Goodbye Charlie Bright

Good to see taht British Film is getting out of the 'Lock, Stock' genre, but the film is still centred around East End devlish deeds, drugs, and crime.

The story is about a group of friends, two of them being the most popular and attractive, and one being the negative. The story follows the boy's eventual rise into east end villian society and how his other friend's actions slowly begin to break downhis life, unless drastic action is taken.

The film definately hits the good charts, but it's nothing that could stand upto TRAINSPOTTING or PULP FICTION. Not one for the yanks, but would definately be worth a watch for Brits. Give it a try

***6/10***

Worth a look. As much for being a Brit flick as anything else. Getting slightly away from the cliched Lock, Stock genre, but staying within the rough parts of London, the film looks at Charlie's realisation that his life lacks direction. Unfortunately the film never really gets to grips with the real emotion behind Charlie's development, but there is plenty to keep the younger, (dare I say, hipper), audience watching and giggling, especially if you likes drugs and swearing.

The beauty of the film is that it is not predictable. Without giving anything away, the plot often seems to be heading in an obvious direction before skewing off at a tangent. This is not to say that you will be on the edge of your seats though. The plot does have its dips, and there was a period when I wondered just how much more of the same I would be getting. Not long after, however, the audience was treated to an unexpected and well-played finale.

The acting is great at times, and not so at others, not even Dani Behr brings the cast down (too much), and individual characters such as Francis and Justin were particularly well-acted. I could not decide if the photography was poor deliberately, to fit the mood of the film, or if it just happened that way. Either way, that can be your decision!

Go and have a watch, enjoy an British film, and whatever you do, don't miss the start!

I'm quite surprised I've never heard of this film. I actually liked it, the cheekiness of these lads reminds me of growing up. A few faces from football factory is the reason I watched it. A good English movie.

I think it'd be hard for anyone from another country to relate to this film...which would in turn make it quite hard to enjoy it... It doesn't pull its punches - to be honest it was kind of strange...I grew up with kids like the ones in this film, and it was like a flashback in a way.

This film isn't an epic, it's not a world-changer...it's just like a snapshot...a glimpse into their world. It's hard to explain...

It's worth a look in - I just happened to be staying up late and it came on cable...started watching it and carried on...

Maybe go rent it if it's in your local video store.

Sorry this review isn't more eloquent - my mind's still on the film.

I got a copy of this film at a Prowler store in London last year because it was on the markdown table and any non-porno film going for 5 GBP that had three naked lads on the back cover seemed a bargain even if it would have to wait till I got my PAL friendly DVD player.

When I did finally get to see it I was quite happy that I picked it up, as it's the type of film that will never be released in the US NTSC format. Besides the format translation trouble, there's the trouble that all the lads live in council housing (the projects) in south London and speak a British dialect that would be very hard for an American ear to understand.

The story deals with Charlie Bright, and his boyhood pals Damien, Tommy, Francis and Justin. These lads have grown up together since they were toddlers and still spend most of their waking hours together, wasting time, pulling pranks, doing drugs and doing some thieving to pay for them. However they are now coming of age and drifting apart. Tommy has joined the army and is leaving soon; Francis has found a steady girl and is now drifting away from the guys. Damien is the most daring thief of the lot and `would do anything for a few quid but you could never trust him.' That leaves Charlie and Justin. Justin has grown up in an almost parent-free environment and has attached himself so tightly to Charlie since toddler hood that the neighbors have noticed the especially close relationship and have taken to referring to Justin, when talking to Charlie, as `the wife.'

While none of the boys exhibit any outwardly gay actions it is this `special friendship' between Justin and Charlie that gives this film its gay interest. Charlie is in fact straight and has interest in a girl living in the same council flats but is afraid to make the first move for fear that the ever-present Justin will somehow embarrass him or otherwise screw it up. Justin on the other hand is content to let things go on as they have and treats girls as a target for teasing just as he has done for years.

In the end Charlie loses his patience and does something that allows Justin to do things that will force the end of their close association. How much Justin perceives of Charlie's motives, as he smilingly carries out his end of the little drama is where the mystery and the brilliance of this piece lies. Straight folks have panned this film as being plot less and a `waste of lottery funds' but reading between the lines I saw a heartbreaking story that was original and memorable.

I'd be interested in knowing what others think if they ever see this unheralded movie.