Derek and Clive Get the Horn

1979
Unrated
1 घं 29 मि

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Dudley Moore and Peter Cook in Derek and Clive Get the Horn (1979)

अपनी भाषा में प्लॉट जोड़ेंDocumentary that chronicles the recording of Peter Cook and Dudley Moore's 1978 comedy album Derek and Clive Ad Nauseam, their third and final outing featuring their controversial alter egos... सभी पढ़ेंDocumentary that chronicles the recording of Peter Cook and Dudley Moore's 1978 comedy album Derek and Clive Ad Nauseam, their third and final outing featuring their controversial alter egos.Documentary that chronicles the recording of Peter Cook and Dudley Moore's 1978 comedy album Derek and Clive Ad Nauseam, their third and final outing featuring their controversial alter egos.

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7.0/10

490

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उपयोगकर्ता समीक्षाएं13

7.0490

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7axlmouth

fascinating chronicle of a relationship in its last throws

whilst as a comedy this film is very patchy and sometimes excruciatingly vulgar, what makes it watchable is the Moore/Cook relationship. Cook is by far the funnier, more dedicated and original.his quick-witted thought processes are brilliant though i did sometimes wonder if he was simply trying to be as shocking as possible simply for the sake of it. Moore often seems past caring,often simply following cook's lead but perhaps it is the strain of Cook's obvious resentment that knobbles him. certainly he seems to be struggling to keep up with Cook's genius, but then i've always felt Cook was the more talented. the material is often of a sexual nature, sometimes (mock?) misogynistic and swearing is prolific. watching this it's clear to see how comedy today is often very derivative. The horse racing sketch, for example, blows the juvenile "dicks and pussies" speech from team America out of the water. if only every drunk and stoner could be as spontaneously funny.

10ANGRYPILLS

This film is great.

The last stand of Cook and Moore.This seminal work from aussie director and music video legend Mulcahy is a fitting epitaph to the disintegrating comedy partnership of Pete and Dud during the recording sessions for what would later become the ad naeseum album.The film is by and large a torrent of swearing, drunken verbal abuse,and generally obnoxious behaviour documented for public consumption.If you are a christian,a woman or a person of high moral value look away now. In an age of political correctness this film is a huge tonic if you don`t take it seriously. (10/10)

10arhsp

It gives me the horn!

Someone once described this recording, the filmic version of Ad Nauseum, as "Pete and Dud on acid." This is hilarious. It's crude and shocking and clever and insightful. In years to come, this'll be a profoundly interesting social document. If any "film" ought to be blasted off into space for aliens from the planet Z to find and watch, then this is it. I'll bet they'd laugh their socks off at it as well.

terraplane

The filth and the fun

When two ordinary blokes spend an hour swearing at each other, it begins to pall after the first 30 seconds. When Peter Cook and Dudley Moore do it, you realize just how incredibly funny they were. Of course it's appalling, yes it's disgusting and as for downright filthy, well, Derek and Clive invented it. As previous comments have said, this was made at the time when Moore had just broken through into Hollywood stardom while Cook was left behind, a comic genius that nobody wanted. It goes without saying that Peter Cook was indeed the funniest man that ever lived, just listen to anything he's ever recorded or filmed. Including this magnificent testimony to the most scabrous comic invention ever to say the word "Fuc-k". But was he really furious with Dud for making it big? I don't think so. Although his alter-ego Clive might have a few words to say about it. All of them prefaced with "fuc-king cun-t" Brilliant stuff, watch it if you can find it and split your sides laughing. Then spend the next couple of hours reciting the filth you have just watched. I bet you will.

10Dock-Ock

Faultless

The brilliance of Peter Cook and Dudley Moore as a double act has never fully been apreciated. Most of the famous sketches are from Not only But Also, but the funniest ones come from the Derek and Clive tapes. Derek and Clive Get the Horn is the Jewel in the comical crown for both Cook and Moore as comedians. It is also something of a last hurrah. Although both men would appear together again over the years, this was the last original performance they gave together, and it rarely came, excuse the pun, funnier than this. Dud is at his giggling funniest best and Pete cracks Dud up with his waspish dry wit throughout. Overall not a movie to show grandma on Boxing day, or any other day come to that. Come to think of it its best you watch it on your own. With the curtains drawn, at Two 0 clock in the morning. And it was directed by Russel Mulcahey! Good GOD

Favourite sketches : Mother, Horse Racing, Songs and Schoolboy. Just so you know i have seen it and iam not making it up!

A classic

इस तरह के और

6.7

7.5

7.2

8.2

7.4

L'homme qui aimait les femmes

7.1

5.6

7.3

6.7

7.5

6.7

7.2

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ट्रिविया
By the time this film was shot and edited, Dudley Moore had achieved success as a comedy actor and musician in the United States, while Peter Cook remained relatively unknown there. Peter Cook begged Moore "ad nauseum" to record one last comedy album featuring their cult-favorite characters Derek and Clive (to be called "Ad Nauseum"), a farewell to both their characters and their partnership. They were booked in a studio for three days. Moore had become so fed up with Cook's bitterness at his recent popularity that he failed to show up for the third day of recording and shooting. Moore looked down on Peter Cook and director Russell Mulcahy's intentions to market the film as a general release. This was done in any case, and the film was subsequently banned in the UK for many years. Eventually, it was release on VHS in PAL format in the early 1990s and released to DVD later. It has still never been released in the United States, either theatrically or on video. Moore is quoted to have said, "The film would have most certainly earned an X rating for the sole reason of the language Pete and I used in it."

भाव
Clive: You know that big nigger who lives down the road?
Derek: Him? Yeah. Oh, lovely.
Clive: Huge black cunt. I said, I said to him, I said, um, Ephraim, strange name for a black, innit? I said there's a load of cunts down the BBC and they need sorting out. I said, um, this should appeal to your fucking primitive urges cos I said you like cannibalism, don't you? You like eating people alive in a frying pan. I said, go round to the BBC with some of your mates dressed up in your loincloths and that, and, er, paint yourselves up in different colours or whatever you cunts do back in Africa. And so he said, er, oh, it's nice, that and he, he, he said what do we do when we arrive? I said, go beserk, tear the fucking place down.
Derek: Yes, spunk all over the fucking centre.
Clive: Spunk all over the Director General and kill everyone in the studios, you know, and, um, he was all, you know, he got about forty of these coons gathered together to rush round to the BBC. And I was really looking forward to it. I was looking forward to tuning in to the news that night and seeing the news on the BBC. The BBC had being burn't to the fucking ground.
Derek: Yeah. Yeah. Four... forty thousand.
Clive: I turned on the Nine O'clock News. There was Kenneth Kendall, calm as a cucumber. No story about anything burning to the fucking ground. And do you know what the *cunt, black, nigger, poof, cunt said when he came back?*
Derek: No?
Clive: "Oh, I'm sorry. I couldn't find it."
Derek: No!
Clive: "I lost my way", he said.