अनब्रेकबल

The final plot twist in "The Sixth Sense" made me wonder whether its director could repeat such a stunt, in "Unbreakable". Force us to follow the path he wants us to take, by telling his story, slowly, subtly leading us. Make us start to believe we know what will happen next, make us love the characters, then make us *want* things to happen next. Yes, tonight when seeing "Unbreakable", all that happens, again. And then, exactly like in "The Sixth Sense", he pulls the carpet right from under us, in the final seconds of the movie takes away everything, every expectation, he first gave us. Many people will be so disappointed by this that they will end up hating the movie. So did I, for about five minutes. Now I know the movie will make me think, literally move my thoughts, for a long time after tonight. I want to see it again, right now. Brilliant, brilliant, brilliant. Hollywood has a new master storyteller. His name is Manoj Night Shyamalan.

M. Night Shyamalan seems to be proving himself quite the auteur. Unbreakable was the cinematic experience I had hoped it would be, especially after The Sixth Sense. A quiet sense of wonder permeated each and every scene, accomplished with some of the finest cinematography I've seen in the last couple of years. Director of Photography Eduardo Serra's execution is subtle, understated and absolutely beautiful.

Cinematography legend Greg Toland of Citizen Kane and The Grapes of Wrath fame would be proud of what this film accomplished artistically. I also couldn't help but notice all the long camera takes this film had, reminding me of a few Woody Allen films that let the actors act without the intrusion of the film making process, i.e.; getting a scene covered from multiple and sometimes meaningless camera angles just so the director and editor have something to work with in post production. The characters seem at times to be acting for the benefit of the others on screen rather than "us", the audience, lending a quality of voyeurism to quite a few scenes. The directors intent is quite clear to anyone wishing to delve a little bit deeper into the story and characters while appreciating how such a vision came to breath on film.

With regards to the story, Mr. Shyamalan and his crew have constructed something so rich in visual texture while managing to keep the story subdued and character development full of deep-seated anticipation. Every plot point came perfectly without any extra connotations that usually creep into a story such as this (super heroes?). Without any melodrama both Bruce Willis and Samuel L. Jackson give very authentic performances that help the film keep its "Any Town USA" and "Average Joe Six-pack" feel very much alive.

By virtue of ingenuity and most likely a meticulous preproduction period, Unbreakable manages to be a consummate clinic in directing, writing, acting, and cinematography. One of the best movies in the past decade.

Interesting film and one of the greatest successes of the magnificent filmmaker Night Shyamalan . This intriguing picture with twist ending revolves around a security guard named David Dunn (Bruce Willis) who miraculously survives a catastrophic train crash outside Philadelphia . His marriage to Audrey (Robin Wright) is crumbling , and he's thinking of moving to New York . David learns something extraordinary about himself after a devastating accident . He formerly had a car accident that was a pivotal point in David and Audrey's relationship. He meets a strange man (Samuel L Jackson) with Osteogenesis Imperfecta , a real but rare disease . At the end takes place a confrontation against a violent delinquent , some camera shots show David in a hooded raincoat , which may be to imply that he's some sort of a caped crusader.

A suspense thriller with supernatural overtone full of intrigue , emotion , surprise and plot twists . Shyamalan came up with the idea for the film while filming ¨The Sixth Sense¨ ; of all the films he's made , this is Shyamalan's personal favorite and of course is set in Philadelphia , like most of his films . He is an avid comic book fan, which was made apparent in this film . As in comic books, the main characters have their identified color schemes , David's is green and Elijah's is purple , they show up in their clothes, the wallpaper and bed sheets in their houses, Elijah's note to David, and various personal items, among others. Several camera angles were chosen to simulate the comic book device of a frame around each scene . Excellent performances from the two main characters , M. Night Shyamalan always had Bruce Willis and Samuel L. Jackson in mind to play the roles of David Dunn and Elijah Price. Enjoyable support cast as Robin Wright , Spencer Clark , Eamonn Walker , Leslie Stefanson and Charlayne Woodard, who plays the mother to Samuel L. Jackson's character, is actually almost a full 5 years younger than her on screen son . And as usual director M. Night Shyamalan makes cameo appearances in his own movies, like Alfred Hitchcock, one of his favorite directors , this time as a Stadium drug dealer . Colorful and evocative cinematography by Eduardo Serra . Marvelous and thrilling musical score by James Newton Howard who always works with the director . Well produced and directed by Night Shyamalam , many of his films have car crashes playing pivotal roles and involve two ordinary individuals with extraordinary abilities or events happening to them , one of the people either has connections to a child or is a child, and the one connected to the child is always having marital difficulties . Night Shyalaman is an expert on fantastic films plenty of intelligence and thought-provoking issues as proved in ¨Sings¨, ¨The village¨ , ¨Lady in the water¨ , ¨¨The incident¨ with exception to flop titled ¨Airbender¨ . Rating : Better than average , worthwhile watching .

My kudos to M. Night Shyamalan for proving the consistency of his moviemaking abilities. "Unbreakable" is a movie that is rich in both technical brilliance as well as script quality.

First, let me get my one objection for the movie off my chest. The ending could have been done better. The majority of the length of "Unbreakable" does an excellent job of building suspense, with the wonderfully muted, melancholy acting adding depth and tension to the plot. My problem is that it fails to live up to its own expectations; the ending does not consummate entirely what I expected it to. Somehow, in a movie that took painstaking details to illustrate every step and glance, concluding it in the manner that it did felt almost blasphemous. Maybe in a nameless action thriller it could be passed off as mere hackery. But here, it seems strangely out of place, kind of an enigma in itself...

Now that the ugly part is over with, I feel almost obligated to sing the praises of "Unbreakable". Shyamalan's prowess with photographic techniques and processes shows through in this, with rich reds and blacks given to scenes of moist emotion and colder colors dedicated to the bleak, uncaring (uncared for?) world. One technique I particularly liked was the manipulation of photographic mediums, some parts using crisp 35mm films and others using angry, shuttered magnetic (or 16mm?) film. In the end, it all worked very well, because each technique seemed to integrate seamlessly with the plot and mood (notice the confusion and panic at the very end?) "Traffic" is a good example of processing overdose. "Unbreakable", on the other hand, hones it perfectly. The lushness of this movie comes in close second to the wonderful eye candy of "American Beauty". I could watch it again easily... with the sound turned off!

On the more human side of the spectrum, the acting was wonderful. How nice it is to see Bruce Willis proving himself to be a true A-class actor! His unassuming and insecure behavior worked *perfectly* for this role. Samuel L. Jackson, like always, did a bang-up job with what the script gave him. Robin Wright and Spencer Clark's characters seemed a bit two dimensional, but they seemed to be minor roles compared to the prominence of Willis and Jackson's characters. A little character development would have been appreciated, but if the ending was a result of the time-constraint guillotine, then I would expect the developmental scenes to have gone too.

The thing that people seem to complain most about this movie is the plot. I like the premise. A little fantasy in our movies isn't such a bad thing once in a while, is it?

Willis finds out some strange things about himself after being the sole survivor in a train wreck. Jackson tells him he's special. Is he really?

Unbreakable really is an act 1 superhero story stretched to feature lenght (Night tells us in an interview). Genius. For once I believe Willis is the person on screen, not that he's playing Bruce Willis, the cool actor. Night uses colors (mostly blue, purple and green) and well chosen camera-angles as imagesystems (word is that the storyboard read like a comic). Most of them really work out well. I loved the slow pacing of the film. It really takes it time to tell us what's going on. As usual Shyamalan puts human drama first in his script. The first scene where Willis meets the woman in the train... You have to see the genius of it. In a few lines of dialog Shyamalan let's us discover the character Dunn.

Another reason why I love this film is because Shyamalan shows he has courage to make THIS after the enormous success of The Sixth Sense, which I think is inferior to this film. I just know the studio execs where pushing for something more tangible than this, but he chose this instead. A homage to comic books. And it works! BEAUTIFUL!!