Moulin Rouge!

You can't compare Chicago to Moulin Rouge, because they share, really, nothing besides the fact that people sing and dance. Moulin Rouge stands alone. I really love this movie.

Nicole Kidman did sorta over act in parts (the Elephant scene, and when she tells Zidler she wants to leave.), but other than that, the acting is wonderful. I just love Ewan McGregor's character, and I love Ewan McGregor. John Leguizamo's character, Henri Toulouse Lautrec (yes, the famous painter), I found was just such an annoyingly funny character, he was definently one of my favorite characters. The Duke (Richard Roxburgh) is definently overacted, and frankly, Zidler (John Broadbent), is sooooo horribly annoying, you really would want to throw yourself off the Moulin Rouge windmill.

I love this movie. There are some funny parts, but they are mostly just in the beginning, and the best musical number isn't 'Diamonds', but rather, the dramatic 'Roxanne'. Another one of my favourite pieces is 'Nature Boy', the song sung at the very beginning. It's so sad, but very touching.

The beginning is sort of depressing, but it doesn't last long, so don't stop the DVD then. The middle sort of drags on, so be warned. The sets and costumes are beautiful, and very colourful, and the dancing is really Spectacular Spectacular (excuse the pun...), but long periods of time with the Bohemians, or at the Moulin Rouge can make you feel like you're stuck in a circus tent. But since Ewan McGregor's in it, I give it 10 stars.

What an insane movie. For the most part, in a good way. That being said: there were moments in it, and some aspects, that I found incredibly frustrating... yet there was a lot that did work, and I found it growing on me as the movie went along.

I tried watching this about 8 or 9 years ago and couldn't stomach the first fifteen minutes, and so shut it off. I think it was right around the time they started singing Nirvana; I just said 'nope,' not for me.

Returning to it now, those first fifteen minutes were still a fairly tough sit. The editing and loudness is just ridiculous. I didn't know whether it was supposed to be funny or cool or what- I was overwhelmed and confused, whilst still recognising that technically it was at least interesting.

Things got better slowly- an extended comedic sequence filled with innuendo felt like it was from an Austin Powers movie, and tonally the whole thing felt all over the place. Nothing was given room to breathe, and certain stunning shots would only last a second or so before a jarring cut to something else. There were a few brief moments here and there where I literally couldn't comprehend what was going on.

I think the movie did slow down a little in its second hour, or maybe I just grew more used to the style... maybe both? I started to enjoy the music, bold colours, fast-paced musical numbers, and the acting more. The latter is quite good, honestly, especially when it comes to Ewan McGregor, who was excellent. I hated John Leguizamo in this movie though- his character was super irritating, even by Baz Luhrmann standards.

And while the final act feels a little drawn out, it's got some stunning moments, and probably the best music in the whole film.

Overall, it's exhausting and insane, but for me at least it mostly worked. I can understand people loving this movie. I can understand people hating this movie. And honestly, I can understand anyone being anywhere inbetween on this movie.

I wonder if that line from the Duke "I don't care about your ridiculous dogma" was directed to Lars Von Triar. It could be, the film is full of knowing lines "He could make you a star and you're dallying with the writer!" or "They dressed me with the Argentinean's best clothes and passed me for a famous English writer" There is something of Ken Russell's second period in "Moulin Rouge" Everything is emphasized, underlined and repeated at least three times for safety. Excess seem a rather feeble term to describe it and yet, it works. The film, for the most part, is a delight. Nicole Kidman, ravishing and spectacular, spectacular. Ewan McGregor, superb, and so charismatic that no one would blame me if I confess I had a had crush on him as soon as he broke into "The Hills are alive with the sound of music..." Kidman and McGregor, this film proves it, are the closest thing we've had in years to the big stars of yesteryear. They could make anything shine and they have. Another detail that shouldn't go amiss, "Moulin Rouge" opened the door again for musicals and that's always a good thing even if we're bound to be bombarded by some terrible stuff. I say it doesn't matter as long as it allows glorious film talents of the caliber of Kidman and McGregor to give us the pleasures they have even in a bag of wind such as "Moulin Rouge"

Despite dazzling visuals and lavish production numbers, MOULIN ROUGE is almost all style and no substance. Frankly, I'd rather watch one of the MGM musicals from the '40s and '50s than sit through this more than once.

Kidman and McGregor are in fine physical form except that neither one has a true singer's voice.

Much of it is rather frenetic and grotesque, but no one can accuse it of lacking a colorful stylized life of its own. The best performance comes from Roxburgh as The Duke--excellent job.

It will appeal to fans of Kidman and McGregor but is certainly not the sort of musical suited to everyone's taste.

This movie blew my mind. Watch it, then watch it again. 'Moulin Rouge' made me laugh, cry, and dream. It's boldness and confidence to produce something so original and different impressed me. At times the scenery was as surreal as something you would experience in a dream, which only makes this movie more amazing. 'Moulin Rouge' shows love from all angles. It includes the raw passion, infatuation, vehemence, intensity, ecstasy, jealousy, and pain that is found in true love. The acting was staggering. Ewan McGregor is unrealistically perfect, combining sweet innocence with masculinity. Kidman perfectly brings out the seductive side of Satine, yet never loses the vulnerable soul that lies behind it. Roxburgh(The Duke) and Leguizamo(Lautrec) bring out just the right amount of comic relief in this intense drama. There is nothing I would change about this movie. One warning, though: Moulin Rouge is not for the artistically deprived. It is quite a contemporary movie, so you may not like it if you prefer to watch simple movies(ex. 'American Pie', 'Scary Movie').