IMDb रेटिंग
5.4/10
1.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंOn Halloween, a group of medical students steal the corpse a serial killer from a morgue and raise him from the dead, inadvertently putting themselves and a group of young neighborhood child... सभी पढ़ेंOn Halloween, a group of medical students steal the corpse a serial killer from a morgue and raise him from the dead, inadvertently putting themselves and a group of young neighborhood children in danger.On Halloween, a group of medical students steal the corpse a serial killer from a morgue and raise him from the dead, inadvertently putting themselves and a group of young neighborhood children in danger.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 2 जीत और कुल 2 नामांकन
Hugo Stiglitz
- Dr. Cardán
- (as Hugo Stieglitz)
Servando Manzetti
- Jorge
- (as Cervando Manzetti)
फ़ीचर्ड समीक्षाएं
Forget all the commentaries trashing this movie. This here is a Mexican horror classic. Ask yourself this, how many terrible American horror movies are out there? Gimme a break. Mexican films usually have low budgets, don't go big time on the silver screen or gain huge notoriety around the world. Especially not in the horror genre. Name a Mexican horror film. Just one. Exactly. Horror films aren't meant to win Oscars unless it's intelligent like Rosemary's Baby. This is just a fun film to watch. C'mon, it's 80s horror! That means tight blue jeans, white sneakers, horny teens getting killed, silly hairdos and wardrobe! Sleepaway Camp is one of the champs in this area.
The plot is 3 college females are asked by their boyfriends to attend a flashy high profile party and they are tricked into going to an abandoned house on a cemetery on Halloween night. They find a book and decide to steal a corpse which happens to be of a demonic murderer who happens to be the owner of the book. They reanimate the corpse through a spell and all hell breaks loose.
This film has elements from Halloween:The demonic killer was attended to by the doctor which is after him and is rebellious towards cops and never fails to talk about how the killer is the devil and must be stopped. Very Mexican Halloween. It doesn't hurt that the movie is on Halloween as well. The only problem here is that Hugo Stiglitz should've been the demonic killer. Ha ha. I love Hugo Stiglitz, he's one of my favorites and has a hell of a voice and presence, but he's known to play villains not heroes. It has an Evil Dead element in that they find a book of dead just like the Necronomicon and wakes the demons in the cemetery. These are the 2 movies that the movie combines into a great formula.
The cast like any horror movie in any country isn't all that great.The teens cast in the movie are weak and may spoil some of the fun but Stiglitz is awesome as usual and whether it's a horror or comedy that he's in, he never fails to take his roles seriously. You should see Stiglitz doing comedy movie villains, his level of seriousness is rock solid and he takes this role just as serious. The killer isn't very scary, but the soundtrack is just sweet. It has one of the creepiest piano tunes in all of horror and I remember this movie by that eerie piano tune.
Check this movie out and watch it at night. It's only $7 at Best Buy and it comes with Ladrones de Tumbas (Graverobbers) as a two pack for a cheap price. You might or might not like it, but if you appreciate how the producer wants to entertain you with what he has to work with you won't be disappointed. The movie doesn't rip you off.
The plot is 3 college females are asked by their boyfriends to attend a flashy high profile party and they are tricked into going to an abandoned house on a cemetery on Halloween night. They find a book and decide to steal a corpse which happens to be of a demonic murderer who happens to be the owner of the book. They reanimate the corpse through a spell and all hell breaks loose.
This film has elements from Halloween:The demonic killer was attended to by the doctor which is after him and is rebellious towards cops and never fails to talk about how the killer is the devil and must be stopped. Very Mexican Halloween. It doesn't hurt that the movie is on Halloween as well. The only problem here is that Hugo Stiglitz should've been the demonic killer. Ha ha. I love Hugo Stiglitz, he's one of my favorites and has a hell of a voice and presence, but he's known to play villains not heroes. It has an Evil Dead element in that they find a book of dead just like the Necronomicon and wakes the demons in the cemetery. These are the 2 movies that the movie combines into a great formula.
The cast like any horror movie in any country isn't all that great.The teens cast in the movie are weak and may spoil some of the fun but Stiglitz is awesome as usual and whether it's a horror or comedy that he's in, he never fails to take his roles seriously. You should see Stiglitz doing comedy movie villains, his level of seriousness is rock solid and he takes this role just as serious. The killer isn't very scary, but the soundtrack is just sweet. It has one of the creepiest piano tunes in all of horror and I remember this movie by that eerie piano tune.
Check this movie out and watch it at night. It's only $7 at Best Buy and it comes with Ladrones de Tumbas (Graverobbers) as a two pack for a cheap price. You might or might not like it, but if you appreciate how the producer wants to entertain you with what he has to work with you won't be disappointed. The movie doesn't rip you off.
CEMETERY OF TERROR is a Mexican slasher/zombie/supernatural horror film which seems to take its inspiration from sources as varied as
NIGHT OF THE LIVING DEAD (1968), HALLOWEEN (1978), CITY OF THE LIVING DEAD (1980), EVIL DEAD (1981), ABSURD (1981) and even Michael Jackson's THRILLER (1983). Unfortunately, it is not nearly as good as any of them.
The story concerns a recently deceased psychiatric inmate named Devlon who kinda looks like George Eastman, and whose psychiatrist rushes to try to have cremated because he believes him to be a demon.
Unbeknownst to the good doctor, a group of mischievous teenagers steal the corpse from the morgue and transport him to a local cemetery, where they invoke spells from a black book of magic they just happened to find at a nearby abandoned house, all to scare their girlfriends into submission, apparently. Meanwhile, a group of children decide to visit the cemetery at night as a sort of test of courage.
Predictably, the teenagers manage to reanimate the corpse, and then all hell breaks loose.
If the setup sounds incredibly contrived and stupid then that is because it is. One improbable coincidence follows another, seasoned with unrealistic behavior by almost all of the main characters. Also, the setup takes way too long: we are nearly 40 minutes into the movie before Devlon George finally rises.
Although some of the special effects are decent for the 1980s, many of the actual death scenes range from unconvincing to ludicrous. In one scene, a victim is repeatedly clawed in the face by Devlon George, who stands right in front of him and yet seems to escape notice.
Even though the movie is not good, it still has some of that nostalgic 80s charm which prevents me from giving it a lower rating, but let's face it: unless you know what I am talking about, this film is probably not for you.
The story concerns a recently deceased psychiatric inmate named Devlon who kinda looks like George Eastman, and whose psychiatrist rushes to try to have cremated because he believes him to be a demon.
Unbeknownst to the good doctor, a group of mischievous teenagers steal the corpse from the morgue and transport him to a local cemetery, where they invoke spells from a black book of magic they just happened to find at a nearby abandoned house, all to scare their girlfriends into submission, apparently. Meanwhile, a group of children decide to visit the cemetery at night as a sort of test of courage.
Predictably, the teenagers manage to reanimate the corpse, and then all hell breaks loose.
If the setup sounds incredibly contrived and stupid then that is because it is. One improbable coincidence follows another, seasoned with unrealistic behavior by almost all of the main characters. Also, the setup takes way too long: we are nearly 40 minutes into the movie before Devlon George finally rises.
Although some of the special effects are decent for the 1980s, many of the actual death scenes range from unconvincing to ludicrous. In one scene, a victim is repeatedly clawed in the face by Devlon George, who stands right in front of him and yet seems to escape notice.
Even though the movie is not good, it still has some of that nostalgic 80s charm which prevents me from giving it a lower rating, but let's face it: unless you know what I am talking about, this film is probably not for you.
Some movies require more of our suspension of disbelief than others, and this is surely one of them. Lines of dialogue that don't quite comport with the scenario; small inclusions that either abruptly introduce an entirely new narrative element, or are maybe just so poorly considered that we have to either presume the same or go mad; characters written with so little intelligence or so much obliviousness as to be contrivances of pure Movie Magic; and so on. In fairness, despite any flourishes to present, at its core this is still a slasher - just one mixed with some supernatural aspects - and in no way is it a film that was intended to be approached with any but the most superficial and unbothered of eyes. It's a big ask to wholly dispense with any critical thought to watch a picture. I suppose if one is able to do so, however, this is passably enjoyable? Look, 'Cemetery of terror' just definitely is no height of horror storytelling or film-making, that's for sure. But it's entertaining enough.
The blood and gore look good. I like the production design and art direction. It's well made from a technical standpoint, and while the story in its broad strokes is nothing special, it's still suitable grisly fun. It's in the details that the feature falls apart. I've seen too many poorly made movies to count, and while I wouldn't say that this is one of them, no comparison readily comes to mind to have so enthusiastically encouraged willful myopia of the viewer such that we can't pick apart every minutiae therein. 'Cemetery of terror' demands that we turn off our brain to engage with it, or else we're confronted with an endless stream of flummoxed, skeptical reactions of "What?! ... okay, sure."
It's a pity that the writing weren't more cohesive, coherent, and complete, because if it were by even just a small measure, the feature would have greatly benefited. There are some swell ideas in here, and between the orchestration generally of some scenes, and the addition of Chucho Zarzosa's excellent score to cement the tension and atmosphere, some moments are especially well done. At its best - or at least in its best potential - this is pretty much just as solid as any like horror flick might be. At its worst, one can only respond with "you're kidding me, right?"
Against all odds I think the last third of the picture is sufficiently well done as to pick up the considerable slack that it had dropped earlier. I think the cast generally perform well with what they're given. More so than not this is pretty okay! I just really wish the narrative and scene writing had been tightened, for that would have made a huge difference. Don't go out of your way to watch this, and by no means is it a must-see, but if you have the chance to check out 'Cemetery of terror' and can abide the most severe inelegance it may boast, this is a moderately worthwhile way to spend ninety minutes.
The blood and gore look good. I like the production design and art direction. It's well made from a technical standpoint, and while the story in its broad strokes is nothing special, it's still suitable grisly fun. It's in the details that the feature falls apart. I've seen too many poorly made movies to count, and while I wouldn't say that this is one of them, no comparison readily comes to mind to have so enthusiastically encouraged willful myopia of the viewer such that we can't pick apart every minutiae therein. 'Cemetery of terror' demands that we turn off our brain to engage with it, or else we're confronted with an endless stream of flummoxed, skeptical reactions of "What?! ... okay, sure."
It's a pity that the writing weren't more cohesive, coherent, and complete, because if it were by even just a small measure, the feature would have greatly benefited. There are some swell ideas in here, and between the orchestration generally of some scenes, and the addition of Chucho Zarzosa's excellent score to cement the tension and atmosphere, some moments are especially well done. At its best - or at least in its best potential - this is pretty much just as solid as any like horror flick might be. At its worst, one can only respond with "you're kidding me, right?"
Against all odds I think the last third of the picture is sufficiently well done as to pick up the considerable slack that it had dropped earlier. I think the cast generally perform well with what they're given. More so than not this is pretty okay! I just really wish the narrative and scene writing had been tightened, for that would have made a huge difference. Don't go out of your way to watch this, and by no means is it a must-see, but if you have the chance to check out 'Cemetery of terror' and can abide the most severe inelegance it may boast, this is a moderately worthwhile way to spend ninety minutes.
My review was written in July 1985 after a Times Square screening.
"Cemetery of Terror" is an okay Mexican horror picture, made last year and currently playing the U. S. Spanish-language theater circuit.
Quite easy to follow without any English translation, Texas-set story concerns a mad Dr. Cardan (Hugo Stiglitz), plagued by nightmares of zombie attacks, who forges (in English) a court order to release a corpse from the morgue to his custody. Unlike the local pragmatic police captain, Cardan is a believer in Satan who is convinced the corpse is one of the undead about to wreak havoc.
It is Halloween and by a strained coincidence, three teenage couples out on a date at a spooky mansion next to a cemetery find a Black Book of satanic rituals. They need a corpse to carry out a Black Mass (with the book's aid) in the cemetery and, as a prank, head to the morgue and steal the same corpse Dr. Cardan is seeking.
The ritual proves effective, bringing the corpse back to life, whereupon the zombie kills all six teens, accompanied by gore effects. Better makeup work is used on dozens of other varied zombies who subsequently rise from their nearby graves. Several children, including the police captain's kids, visit the cemetery and are barely saved from a horrible fate by the lameduck arrival of Dr. Cardan. Fortunately for them, Cardan is played by Mexican star Hugo Stiglitz (who previously battled atomic zombies in 1980's "City of the Walking Dead") and he comes up with a new and temporarily effective method of fighting the undead by simply punching them on the nose. Ultimately, the zombies are destroyed by burning when the kids toss the Black Book in a fireplace.
Picture provides a good atmosphere and some solid scare, with its oddest element (common to some other Mexican films) being the Texas setting where all signs are and visuals are written in English but everybody speaks Spanish. Cast is adequate, featuring some new generation talent such as Andres Garcia Junior (the spitting image of his star father) and Rene Cardona III, whose dad and grandfather have directed dozens of action pictures over the years.
"Cemetery of Terror" is an okay Mexican horror picture, made last year and currently playing the U. S. Spanish-language theater circuit.
Quite easy to follow without any English translation, Texas-set story concerns a mad Dr. Cardan (Hugo Stiglitz), plagued by nightmares of zombie attacks, who forges (in English) a court order to release a corpse from the morgue to his custody. Unlike the local pragmatic police captain, Cardan is a believer in Satan who is convinced the corpse is one of the undead about to wreak havoc.
It is Halloween and by a strained coincidence, three teenage couples out on a date at a spooky mansion next to a cemetery find a Black Book of satanic rituals. They need a corpse to carry out a Black Mass (with the book's aid) in the cemetery and, as a prank, head to the morgue and steal the same corpse Dr. Cardan is seeking.
The ritual proves effective, bringing the corpse back to life, whereupon the zombie kills all six teens, accompanied by gore effects. Better makeup work is used on dozens of other varied zombies who subsequently rise from their nearby graves. Several children, including the police captain's kids, visit the cemetery and are barely saved from a horrible fate by the lameduck arrival of Dr. Cardan. Fortunately for them, Cardan is played by Mexican star Hugo Stiglitz (who previously battled atomic zombies in 1980's "City of the Walking Dead") and he comes up with a new and temporarily effective method of fighting the undead by simply punching them on the nose. Ultimately, the zombies are destroyed by burning when the kids toss the Black Book in a fireplace.
Picture provides a good atmosphere and some solid scare, with its oddest element (common to some other Mexican films) being the Texas setting where all signs are and visuals are written in English but everybody speaks Spanish. Cast is adequate, featuring some new generation talent such as Andres Garcia Junior (the spitting image of his star father) and Rene Cardona III, whose dad and grandfather have directed dozens of action pictures over the years.
I just saw it yesterday in cable TV. Anyway... I love these little horror Mexican gems directed from Ruben Galindo. Sadly it was a cut version, but i didn't ruin the mood anyway. Two major plot holes.. or goofs..
1. The doctor (Hugo Stiglitz) said that the killer only can die burn to ashes.. but later said he needs the black book for destroy him.
2. It is suppose to be Halloween night, but when the boys are reading the book, they said something about.. "This is the sixth day of the sixth month?... ¿Uh?...
Anyway.. everybody watch these movies for the jumps, not for the logical sense of it...
Sorry for my bad English...
1. The doctor (Hugo Stiglitz) said that the killer only can die burn to ashes.. but later said he needs the black book for destroy him.
2. It is suppose to be Halloween night, but when the boys are reading the book, they said something about.. "This is the sixth day of the sixth month?... ¿Uh?...
Anyway.. everybody watch these movies for the jumps, not for the logical sense of it...
Sorry for my bad English...
क्या आपको पता है
- कनेक्शनFeatured in Enemigos a muerte (1985)
- साउंडट्रैकThe Line
Performed by Bent Myggen
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Cemetery of Terror?Alexa द्वारा संचालित
विवरण
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें