Strictly Sinatra

Tony wanted a crowd. . .he got the mob.

That's the tag-line for Peter Capaldi's (writer/director), Strictly Sinatra. In this 97 minute romantic/drama we we meet Tony Cocozza (Ian Hart). He's a 28 year-old crooner in a bottom-feeding bar in Glasgow. He aspires to be the next singer sensation, dreams that Tony Bennett sneaks to watch his performance, and Old Blue Eyes crowns him the next in Strictly Sinatra in line to be King of the Rat Pack. Dreams. Always so far from the truth.

Bill (Alun Armstrong) is not only Tony's piano player the club, but his best –and possibly only– friend. It's when a mob boss and his wife are particularly taken with Tony's talent after seeing a show, that Tony's life is thrust into chaos. Bill's advice is to never accept a drink from the mob. Once you do, they have you. And what does Tony do? He accepts a drink. Next thing he knows he's helping mob crews collect shipments and storing them and delivering them.

In the midst of this new found attention, the mob assists Tony with his career some. (Not unlike Frankie's rumored push to stardom, some might say). He meets a cigarette girl named Irene (Kelly MacDonald). The two hit it off in a friend-zone kind of way. The attraction is there. The awkwardness of potential romance, too. The problem is, Tony is getting caught up in the misplaced glory and definition that comes with being someone who is . . . as he puts it, Connected.

Things go from bad to worse as the mob pulls strings on Tony's behalf, and Bill is clearly aware of what is taking place. Needless to say, he's not very happy about any of it. It is when Irene begins to see the light, and wants nothing to do with it that Tony realizes he might be making a huge mistake. But as it always seems to be with mobs, once you're in, getting out is impossible.

Faced with decisions that will carry extreme consequences, Tony must make choices that will no doubt end badly for some, worse for others. What will he do? What can he do? And is there really still time to do anything at all — or is it too late?

I thought Strictly Sinatra was entertaining. If it weren't for the accents, you'd think you were watching an Italian Mafia movie. The dialog is crisp and tight. The scenes are important and move the plot constantly forward. The acting is exceptional on all counts by each and every actor. I give Strictly Sinatra 4 of 5 Tombstones.

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I attended the Premier of Strictly Sinatra on Sunday Night. I was extreemly impressed by this movie. It had a great cast including the fantastic Ian Hart as Tony Cocozza. Brian Cox also put in a fantastic performance.

The Movie is set in Glasgow and revolves around the life of Tony Cocozza and his dream to rise to Sinatra like stardom. Tony sings in pubs doing his act which is 'Strictly Sinatra' until one night one of Glasgow's gangland bosses request a song which is not in Tony's regular act. After performing an Elvis classic the young man is invited to join the man and his associates to a night in a casino. IT's here he meets a pretty cigarette seller, played by Kelly McDonald. Tony soon gets caught up in the local mob, after accidently asking for a favour, one which he'd have to return. His friends find out and he has to make a descision....fame, at it's price, or the girl of his dreams.

Ian Hart stands out in the brilliant cast with his fantastic vocals for the movie. If it had been made in America he'd be nominated for an oscar, sadly this Scottish movie will probably be ignored.

As a lifetime Sinatra fanatic, I was drawn to this movie with interest and little knowledge of the plot. I thought the film was a fairly well told story of a "star struck" wannabe with a gentle heart, who decides he willing to do anything to realize his aspirations, and follow in Ol Blue Eyes footsteps. The musical score is excellent and lends to the period of work that Cocozza's idol gave to the world. Ian Hart does his best to detail what a 28 yr old "loser" feels like, and the depths he will sink to "make it".The one drawback was the often difficulty in understanding the Scottish dialect that too often impairs the ability to discern key dialogue exchanges. All in all, I'd recommend it..especially to the millions of Sinatra fans still around who continue to perceive his talent/persona in a "god-like" fashion.

"Strictly Sinatra" tells of a young Glasgow club singer and Sinatra wannabe (Hart) who falls in with the mob while falling in love with the mob's ex-cigarette girl (Macdonald) and must choose between the mob and fame or the girl and love. A pleasing and enjoyable little comedy/light drama, the film is flavored with lots of old Sinatra standards, some gangster skullduggery, a few poignant moments, and just a spritz of romance. Although "Strictly Sinatra" is strictly a mediocre flick, it makes for an enjoyable small screen watch for those who don't mind dreary old Glasgow and thick Scottish accents.

There is something which, for me, is more compelling about films set in Europe which are made by filmmakers in their home areas. Even if Spielberg, Allen, Mamet or the like, from America, with all their talent and resources, make films in Great Britain, France, Spain, etc. - they never seem to gain the true "feel" of the locale as well as native producers and directors. As an example, absolutely nobody can evoke the true character and feel of Madrid and the rest of Spain like the great Amodóvar.

Although this small film is hardly in the category of one of Amodóvar's, it provides a true "feel" for Scotland and Glasgow, including its often gray, dreary atmosphere, in the most authentic manner, making the amusing, light story even better.

The music is great, the acting and characters engaging, and somehow the characters seem both realistic and fanciful, sometimes simultaneously, a trick many larger films miss.

As a bonus, we also can now see where Mike Myers likely obtained the accent he employed for the "Fat Bastard" character in his Austin Powers work.