एक कवि एक सुंदर वेश्या के प्यार में पड़ जाता है, जिसे एक ईर्षापूर्ण राजकुमार पाना चाहता है।एक कवि एक सुंदर वेश्या के प्यार में पड़ जाता है, जिसे एक ईर्षापूर्ण राजकुमार पाना चाहता है।एक कवि एक सुंदर वेश्या के प्यार में पड़ जाता है, जिसे एक ईर्षापूर्ण राजकुमार पाना चाहता है।
- 2 ऑस्कर जीते
- 89 जीत और कुल 133 नामांकन
फ़ीचर्ड समीक्षाएं
You can't compare Chicago to Moulin Rouge, because they share, really, nothing besides the fact that people sing and dance. Moulin Rouge stands alone. I really love this movie.
Nicole Kidman did sorta over act in parts (the Elephant scene, and when she tells Zidler she wants to leave.), but other than that, the acting is wonderful. I just love Ewan McGregor's character, and I love Ewan McGregor. John Leguizamo's character, Henri Toulouse Lautrec (yes, the famous painter), I found was just such an annoyingly funny character, he was definently one of my favorite characters. The Duke (Richard Roxburgh) is definently overacted, and frankly, Zidler (John Broadbent), is sooooo horribly annoying, you really would want to throw yourself off the Moulin Rouge windmill.
I love this movie. There are some funny parts, but they are mostly just in the beginning, and the best musical number isn't 'Diamonds', but rather, the dramatic 'Roxanne'. Another one of my favourite pieces is 'Nature Boy', the song sung at the very beginning. It's so sad, but very touching.
The beginning is sort of depressing, but it doesn't last long, so don't stop the DVD then. The middle sort of drags on, so be warned. The sets and costumes are beautiful, and very colourful, and the dancing is really Spectacular Spectacular (excuse the pun...), but long periods of time with the Bohemians, or at the Moulin Rouge can make you feel like you're stuck in a circus tent. But since Ewan McGregor's in it, I give it 10 stars.
Nicole Kidman did sorta over act in parts (the Elephant scene, and when she tells Zidler she wants to leave.), but other than that, the acting is wonderful. I just love Ewan McGregor's character, and I love Ewan McGregor. John Leguizamo's character, Henri Toulouse Lautrec (yes, the famous painter), I found was just such an annoyingly funny character, he was definently one of my favorite characters. The Duke (Richard Roxburgh) is definently overacted, and frankly, Zidler (John Broadbent), is sooooo horribly annoying, you really would want to throw yourself off the Moulin Rouge windmill.
I love this movie. There are some funny parts, but they are mostly just in the beginning, and the best musical number isn't 'Diamonds', but rather, the dramatic 'Roxanne'. Another one of my favourite pieces is 'Nature Boy', the song sung at the very beginning. It's so sad, but very touching.
The beginning is sort of depressing, but it doesn't last long, so don't stop the DVD then. The middle sort of drags on, so be warned. The sets and costumes are beautiful, and very colourful, and the dancing is really Spectacular Spectacular (excuse the pun...), but long periods of time with the Bohemians, or at the Moulin Rouge can make you feel like you're stuck in a circus tent. But since Ewan McGregor's in it, I give it 10 stars.
This movie blew my mind. Watch it, then watch it again. 'Moulin Rouge' made me laugh, cry, and dream. It's boldness and confidence to produce something so original and different impressed me. At times the scenery was as surreal as something you would experience in a dream, which only makes this movie more amazing. 'Moulin Rouge' shows love from all angles. It includes the raw passion, infatuation, vehemence, intensity, ecstasy, jealousy, and pain that is found in true love. The acting was staggering. Ewan McGregor is unrealistically perfect, combining sweet innocence with masculinity. Kidman perfectly brings out the seductive side of Satine, yet never loses the vulnerable soul that lies behind it. Roxburgh(The Duke) and Leguizamo(Lautrec) bring out just the right amount of comic relief in this intense drama. There is nothing I would change about this movie. One warning, though: Moulin Rouge is not for the artistically deprived. It is quite a contemporary movie, so you may not like it if you prefer to watch simple movies(ex. 'American Pie', 'Scary Movie').
If you look at the story in an emotionless way then it is 'La Dame aux Camélias' meets contemporary music in an abundantly colourful background.
Only I can't look at it emotionlessly. It is just too spectacularly wonderful!
For me, this film lets euphoria take possession of me! It flows all through me and I feel sadness and bliss at the same time as it has me both smiling and crying ecstatically. It makes me yearn for "La grande passion" and, at the same time, feel that passion through Satine and Christian.
This is perfection!
Only I can't look at it emotionlessly. It is just too spectacularly wonderful!
For me, this film lets euphoria take possession of me! It flows all through me and I feel sadness and bliss at the same time as it has me both smiling and crying ecstatically. It makes me yearn for "La grande passion" and, at the same time, feel that passion through Satine and Christian.
This is perfection!
I have seen Moulin Rouge at least 25 times. I think it is the most extraordinary movie of my generation and breaks every limit set by the industry. I have heard all the traditional complaints...people didn't like the music, the editing was too swift, or it wasn't "their taste". Moulin Rouge took a risk. A risk films like A Beautiful Mind and Shakespeare in Love don't. It risked by being controversial. To make a likeable movie isn't hard, follow the Hollywood mold and stick in a few attractive actors, some bland dialogue and viola you have a film. Moulin Rouge was made knowing that not everyone would like it, but knowing everyone would at least appreciate it for its artistic ingenuity. Visually it is superb, an indulgent feast for the eyes with every breathtaking, artistic scene. Everything about it is over the top, every scene more stunning than the next, and as it continues your heart becomes more and more intertwined in the love story. The editing in the Roxanne scene rushes through your body and is the most incredible of any movie in history. Nicole Kidman and Ewan McGreggor are the most passionate on-screen couple; entirely convincing as their voices meld them together into one. Never has a movie done what Moulin Rouge did. It realized that the world of film is only being represented in one small way, whereas Moulin Rouge uses a camera and screen to make something bigger and more extraordinary than has ever been made before. It pushes against the confines of convention and leaves you breathless.
What an insane movie. For the most part, in a good way. That being said: there were moments in it, and some aspects, that I found incredibly frustrating... yet there was a lot that did work, and I found it growing on me as the movie went along.
I tried watching this about 8 or 9 years ago and couldn't stomach the first fifteen minutes, and so shut it off. I think it was right around the time they started singing Nirvana; I just said 'nope,' not for me.
Returning to it now, those first fifteen minutes were still a fairly tough sit. The editing and loudness is just ridiculous. I didn't know whether it was supposed to be funny or cool or what- I was overwhelmed and confused, whilst still recognising that technically it was at least interesting.
Things got better slowly- an extended comedic sequence filled with innuendo felt like it was from an Austin Powers movie, and tonally the whole thing felt all over the place. Nothing was given room to breathe, and certain stunning shots would only last a second or so before a jarring cut to something else. There were a few brief moments here and there where I literally couldn't comprehend what was going on.
I think the movie did slow down a little in its second hour, or maybe I just grew more used to the style... maybe both? I started to enjoy the music, bold colours, fast-paced musical numbers, and the acting more. The latter is quite good, honestly, especially when it comes to Ewan McGregor, who was excellent. I hated John Leguizamo in this movie though- his character was super irritating, even by Baz Luhrmann standards.
And while the final act feels a little drawn out, it's got some stunning moments, and probably the best music in the whole film.
Overall, it's exhausting and insane, but for me at least it mostly worked. I can understand people loving this movie. I can understand people hating this movie. And honestly, I can understand anyone being anywhere inbetween on this movie.
I tried watching this about 8 or 9 years ago and couldn't stomach the first fifteen minutes, and so shut it off. I think it was right around the time they started singing Nirvana; I just said 'nope,' not for me.
Returning to it now, those first fifteen minutes were still a fairly tough sit. The editing and loudness is just ridiculous. I didn't know whether it was supposed to be funny or cool or what- I was overwhelmed and confused, whilst still recognising that technically it was at least interesting.
Things got better slowly- an extended comedic sequence filled with innuendo felt like it was from an Austin Powers movie, and tonally the whole thing felt all over the place. Nothing was given room to breathe, and certain stunning shots would only last a second or so before a jarring cut to something else. There were a few brief moments here and there where I literally couldn't comprehend what was going on.
I think the movie did slow down a little in its second hour, or maybe I just grew more used to the style... maybe both? I started to enjoy the music, bold colours, fast-paced musical numbers, and the acting more. The latter is quite good, honestly, especially when it comes to Ewan McGregor, who was excellent. I hated John Leguizamo in this movie though- his character was super irritating, even by Baz Luhrmann standards.
And while the final act feels a little drawn out, it's got some stunning moments, and probably the best music in the whole film.
Overall, it's exhausting and insane, but for me at least it mostly worked. I can understand people loving this movie. I can understand people hating this movie. And honestly, I can understand anyone being anywhere inbetween on this movie.
क्या आपको पता है
- ट्रिवियाFilming was halted for two weeks in November 1999 after Nicole Kidman fractured two ribs and injured her knee while rehearsing a dance routine for the film. Many of the scenes where she is seen only from the chest up, including "a real actress," were shot while she was in a wheelchair.
- गूफ़Satine goes to great time and effort to be bound into a red dress before her meeting with "the Duke". Why would she then change into the black negligee in which she arrives at the Elephant Room?
- क्रेज़ी क्रेडिटTheatre stage curtains open and close the film.
- साउंडट्रैकNature Boy
Written by Eden Ahbez
Performed by John Leguizamo
Produced by Blam, Josh G. Abrahams, and Craig Armstrong
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Amor en rojo
- फ़िल्माने की जगहें
- मैड्रिड, स्पेन(studio, reshoots)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $5,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $5,73,86,607
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,67,540
- 20 मई 2001
- दुनिया भर में सकल
- $18,49,35,252
- चलने की अवधि
- 2 घं 7 मि(127 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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