Cementerio del terror

Forget all the commentaries trashing this movie. This here is a Mexican horror classic. Ask yourself this, how many terrible American horror movies are out there? Gimme a break. Mexican films usually have low budgets, don't go big time on the silver screen or gain huge notoriety around the world. Especially not in the horror genre. Name a Mexican horror film. Just one. Exactly. Horror films aren't meant to win Oscars unless it's intelligent like Rosemary's Baby. This is just a fun film to watch. C'mon, it's 80s horror! That means tight blue jeans, white sneakers, horny teens getting killed, silly hairdos and wardrobe! Sleepaway Camp is one of the champs in this area.

The plot is 3 college females are asked by their boyfriends to attend a flashy high profile party and they are tricked into going to an abandoned house on a cemetery on Halloween night. They find a book and decide to steal a corpse which happens to be of a demonic murderer who happens to be the owner of the book. They reanimate the corpse through a spell and all hell breaks loose.

This film has elements from Halloween:The demonic killer was attended to by the doctor which is after him and is rebellious towards cops and never fails to talk about how the killer is the devil and must be stopped. Very Mexican Halloween. It doesn't hurt that the movie is on Halloween as well. The only problem here is that Hugo Stiglitz should've been the demonic killer. Ha ha. I love Hugo Stiglitz, he's one of my favorites and has a hell of a voice and presence, but he's known to play villains not heroes. It has an Evil Dead element in that they find a book of dead just like the Necronomicon and wakes the demons in the cemetery. These are the 2 movies that the movie combines into a great formula.

The cast like any horror movie in any country isn't all that great.The teens cast in the movie are weak and may spoil some of the fun but Stiglitz is awesome as usual and whether it's a horror or comedy that he's in, he never fails to take his roles seriously. You should see Stiglitz doing comedy movie villains, his level of seriousness is rock solid and he takes this role just as serious. The killer isn't very scary, but the soundtrack is just sweet. It has one of the creepiest piano tunes in all of horror and I remember this movie by that eerie piano tune.

Check this movie out and watch it at night. It's only $7 at Best Buy and it comes with Ladrones de Tumbas (Graverobbers) as a two pack for a cheap price. You might or might not like it, but if you appreciate how the producer wants to entertain you with what he has to work with you won't be disappointed. The movie doesn't rip you off.

The premise is tried and true. A group of young people break into an old and spooky abandoned house looking for nothing less than a good time. Just a night of booze, babes, boom box, and, of course, black magic. They, naturally, end up waking a dormant evil force which proceeds to terrorize and kill anyone drinking, fornicating, or trespassing in its lair.

Sound familiar yet? It should. It's been the plot to countless other horror films including Night of the Demons, The Evil Dead, and Hell Night. Now add Cemetery of Terror to the list.

I think this movie ranks up their with its contemporaries, though. It utilizes all the best techniques of a certified 80s horror gem. It's got plenty of blood and carnage, good plot, great atmosphere, and takes place on that wonderful horror movie time of the year: Halloween. The evil antagonist in this film is a superbly terrifying super-human Satanic slasher named Devlon who could easily give Michael Myers a run for his money. I don't recall Mikey selling his should to Satan, after all. And, as if Devlon wasn't enough for you, throw in a Necronomicon-type book which summons an army of zombies into the mix. Because what good is a spooky old cemetery in a horror film if you're not going to use it?

Made for Mexican audiences and filmed in Texas,this movie is definitely worth looking into if you are a fan of all-out 80s slasher gore fun. It effortlessly compares with a lot of great American horror trash cinema classics. So bring on the booze, babes, boom box, and black magic and let's party!

CEMETERY OF TERROR is a Mexican slasher/zombie/supernatural horror film which seems to take its inspiration from sources as varied as NIGHT OF THE LIVING DEAD (1968), HALLOWEEN (1978), CITY OF THE LIVING DEAD (1980), EVIL DEAD (1981), ABSURD (1981) and even Michael Jackson's THRILLER (1983). Unfortunately, it is not nearly as good as any of them.

The story concerns a recently deceased psychiatric inmate named Devlon who kinda looks like George Eastman, and whose psychiatrist rushes to try to have cremated because he believes him to be a demon.

Unbeknownst to the good doctor, a group of mischievous teenagers steal the corpse from the morgue and transport him to a local cemetery, where they invoke spells from a black book of magic they just happened to find at a nearby abandoned house, all to scare their girlfriends into submission, apparently. Meanwhile, a group of children decide to visit the cemetery at night as a sort of test of courage.

Predictably, the teenagers manage to reanimate the corpse, and then all hell breaks loose.

If the setup sounds incredibly contrived and stupid then that is because it is. One improbable coincidence follows another, seasoned with unrealistic behavior by almost all of the main characters. Also, the setup takes way too long: we are nearly 40 minutes into the movie before Devlon George finally rises.

Although some of the special effects are decent for the 1980s, many of the actual death scenes range from unconvincing to ludicrous. In one scene, a victim is repeatedly clawed in the face by Devlon George, who stands right in front of him and yet seems to escape notice.

Even though the movie is not good, it still has some of that nostalgic 80s charm which prevents me from giving it a lower rating, but let's face it: unless you know what I am talking about, this film is probably not for you.

Hugo Stiglitz, probably best known to horror fans as the hero of Italian zombie flick Nightmare City, battles the undead once again in Cemetery of Terror, a low-budget Mexican mish-mash that borrows heavily from several successful US horror hits.

The film opens in Halloween mode, with lumbering serial killer Devlon gunned down by the police after a bloodthirsty rampage. The Evil Dead is the obvious inspiration for the introduction of a Satanic book that is discovered by a group of partying youths, whose idea of fun is to steal a body from the local morgue (no prizes for guessing whose corpse they make off with), and then perform a life-giving ritual during a rainstorm in a creepy cemetery.

With Devlon resurrected (I said there were no prizes!), the film enters Friday the 13th territory, with the dumb kids bumped off one by one by the undead killer. Last but not least, the film becomes a Night of the Living Dead-style fight for survival in a creepy run-down mansion, as a group of young trick or treaters are terrorised by zombies, brought back to life by Devlon's supernatural Satanic powers. Stiglitz plays the occult expert who holds the key to permanently putting Devlon to rest.

Cemetery of Terror is extremely dumb and utterly chaotic nonsense from start to finish, with not a lick of logic and unremarkable performances all round, but energetic direction from Rubén Galindo Jr. (who was also responsible for US-style slasher Don't Panic), lots of bargain basement zombies, and quite a fair bit of crude gore (a torn out throat, guts pulled out, an axe in the head) mean that there's still some fun to be derived from this random slice of South American schlock.

Fans of cheesy '80s horror will also enjoy the frequent appearances of the boom mic or its shadow, some nasty fashion (including a shiny, multi-coloured jacket with a skier printed on the back), an impressively staged zombie resurrection scene 'enhanced' by an excess of smoke and coloured lights, and one of those 'WTF?' final shots that were so prevalent among cheap horror films of the era.

My review was written in July 1985 after a Times Square screening.

"Cemetery of Terror" is an okay Mexican horror picture, made last year and currently playing the U. S. Spanish-language theater circuit.

Quite easy to follow without any English translation, Texas-set story concerns a mad Dr. Cardan (Hugo Stiglitz), plagued by nightmares of zombie attacks, who forges (in English) a court order to release a corpse from the morgue to his custody. Unlike the local pragmatic police captain, Cardan is a believer in Satan who is convinced the corpse is one of the undead about to wreak havoc.

It is Halloween and by a strained coincidence, three teenage couples out on a date at a spooky mansion next to a cemetery find a Black Book of satanic rituals. They need a corpse to carry out a Black Mass (with the book's aid) in the cemetery and, as a prank, head to the morgue and steal the same corpse Dr. Cardan is seeking.

The ritual proves effective, bringing the corpse back to life, whereupon the zombie kills all six teens, accompanied by gore effects. Better makeup work is used on dozens of other varied zombies who subsequently rise from their nearby graves. Several children, including the police captain's kids, visit the cemetery and are barely saved from a horrible fate by the lameduck arrival of Dr. Cardan. Fortunately for them, Cardan is played by Mexican star Hugo Stiglitz (who previously battled atomic zombies in 1980's "City of the Walking Dead") and he comes up with a new and temporarily effective method of fighting the undead by simply punching them on the nose. Ultimately, the zombies are destroyed by burning when the kids toss the Black Book in a fireplace.

Picture provides a good atmosphere and some solid scare, with its oddest element (common to some other Mexican films) being the Texas setting where all signs are and visuals are written in English but everybody speaks Spanish. Cast is adequate, featuring some new generation talent such as Andres Garcia Junior (the spitting image of his star father) and Rene Cardona III, whose dad and grandfather have directed dozens of action pictures over the years.