Mexico City

This film will never turn up as an in-flight feature on Mexicana Airlines. It shows the gritty, often ugly reality of Mexico City. Its tale of corruption and intrigue is nothing special. But the film captures the essence of Mexico City --- crowds, bustle, poverty, pollution, crime, machismo, antiquity and always, "la mordida" --- with compelling cinematography and a hauntingly effective Spanish guitar musical background. The camera angles are brilliant. The warm tones of the colour are perfect for the subject. There are many classic closeups of Mexican faces that alone make the film worthwhile. You almost smell the "pollo con aroz." And the amount of Spanish dialogue without subtitles underlines the frustratiions of the film's unilingual main character as she searches for her brother in an alien, puzzling and hostile environment. (Whatever did happen to him by the way?) The plot isn't new. Innocent American searches for missing ( )boyfriend ( )husband ( )wife ( )son ( )daughter ( )other in corrupt foreign capital with no help from double dealing US embassy. But this one is done superbly.

I got bored in the begining already and could not get better later. Just more bored

It is a shame that a movie with such a good cinematography as this one had no plot to be supported by the work of Sarah Cawley (cinematography) and Adam Lichtenstein (Film Editing), and above all, no sense of what goes on in Mexico City. The movie tries to be a very realistic depiction of life in city, but it is unable to do it. It is a shame, a lot of film wasted. An American woman tries to find her brother who has been kidnaped. The first account of the story is powerful and interesting, very realistic, but it seems that there was no effort to come with a better narrative of the ordeal, especially when it comes to the issue of the attitudes of the US embassy personnel in Mexico City, when dealing with an issue like this one. Compare, as an example, with Frantic(1988), which deals with a similar issue. Something similar can be said of the role of local authorities. Compare, as an example, with Todo el Poder (1999). The movie is worth watching if you want to get a sense of the looks of the City itself, paying little or no attention to the rather weak "plot" and the many twists that require a rather extensive suspension of disbelief. Who is going to believe that a Mexican patrol from Mexico City is going to go all the way to catch the main characters to the Mexico-US border? And that this policeman is going to be able to use its radio from the border to Mexico City! Only the producers of this movie. It is worth mentioning that unlike Frida and other movies about Mexico at least in these one Mexicans talk Spanish.

There are a few minor adjustments that could be done, in my opinion, and with that I would have given this film a 10 star rating.

I love this movie because it's no-nonsense. There is an easy to follow storyline and the film is acted out almost believably. I cannot add more to the technicality of the film but what I can say about this movie is that I love the musical score, the scenes, the way it draws me into the film here and there.

It's a movie I would recommend if you are open-minded and are in need of a relaxing time. For what it's worth, it's a movie that will be average but if you are like me it's a film that will forever stick with you.

In "Mexico City", Edwards plays a woman with recent personal loss who is reluctantly vacationing in the title city with her brother when he disappears. This very mediocre journeyman flick is all about her search for her bro and the intrigues which follow. "Mexico City" seems to lack authenticity (made in Mexico by Americans), paints a rather dismal portrait of the city, has plotholes and foibles galore, and is watered down to a very soft R rating. For those who can overlook these flaws, however, a tale of one woman's determination pitted against corruption and treachery in Mexico awaits. (C)