Roswell

The first season of Roswell was a magical experience. It was about love, about alienation, about self-discovery and learning to trust people. Unfortunately, when the show was faced with cancellation at the end of its first season, the writers took what was a mystical show and made it into a hackneyed and badly written science fiction rip off. The magic of Roswell lay in the three aliens (Max, Michael and Isabel) and the fact that they knew nothing about where they came from or why they were on Earth. All Max Evans knew was that for some reason, he was in love with Liz Parker. They were faced with trouble from the government, who wanted to study them, and strangers who claimed to be related to them, but they were never sure who they could trust except each other. Even after Genie Francis appeared in holo-mom form with a ridiculous tale of inter-galactic royalty and war, the show could have been saved - that hologram should have been revealed as a tactic by the mindwarping Tess, but the aliens made the mistake of not doubting it for a second. When Tess was accepted as their friend (and there was no reason for them to trust her), this show took a plunge that it never came back from. Stick with the first 15 episodes - the rest is a downward spiral.

I missed the TV episodes of "Roswell" because I worked nights when it was on television, but my daughter found the 3 season DVD's in a store, bought them, and invited me to watch them. I was hooked on the series from the first episode on, and I regret that it is no longer being produced. I enjoyed the romantic involvements, the comedy, the drama, the many heart wrenching scenes, and loved the final episode. When the last episode ended, I felt a great sadness that I would likely never again see these lovable aliens and their human friends. It was a show that left an indelible impression on my mind. It brings out the youth, dreams, and fantasies in all of us. I can think of no other TV show I've watched that I loved and will miss so much. I hope to see a motion picture come out of this series one day, one featuring the same actors and actresses who starred in the TV series. The series showed the ups and downs of everyday life which we all experience, and showed there is always hope for a new and better tomorrow, if we truly believe in ourselves. It was a great philosophical show. And now, it is gone. I will miss it, but I will never forget it. Thank you 20th Century Fox for giving us the show.

This interesting story of extraterrestrial alienation is a fascinating metaphor of teen angst -- a topic that has often been treated in movies and on TV, but here it is offered with new and insightful perspective.

The show is a way to symbolize common human fears in an imaginative parable. Issues that are woven into the story line include not knowing who you are, the experience of being a foster child, keeping secrets from parents and other authority figures, the danger of making close personal connections with others, and the isolation of being in or from one's own strange world.

ROSWELL is a clever idea with a fresh, interesting young cast. The show is an imaginative cross between, on the one hand, THE X-FILES and THE FUGITIVE, and, on the other, the odd perspective of ALF and THIRD ROCK FROM THE SUN. This is an excellent show in a time when too many shows are carbon-copies or silly assembly-line junk. I give the show an A+.

I once heard that when "Bonnie and Clyde" was first released, the reviewer for Newsweek savaged the film. Then, a week later, he saw it again and wrote a new review saying it was one of the landmark films of its era.

So, ok, I can be wrong, too. I was a Roswell fan from the start, but feared they were heading off in a very wrong direction in year two of this show, concentrating too much on sci-fi and action at the expense of what made the show great in the first place, characterization.

It turns out, none of my dire predictions have come true. The show has featured more sci fi action and a lot less about life in high school. But both of those moves have proved well advised and neither has hurt the show's quality.

Roswell continues to be a show about characterization. We have actually seen the characters taken to new places in this second season and I salute the writers/producers, directors and the cast for being able to do this.

Special praise should also go to the show's young actors and actresses. This season the talented Katherine Heigl, who plays Isabel, has been given some break out episodes and she has not wasted a single "moment." Her performance in the most recent episode, playing a duel role of both a good and bad version of Isabel, was absolutely brilliant. She may have lifted a little of her "bad girl" mannerisms from Angelina Jolie, but she's not a bad person to steal from since she has rather perfected the tough girl personna.

And of course, Shiri Appleby continues to astound, delivering some almost heart breaking performances as the girl dumping the guy she loves for his own good.

But again, hats off to the writers and producers for coming up with some very strong story lines, and even some cleaver tricks, like the "Summer of '47," episode and the current two-part episode featuring the four "evil" alien duplicates. Giving talented young actors the chance to play different roles on the same show is a master stroke which keeps it interesting.

Well done one and all!

Normally I do not get so pathetically obsessed with things, but what can I say -- Roswell was and is by far my favourite show ever made. It had angst without being too teen-y, it had passion, idealism and realism, and a compelling storyline. The setting was superb, the plots were for the most part perfect (I have to admit, Season 3 was a bit of a disappointment after Seasons 1 & 2, but not enough to make me stop watching), and the acting was great. A teen show like Dawson's Creek, or Buffy for that matter (I still can't understand why so many people like it -- ick), cannot hold a candle to Roswell. It's unfortunate that it had to end, but all good things usually do before their time.

As for the comment about Katims not being able to pull off sci-fi -- puh-lease. The best sci-fi is that which is realistic enough and embedded enough in everyday life that it is believable. The best thing Katims did was not make it tacky, as-if sci-fi.

There are shows from your past that you thought were sensational (as a kid or teen), and then see them as an adult and wonder, "What was I on?" But watching Roswell as an adult, I can honestly say that it will likely remain my favourite show for a long, long time, considering the kind of mindless crap coming out of Hollywood these days. I love the show so much that even I, a poor pharmacology grad student, made an effort to tape reruns of Season 1, had the foresight to tape Season 3 (even if it was sub-par for the show), and after the Space station here in Canada stopped the reruns, paid way too much for Season 2 on VCD, just so I can watch it whenever I want, whenever the current lineup on TV gets me down. I honestly think that if more of the population had an open mind to realistic sci-fi, and if Roswell had received more publicity (esp. considering how much is devoted to Buffy, an inferior show), the show could have went on much longer, and maybe Season 3 would have been up to par.

I HIGHLY recommend this show, for everyone.