Coyote Ugly

I strongly disagree with most of the critics on this one.

This is a very solidly made romantic comedy. It is fun, entertaining and sports an excellent musical score. The story is clichéd yes, but remains believable and above all, with a completely original premise. The scenes at the bar are really well made, the atmosphere that transpires is electrifying. Everything is above par, the sound, the cinematography and the acting. Oh, and I almost forgot; the girls are fabulous...

What else does one need for an entertaining afternoon at the movies? Well done.

I wonder why many serious film critics go to the trouble of explaining in lengthy and clever reviews why "Coyote Ugly" is not a good film. What did they expect? What do they expect in general of mass-produced teen-targeted entertainment? To challenge, illuminate and move? To elevate the audience to a new esthetic climax? Are them critics familiar with with teens' tastes? I find such criticism superfluous, even self-indulgent. "Coyote Ugly" is simply an instance, undistinguished, of a vast and serious cultural issue. One can address the issue itself and use this movie as an illustration, but taking it at face value and analyzing it out of context is inappropriate. Movies like "Coyote Ugly" do not set out to deliver artistic or original or educational content; so it is unfair to reproach them the fact that they do not deliver such values.

"Coyote Ugly" is a successful movie both commercially and in that it seems to hit all the targets it aims at. This is the standard we should judge it by. Teen-targeted "dramas" could be judged, I propose, by technical merit alone: is the tempo of the movie high enough so that not to bore but low enough so that not to exhaust? are the actors beautiful and charismatic? are the characters simple enough not to create moral ambiguity but complex enough to be believable? is the story predictable enough so that not to challenge but reassure? Smashing soundtrack? Criteria such as these are more suitable. And I think "Coyote Ugly" delivers from this point of view. If there was, and I wonder why it isn't, an Academy Award category for perfunctory entertainment this movie would be a contender.

The most clever scene in Coyote Ugly is when Maria Bello explains why the bar is named what it is. She says it's when a woman wakes up in bed with a man after a one night stand and he's so ugly, but you have your arm around him because last night he seemed hot. Desperate, but not wanting to be rude, instead of pulling your arm out from under him you try to chew it off like a trapped coyote. That my friends, is Coyote Ugly.

It was much to my surprise that Kevin Smith actually did a rewrite of the film's script at one point. I would imagine if Smith's version was made into the final film that it would be less about the girl's bodies and more about their problems. Instead of so many overhead shots of women dancing on one another, soaked in water, comparing wet t-shirts, I'm sure there would've been more sincere dialog between Violet and her friends. Maybe we would've gotten to know them better. It's all one big "maybe." The film centers around Violet (Perabo), an aspiring songwriter trying to make it in the complicated and relentless world of music. She tries to get her demo tape heard, but is always met with reps that blow her off. Violet leaves home and goes to New York to try her look, but realizing she needs to make end's meet, she goes to work at a bar called "Coyote Ugly" where she will entertain customers by seductively dancing on the bar countertop while pouring drinks and showering her and her fellow employees with water. That's the extent of it.

In the meantime, Violet dates a shady guy who she had mistaken for a record exec (Garcia). Let me ask Violet, do you think it's a good idea to date a guy who just tried to pass himself off as a guy who could get you a record deal and doesn't discuss any of his past? Does he seem like the dream guy mothers would want their daughters to date, and could have a good ol' day out with the father? I neglected to mention that the club is run by Lil (Bello). Lil, full name Liliana Lovell, actually runs the real-life Coyote Ugly in New York. Maria Bello was excellent in The Cooler, and does more sure-fire work in this picture. She is still as hilarious as ever, and plays a very strict, yet laidback bartender.

Coyote Ugly, even in possession of a decent storyline, is ruined by its own immaturity. There are too many overhead shots of women on the bar countertop that go nowhere and aren't arousing or entertaining at all. I appreciate John Goodman's role as Violet's protective and caring dad, but the scenes with him are far to spread out and far too short to fully enjoy. I imagine if Kevin Smith was responsible for writing the entire screenplay maybe the movie would've been more about the daddy/daughter relationship rather than the women.

The story isn't gripping, but it works for a while. Until the bar comes into play. Then it's down to twelve year olds controlling the camera. Piper Perabo is gorgeous, and is one of the most underrated actresses in Hollywood today in terms of looks and acting skills. She still hasn't had that "breakout" role that has taken her career to new heights. Surprisingly, as juvenile as this picture can be, this really didn't jump-start any future projects for her. Nor anyone else in this film.

Starring: Piper Perabo, Adam Garcia, Maria Bello, and John Goodman. Directed by: David McNally.

After 20 years, I'd have to say...it doesn't hold up that well. BUT, that's not to say, it brings a tug of nostalgia for that era of Jerry Bruckheimer slick music video retreads of "Flashdance" A lot of it is due to Diane Warren's corny soundtrack music. And those of us who were in college by now, have a slight shiver when we hear her anthems. Which nearly toppled another Jerry Bruckheimer gem "Con Air" with "How Do I Live Without You" Oof.

The present day woman would consider that dis-empowering to be so attached to a man (or perhaps this could be used towards other women). Speaking of which, the topic at hand is "Coyote Ugly." Presumably, an article led to this story (written by Gina Wendkos). I recall a friend had moved to New York City and discovered a bar called Hogs and Heifers, which shared very similar rambunctious behavior (nailing bras to the wall). And dancing on bars and so forth. In Jerry Bruckheimer world...it's PG-13. So none of the topless stuff is displayed (unless you get the unrated DVD/Blu-Ray which shows Piper Perabo's funbags).

Though this movie is about making it in the big city, it is somewhat laughable at the truncated timeline. Within a few weeks Violet Sanford (Perabo) becomes the hottest songwriter in the country with a number 1 hit that is sung by Leanne Rhimes. And though these girls are suppose to be world and tough, the painfully model casting of...Tyra Banks, Bridget Moynahan, Izabella Miko and Maria Bello set this in a truly fantastical mystical world I'd reserve for...um...say Hollywood. If that was the intention than kudos to director David McNally. To me, it seems less genuine. Jennifer Beals would seem like a dog up agains these girls. Any way, great to see John Goodman pop up as Violet's New Jersey dad (though still seems like he can't shake that Dan Conner-ness) and Bud Cort's very small cameo. Clearly this movie was made to rake in the jiggle factor. So, cheers to them for recognizing what it exists for. Also special note to cinematographer Amir Mokri. Great lighting. I feel this may get a re-release in the future. That will stand up well.

I was not disappointed with "Coyote Ugly". It made me feel good and we need this kind of film these days with all that's going-on.It was no worse than "Flashdance" or "Footloose" which also had little storyline and average acting. I enjoyed it and it was what I had expected.Many of you gave it negative criticisms; what did they expect from a film about a young girl coming to the city? This was a simple story about a young shy girl with dreams trying to make it in show business; which is hard if you don't have the right connections.The dance numbers and bar scene were very realistic. As a New Yorker, I was happy to see that she wasn't mugged or worse as many films about New York portray.I'd like a sequel.