Yi ge dou bu neng shao

I was moved not only by the cultural value and socio-economic perspective of the movie, but also by the themes of compassion, hope, and diligence. As a middle school teacher, I also like how it brings out the idea that meaningful learning (in the classroom and beyond) takes place through real-life commitments, situations and applications.

As a note aside, notice the credits; although this movie is based on a Chinese novel, the director selected actors and actresses from the real world to play their real-life parts—complete with their real names and titles. Thus teacher Gao really is teacher Gao! Mayor Tien really is mayor Tien, and the kids, together with Minzhi Wei, really are village children, who have no acting experience. Thus the movie really is "realistic" in a true and meaningful way. Don't miss this one!

There isn't much to this story, I but I still liked it. The lead character, played by Wei Minzhi, is supposed to be playing a 13-year-old girl and was really interesting to watch, as were the young students and some of the other people in this film.

Oddly, all these actors were amateurs, real-life students and people of varied professions. It's nicely filmed, too, despite the bleak background many times. I find the dialog of many Chinese films to be very pleasing. Yes, there is a lot of receptiveness, at least in the translations, but it's tolerable. There is very little profanity and plenty of good old-fashioned values and feelings of people, simply told. You don't find much of this is in modern-day movies of the Western World. The colors in here - the reds, yellows and oranges - are always a treat for the eyes and the Asian kids' faces are intriguing.

This film is very different from anything Western audiences are used to, but I recommend it for those who realize that fact and are okay with it.

It might be a good idea to show this film in all schools in the `civilised' world! This is, anyway, a delightful story for all the family, hugely enjoyable, simply and lovingly told, and with just the most marvellous little Chinese girl imaginable! She has to stand in for the local schoolmaster who very definitely must go and visit his mother who is ill and dying. He leaves her in the middle of about twenty kids only a couple of years younger than herself to get on with the job as best she can, so as to earn 50 yuan in a school which is falling apart.

Now you might think that such a building could not possibly be a schoolhouse in remote rural China, or anywhere else. I assure you I have seen such schools – and not in such remote areas – in Indonesia, India, Afghanistan and in what was Portuguese Timor. Even here in Spain, in rural villages high up in the sierras, my wife has worked in schools in little villages where either the floorboards were rotting under her feet in front of the blackboard, or the plumbing did not work, or the lights did not switch on when you wanted them to, or the wood-burning stove in the middle of the room gave off billows of smoke so that you had to open the windows – with 10ºC below zero outside, or the window panes had no putty in them, and so on. And this, only a few years ago, in a modern, civilised European country.

Minzhi Wei playing the part of Wei Minzhi, who is herself with her own name (in Chinese the surname is put first) is a thirteen year old who will never make it to Hollywood, but is just the most beautiful school mistress you could imagine! I will not say anything about the story: you can see it for yourself. This young girl had to do it all – she is barely ever off the screen.

Yimou Zhang has given us a little gem, a beautiful story, with such wonderful participation by all those children, as well as the fine photography and Bao San's occasional accompanying music.

How nice to see a lovely story so naturally told! Can't we do things like this in Europe and the USA without it being all violence or overladen commercialism for the hungry masses? Can't we tell a real human story without all the technological special effects? Can't we make honest cinema……….?

I am generally not a big fan of movies made only to send a message, tending to agree with the Hollywood director who famously said, If you want to send a message, go to Western Union. And make no doubt about it: this is a message movie. And in case you might miss the message, the director flashes it across the screen at the end. That said, this is a beautiful and heart warming story about an aspect of Chinese culture one generally does not hear much about in the West: the situation at rural schools. As Zhang Yimou lets us know at the end, more than one million students drop out of schools in rural China because of poverty. From what I understand, this is a pretty accurate picture of the situation in many places in the Chinese countryside. Forget about having a computer in the classroom; this place has to worry about having enough chalk. To add to the authenticity, Zhang Yimou used real people from the Chinese countryside to play the roles (although to clear up one misperception, this is not a true story). It is certainly a different China than the economic superpower we hear about in the news. But for anyone wishing to get a more complete picture of China, this film provides a vivid depiction of the plight of rural schools in a very moving if somewhat contrived story and is highly recommended.

At the moment this art house gem of a film rates an IMDB 7.9, so obviously many of us film buffs love it. This film is innovative, delicate, and harshly authentic. If you enjoy international film festival flicks, you MUST see this film. Actually I believe this film should be required viewing for film students who aspire to be directors, cinematographers, etc.

However, if you prefer action, Hollywood formula flicks, car chases or even complex plots, then avoid this film. You will probably fall asleep or just be irritated.

If you watch this film with your heart, with a good dose of patience, you you will then understand the message. If tears do not come to you during the main character's emotional appeal, then you are probably not aligned with the spirit of this film.

Personally I was stunned by the deep impact this film had on me. Yes, it was indeed 'slow', but this allowed for the genuine portrayal of common hope and suffering. I have been a film buff for over 4 decades and this film stands out as refreshingly different. By the way, it is supposed to be a true story, and this added significantly to the film's realism. Also, it does seem that none of the people in the film were professional actors, which is amazing in spite of a sort of documentary feel at times. If you have an open heart and mind, see it!