BeastMaster

My son, Simon Burnett, is the stunt double for Daniel, so we have been watching every episode. It comes across as at least two shows in one. The out of doors, walking in the woods and fighting. And the other, the mystical- fairy one, with special effects and clothing. It would work better if the mystical world was only at night, a dream scape for the characters and story line.

I really enjoy this show. As an Environmental Studies major I enjoy the nature aspect of the show. The location is so beautiful and when the animals are used for a scene you can't help but smile because the animals work so well with the actors. Daniel Goddard and Jackson Raine are great actors who play their characters perfectly. If you are looking for a show to make you laugh and with enough action to satisfy you, this is it.

It seems from watching that the producers of this series didn't take the time to plan their "bible" before beginning the series. The basic story, handed down from Andre Norton through the series of films, was fine, but this kind of high-concept fantasy series requires an established mythology to guide the storytelling. This one seemed to flounder around without much dramatic impetus. The leads were highly appealing, if inexperienced at the beginning of the series, and individual episodes were often entertaining. The final story arc over the last half of the final season was too slapdash and amateurish to redeem the series as a whole. While it did draw the story to a finish, it wasn't a particularly compelling finish; the appearance of Marc Singer (the star of the Beastmaster films) was a silly stunt. One can only hope that Daniel Goddard and Jackson Raine move on to better projects--both are appealing enough to merit it.

It was rather campy with ridiculous plots that only children would appreciate, but I do miss this show. I kept watching episodes repeat until I started to wonder why they were going back to the beginning. I finally found out that it was canceled due to production issues and not ratings. Daniel Goddard is stunning on screen, but his character seemed very much like Kevin Sorbo's Hercules rendition. They were both very sensitive, hunky, muscular males who could kick butt when it came down to it. They're also extremely monogamous and don't seem to want to move past the women they were once in love with to venture into anything new.

I found the opening credits vastly amusing. It amps it up a lot and then you're like, "Oooh! Who is this guy?" and then the announcer says quite blandly, "He's the Beastmaster. He communicates with animals." It was so anti-climatic, it was comical. That's his specialty? Talking to animals? So he's an ancient vet? Eh, I watched anyway. His sidekick was more annoying that Gabrielle in Xena. And the heavy surfer, Californian accent was a little off in this ancient environment. I loved the character of Arina and wished she and Dar would hook up, but it got canceled before old lover boy would make a move. Heck, the way he was moving, his ferrets woulda got to her before he did.

The plots were childish, as I've said, but you still watched because it was just a way to kick back and enjoy a Saturday afternoon, no stress. It didn't require heavy thinking on my part. It also might have grown into a pretty strong show that tested waters, but it didn't last. Ah, it's OK, but you feel bad for the actors. It's like they may never get another break with this show gone. I remember those episodes with the original Beastmaster and I found him terribly annoying. I'm not surprised his movies didn't work out majorly. I caught sight of one of his versions and detested him. Daniel was better. Ah, so's the TV world.

To begin with, I like this show, I own all three seasons on DVD. It is a fantasy show, utterly lacking any need for higher level thinking. This is not "Farscape" or "Star Trek" which might require the viewer to actively think about what is going on, or even "Xena" and "Hercules" which actually stuck to one major plot line. But it is good aimless fun. And Monikka Schnarre would look good reading a phone book.

What surprised me however was the lack of any sense of time. The show started the first season in the stone age. Bones, wood and stone consisted of the materials available to create tools and weapons. Okay, I'll buy it. Darr's Halbred could have been created of two leg bones of an extremely large animal, the metatarsals or metacarpals of an elephant would suffice (or is it the phalanges?). Season two rolls around and we've got bronze. Initially only the Nords had it, until the middle of the season. After the half-way mark, everyone was learning to extract bronze, independently of each other. Tao was developing ways to fly. The crossbow was invented. I still wasn't thrown, the liberties hadn't truly been taken yet. That's when season three rolled around. The first two seasons were thrown out the window. Everyone had iron weapons. Darr's sword appeared to be a Katana made of steel. STEEL!!! Zad had Knights running around. We went through roughly 7000-8000 years of evolution in a short three year span. None of the actors even aged discernably. The animals even took a back seat to him finding his family.

It seems to me the people pulling the strings decided to take the show different ways from episode to episode. The Sorceress would show up in black leather trying to be evil in one week, and then be wearing clothes straight from the runway the next. Not that I'm complaining. She can wear leather, dresses, skirts, bikinis or even nothing and I still would watch.

Oh well, I still watched and bought the show. They succeeded in what they wanted to accomplish. Just don't watch the show with a critical view and you'll do fine.