Clash by Night

I don't agree fully with the first reviewer of this film. Whilst I accept that all the clichés are indeed overworked and obvious as the previous reviewer points out , the film itself is entertaining in other ways. As a period piece of the 60's it is great to see that the British stalwarts are all there. Terence Longdon , the lead is o.k. It's good to see Harry Fowler in a typical wide eyed cockney performance. Also of interest is Alan Wheatley ( t.v's villainous Sheriff of Nottingham in the Richard Greene - Robin Hood series ) and lo and behold there is John Arnatt ( the deputy sheriff from the same series ). This time however they are on opposite sides of the law. I suppose it's especially interesting for me as for many years I was a friend of Alan Wheatley's. He was a fine educated man who enthralled me with his tales of filming and the many stars he worked with. I always enjoy his film performances.Then there is Jennifer Jayne ( from t.v's William Tell ), Peter Sallis, Robert Brown, all great supporting actors of British cinema. Taken as a low budget filler there is much enjoyment to be had from the film. O.k. so prisoner's bus is hi jacked and the passengers who all but one are criminals are left stranded in a barn covered with paraffin. One of the prisoners is a loony, another is a decent guy who may have committed fraud, another is a petty thief who has to discover the error of his ways, plus we have the lead's character who killed a guy attempting to rape his wife. So there you have it, all the plot lines are indeed cliché, but the acting from the stalwarts fleshes out the characters and time flies by. Give it a whirl and don't be too harsh.

This looked to be a possibly decent action movie from the early 1960's and I wasn't disappointed. Having missed the opening credits when it was shown on television, I nonetheless identified four of the cast (Longdon, Sallis, Fowler, Meadows); all stalwarts of British screen and TV. The plot could have been straight from 'The Tales of Edgar Wallace', the box-set of which I own and love! England isn't like it's portrayed here anymore but it was like that then in terms of values, crime and punishment, scenery, dress and even the vehicles and road markings etc. People shared WW2 experiences and this often included the characters and of course the actors who are so professional in their performances despite some shortcomings in story and other aspects of film-making. Yes, it's not as good as some of my favourite classic British films from the preceding years such as 'The Cruel Sea' or 'The League of Gentlemen' but this has a decent 'B' movie plot including one or two unexpected twists and keeps your attention until the not entirely predictable ending.

Other reviewers on this page have pointed out the glaring implausibility of the plot's central planks but that aside, the script, even allowing for the strictures of the period, is laughably bad. Compare The League of Gentlemen from 3 years earlier - another plot bringing together a group of ne'er-do-wells - with Bryan Forbes' clever, arch script nudging knowingly against the limits set by the mores of the time. That's how it could be done. Meanwhile, in Clash By Night: 'I shan't tell you again' is the stern admonishment of a prison officer to one of his charges who is talking too much on the bus. And 'They must be very proud of you' one of the prisoners tells the other prison officer, with no trace of irony, on hearing he lives at home with mum and dad, as they sit having a bit of a chat a few feet from the murdered corpse of his colleague and with the very real prospect of death by immolation hanging over them. I think most of us allow a bit of leeway when watching films from earlier eras, they can be interesting for all sorts of reasons but, frankly, this is dreadful.

I think this might have done better had Monty Tully searched a bit harder for a more charismatic leading man. As it is, we are saddled with the rather unremarkable Terence Landon in the lead role. He is a member of a group who ambush a bus carrying one of their leader "Bart" (Tom Bowman), and proceed to lock the remaining passengers and the prison officers in a barn that they claim is soaked with paraffin. They will escape, leaving their captives inside and woe betides if they try to escape. Meantime, the police find the corpse of someone who ought to already be in jail and after a quick investigation realise that the bus didn't make to to it's destination. Now they have to trace it before a conflagration consumes everyone - it's Guy Fawkes' night! The plot tries to juggle the police activities with the increasingly melodramatic behaviour inside the barn (prisoners who have been harshly treated, hard done by, etc.), and in the muddle we end up with quite a lot of dialogue and not a lot of jeopardy as the story really does follow well trammelled lines. To be fair, the supporting cast of reliable British faces add some quirkiness and character to the thing, and Jennifer Jayne ("Nita") does all that is required of her (not very much) but this is still just a routine afternoon B-filler that passes seventy-five minutes but is a film that you will never remember.

'Clash by Night' aka 'Escape by Night' (1964) is some terrifically thrilling, nerve-drilling, pulse-hijacking, hard-hitting Brit-crime celluloid from the 1960s! This boisterous, roustabout B-movie features a VERY unusually sinister performance by Peter Sallis as backward child killer Victor Lush! One of the best creepy-claustrophobic crims locked in a petrol-soaked barn on Bonfire night crime thrillers I've ever seen!! And, cor blimey, mayte! If it don' 'ave quite the most incendiary finale, guv'! And once again the ubiquitous Harry Fowler woz on spiv-tastic form! 'Escape by Night' gotta liver-lashing kick on it like a generously gelignited Gin-spritzer!!!! Strike a light, mayte!!! You'll be awlright wiv the high-octane 'Escape by Night'.