Some Voices
- 2000
- 1 घं 41 मि
IMDb रेटिंग
6.5/10
1.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA schizophrenic causes havoc in his brother's restaurant.A schizophrenic causes havoc in his brother's restaurant.A schizophrenic causes havoc in his brother's restaurant.
- 1 BAFTA अवार्ड के लिए नामांकित
- 2 जीत और कुल 4 नामांकन
Edward Tudor-Pole
- Lighter Seller
- (as Edward Tudor Pole)
Kieran-Miguel Diego D'La Vega
- Dave (walk in)
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Some Voices centres on Ray (Craig) and his release from a psychiatric hospital. His rehabilation starts fairly well, with Ray working for his protective brother Pete (Morrissey) in a restaurant. However, when Ray falls head over heels in love with Laura (McDonald), a wild Scottish girl, and stops taking his medication, matters spiral out of control. Directorial debutant Simon Cellan Jones has effectively captured the colour (mostly grimy) and energy of Shepherds Bush. However, this is an actors piece and as such Craig and McDonald shine. Especially, McDonald who brings a natural warmth to a difficult role. Ultimately, both a disturbing and rewarding film, but don't expect any belly laughs or easy answers.
This really is a surprisingly good film - it's only just opened, and already the reviews are mixed. To me it's a refreshingly unsentimental and non-sensationalist portrait of schizophrenia. None of the characters is perfect, but none of them are irredeemable either, and there seems to be an underlying optimism about human nature. Despite what the previous reviewer wrote, I actually laughed quite a few times, as well as being moved at other times. The three main performances are all excellent, with Kelly Mcdonald especially good (why isn't this woman more well-known, why oh why??). The other characters are well portrayed too, especially Mandy the waitress. West London looks stunning (just kidding!), the filming and acting are naturalistic, and the music on the soundtrack is effective too. I hope the film makes it to the US.
I only saw the last hour of this film but it is an excellent insight into mental illness, as well as the urban jungle of London (west London and Acton/Shepherds Bush, in particular).
Daniel Craig is brilliant (never heard of him before) as the mixed up man who visits and stays with his brother and frequents his quaint little bistro in the high street.
Lots of Godard-style jump cuts and freeze-frames, presumably to mimic the mind of a schizophrenic, accompanied by a fine soundtrack. Another great little motif is having all the characters live or work next to very busy thoroughfares - Ray's brother (Peter Macdonald) of course lives on the third floor at the same level as the flyover about 50 feet away, with constant motion and noise.
The film even features cooking lessons at the end, as Ray is quietly rehabilitated, ironically set and filmed in the hinterland of Jamie Oliver, the original 'naked chef' on BBC tv who is always shown at some point traversing these same streets on his Italian moped (always wearing a crash helmet, of course!). Daniel Craig is more authentic as he's seen naked in the street during a crisis.
The film's quite emotional, too, especially the kitchen arson scene where Dave is visibly concerned.
Daniel Craig is brilliant (never heard of him before) as the mixed up man who visits and stays with his brother and frequents his quaint little bistro in the high street.
Lots of Godard-style jump cuts and freeze-frames, presumably to mimic the mind of a schizophrenic, accompanied by a fine soundtrack. Another great little motif is having all the characters live or work next to very busy thoroughfares - Ray's brother (Peter Macdonald) of course lives on the third floor at the same level as the flyover about 50 feet away, with constant motion and noise.
The film even features cooking lessons at the end, as Ray is quietly rehabilitated, ironically set and filmed in the hinterland of Jamie Oliver, the original 'naked chef' on BBC tv who is always shown at some point traversing these same streets on his Italian moped (always wearing a crash helmet, of course!). Daniel Craig is more authentic as he's seen naked in the street during a crisis.
The film's quite emotional, too, especially the kitchen arson scene where Dave is visibly concerned.
This was a film I saw completely "on spec" having not heard of it before. As is often the way, when there are no expectations to be dashed, the experience was entirely worthwhile.
Without giving too much plot away, our hero - or more accurately our anti-hero - is discharged at the start of the film from a psychiatric hospital. He is returned, with a large supply of tablets, to his brother's care within "the community". When he falls for a woman, who reciprocates, life seems better than it has ever been, and he begins to question whether the endless tablets are actually necessary.
This is a film which is above all honest. The performances are truthful and insightful, and the characters are drawn sympathetically but not blandly. We are shown flaws and strengths, and we are invited to observe and empathise but not judge. The laughter - and it is not in short supply - comes from the foibles of the characters we are presented with, and as in life, provides a welcome relief from the more tragic elements.
As the film moves towards its conclusion - via a 10 minute sequence of genuine breathtaking tension - the answers provided are not easy, and the loose ends are not tied up, yet this acts not to frustrate the viewer but simply to reinforce that this is the genuine article - life has no easy solutions.
I have rated this film as a 9 out of 10; it lacks the perception about the human condition, the wider scope or relevance of, say "American Beauty", but that was never its intention, and it is designed, I suspect, with a smaller audience in mind. It is, however, a beauty in its own right, and I would whole-heartedly recommend it as a thought- provoking way of spending a couple of hours.
Without giving too much plot away, our hero - or more accurately our anti-hero - is discharged at the start of the film from a psychiatric hospital. He is returned, with a large supply of tablets, to his brother's care within "the community". When he falls for a woman, who reciprocates, life seems better than it has ever been, and he begins to question whether the endless tablets are actually necessary.
This is a film which is above all honest. The performances are truthful and insightful, and the characters are drawn sympathetically but not blandly. We are shown flaws and strengths, and we are invited to observe and empathise but not judge. The laughter - and it is not in short supply - comes from the foibles of the characters we are presented with, and as in life, provides a welcome relief from the more tragic elements.
As the film moves towards its conclusion - via a 10 minute sequence of genuine breathtaking tension - the answers provided are not easy, and the loose ends are not tied up, yet this acts not to frustrate the viewer but simply to reinforce that this is the genuine article - life has no easy solutions.
I have rated this film as a 9 out of 10; it lacks the perception about the human condition, the wider scope or relevance of, say "American Beauty", but that was never its intention, and it is designed, I suspect, with a smaller audience in mind. It is, however, a beauty in its own right, and I would whole-heartedly recommend it as a thought- provoking way of spending a couple of hours.
I've watched two films tonight back to back; Ken Loach's Ladybird Ladybird and now Some voices. What a double bill and compelling evidence that British film is wonderful. Daniel Craig is Ray, recently released from a psychiatric hospital. He meets the lovely Glaswegian girl Laura (Kelly Macdonald) and is so happy he thinks he no longer needs his medication. His brother (Scouser David Morrissey with a very strange and to be honest sometimes offputting Southern accent) looks after him through thick and thin. Blood is thicker than water and all that. A beautiful story of love and humanity against the backdrop of mental illness. A moving 8 out of ten
क्या आपको पता है
- ट्रिवियाRay Winstone played the lead in the original London stage production.
- कनेक्शनFeatured in La noche de...: La noche de... Los renegados (2021)
- साउंडट्रैकSpeed Of The Sound Of Loneliness
Written by John Prine
Published by Big Ears Music LTD
Performed by Alabama 3
Courtesy of Elemental Records and Geffen Records
Under Licence from Universal Music Enterprises
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Some Voices?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $9,188
- चलने की अवधि1 घंटा 41 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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