of Paul Bettany is enough to terrify the viewer. The direction is great, and there is one specific scene that I appreciated very much. When Freddie Mays invites Paul Bettany's character to have a drink in a nightclub: Freddie is giving his overcoat to the attendant and the image of Paul Bettany is reflected in the glass of the door exactly over Freddie. The selection of Paul Bettany for this role is perfect, but why not ages him through make-up? Malcolm McDowell looks totally different from Paul Bettany! My vote is eight.

Title (Brazil): "Os Gangsters" ("The Gangsters")