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Made with palpable energy, intensity and excitement, it compellingly creates a world gone mad that is uncomfortably close to the one we live in. It is a "Blade Runner" for the 21st century, a worthy successor to that epic of dystopian decay

It's a heartbreaking, bullet-strewn valentine to what keeps us human.

It's a measure of Cuarón's directorial chops that Children of Men functions equally well as fantasy and thriller. Like Spielberg's "War of the Worlds" and the Wachowski Brothers' "V for Vendetta" (and more consistently than either), the movie attempts to fuse contemporary life with pulp mythology.

One of the year's most imaginative and uniquely exciting pieces of cinema.

Picture more than delivers on the action front -- not in bang-for-your-buck spectacle but in the kind of gritty, doculike sequences that haul viewers out of their seats and alongside the main protags.

Owen carries the film more in the tradition of a Jimmy Stewart or Henry Fonda than a Clint Eastwood or Harrison Ford. He has to wear flip-flops for part of the time without losing his dignity, and he never reaches for a weapon or guns anyone down. Cuaron and Owen may have created the first believable 21st-century movie hero.

Although imperfect, it's engaging, thought-provoking stuff.

An exhilarating sci-fi action thriller with a powerful social and political message.

Children of Men leaves too many questions unanswered, yet it has a stunning visceral impact. You can forgive a lot in the face of filmmaking this dazzling.

The film gradually devolves into action-adventure, then the equivalent of a war movie. But the filmmaking is pungent throughout, and the first half hour is so jaw-dropping in its fleshed-out extrapolation that Cuaron earns the right to coast a bit.