अपनी भाषा में प्लॉट जोड़ेंA psychotic killer escapes from an insane asylum and goes on a killing spree, and the SWAT team it sent out to track him down. Kind of. Sort of.A psychotic killer escapes from an insane asylum and goes on a killing spree, and the SWAT team it sent out to track him down. Kind of. Sort of.A psychotic killer escapes from an insane asylum and goes on a killing spree, and the SWAT team it sent out to track him down. Kind of. Sort of.
Robert McCourt
- Capt. Thompson
- (as Bob McCourt)
Charles Reynolds
- Mr. McWhirther
- (as Charlie Reynolds)
फ़ीचर्ड समीक्षाएं
I watched this because it was on my favorite channel (TCM) so there must be something there. Ben Mankiewicz owes me an explanation! I really do wish I could see his introduction!
My favorite scene was when the officers were huddled in the dormitory while the killer went about his business (bodies everywhere) and the lieutenant, deep in thought, scratched his cheek with the barrel of his gun. I laughed and laughed!
My favorite scene was when the officers were huddled in the dormitory while the killer went about his business (bodies everywhere) and the lieutenant, deep in thought, scratched his cheek with the barrel of his gun. I laughed and laughed!
Yes this is a regional movie filled with actors who either weren't actors or did small theatre work. Yes this seems like a movie made in the late 1960's not in 1977. And yes the title doesn't have anything to do with the movie which is more like Richard Speck than "Son of Sam." Finally it's an exploitation movie with almost no real exploitation, there is no nudity at all and the violence that occasionally happens is done so poorly it doesn't have much of any impact.
Having said all that the basic idea is solid and a bit unusual, the killer is trapped in the building early on with police sneaking in to try to find him. The killer is mostly only seen in bits and pieces--wearing kind of goofy brown loafer shoes. But the use of shadowy eye and eyebrows moving amid shadows while an electric tone/music drones on is rather novel and occasionally effective. Also the movie uses freeze frames to end scenes rather frequently rather than dissolving of cutting away. Also a few of the murder scenes come when you don't expect them. And the movie moves along pretty well, or well enough that you don't have to fast forward--if you don't just stop watching because of the cheapo production and acting.
These odd elements and the general crudity of the production gives it some grit. The budget is so low--they don't seem to be able to really purchase or rent even one really convincing police uniform, let alone the motely mismatched SWAT uniforms on display.
It also has and probably always had, sort of poor lab work with flat lighting and, now, faded and shifting colors, but this too now is seen as part of a Grindhouse Esthetic--in that way time has been kind to this movie.
It may be barely a movie but it tries, if doesn't succeed, at some style and has a few surprises, so can't say it's totally worthless, especially for those who will watch something that lacks the easy slickness of Hollywood films that can have no real ideas to offer.
Having said all that the basic idea is solid and a bit unusual, the killer is trapped in the building early on with police sneaking in to try to find him. The killer is mostly only seen in bits and pieces--wearing kind of goofy brown loafer shoes. But the use of shadowy eye and eyebrows moving amid shadows while an electric tone/music drones on is rather novel and occasionally effective. Also the movie uses freeze frames to end scenes rather frequently rather than dissolving of cutting away. Also a few of the murder scenes come when you don't expect them. And the movie moves along pretty well, or well enough that you don't have to fast forward--if you don't just stop watching because of the cheapo production and acting.
These odd elements and the general crudity of the production gives it some grit. The budget is so low--they don't seem to be able to really purchase or rent even one really convincing police uniform, let alone the motely mismatched SWAT uniforms on display.
It also has and probably always had, sort of poor lab work with flat lighting and, now, faded and shifting colors, but this too now is seen as part of a Grindhouse Esthetic--in that way time has been kind to this movie.
It may be barely a movie but it tries, if doesn't succeed, at some style and has a few surprises, so can't say it's totally worthless, especially for those who will watch something that lacks the easy slickness of Hollywood films that can have no real ideas to offer.
Law-enforcement agents hunt down a rampaging, kill-crazy asylum escapee, and the psychopath's mother offers her aid in his capture. Not much else to be said about this one except that it's a VERY strange presentation dusted with quirky stylistic touches(scenes end in abrupt freeze-frame fadeouts, lumbering "point of view" camera-work abounds, and several scenes conclude with a perplexing audio/visual dissonance). These aesthetic flourishes, however, are so erratic and unfamiliar that they may be nothing more than the salient indicia of inept amateur film-making. Oddly enough, it's the movie's eccentricity/unique mishandling which makes it more-or-less watchable. Had there been even the slightest bit of aptitude applied to this project, the result would have been a garden-variety grindhouse psycho-on-the-loose mess. It's bad, to be sure. BEYOND bad, actually...but something about its clunky, infelicitous artsy inclinations becomes oddly inveigling.
A helicopter features prominently during the film's climax. It's a real, honest-to-goodness helicopter, which is surprising to see in such a remote-controlled-toy-helicopter sort of picture. There's also some deliciously tacky filler featuring the charismatic Johnny Charro...a lounge singer in a poly-dacron bellbottom onesie, unzipped past his navel to showcase a bird-sanctuary of deep-shag chest chair. He's Engelbert Humperdinck, Evel Knievel, and in-extremis Elvis all rolled into one. Sideburned 70s machismo personified...you never had it so good.
Most people will dismiss this uncharted thriller as a toilsome slasher genre prototype...and they're probably right. I maintain, however, that there's a charmingly disadvantaged quiddity to ANOTHER SON OF SAM, though I can't quite put my finger on it.
3.5/10
A helicopter features prominently during the film's climax. It's a real, honest-to-goodness helicopter, which is surprising to see in such a remote-controlled-toy-helicopter sort of picture. There's also some deliciously tacky filler featuring the charismatic Johnny Charro...a lounge singer in a poly-dacron bellbottom onesie, unzipped past his navel to showcase a bird-sanctuary of deep-shag chest chair. He's Engelbert Humperdinck, Evel Knievel, and in-extremis Elvis all rolled into one. Sideburned 70s machismo personified...you never had it so good.
Most people will dismiss this uncharted thriller as a toilsome slasher genre prototype...and they're probably right. I maintain, however, that there's a charmingly disadvantaged quiddity to ANOTHER SON OF SAM, though I can't quite put my finger on it.
3.5/10
Acting is atrocious, the plot is pure exploitation, the special effects are not believable. This movie should be included in those FB worse movies of all time videos.
Another Son of Sam (1977)
* (out of 4)
An insane psychopath escapes from a mental hospital and before long he's stalking the streets and killing anyone he runs into.
That plot description makes this sound like a pretty good movie, right? Well, it starts off extremely entertaining as we hear gunshots and then see about several previous serial killers with a total number of victims. Then starts the title credits and from this point on ANOTHER SON OF SAM turns into a horribly boring and rather awful movie. This here was filmed in North Carolina so it's one of those regional horror movies that has picked up popularity over the years but sadly there's very little entertainment to be had here.
So, what's wrong with this movie? Pretty much everything but we can start with the plot, which is pretty messed up and rarely makes too much sense. It's almost as if they were filming the movie and forgot to film certain scenes as there are moments where things don't see to be connected or things happening out of place. The next awful thing is the editing, which is just downright bizarre at times and again there are a few moments where it seems like the film is broken.
The performances? Forget about it as they are quite awful but we don't really come to these types of movies for the performances do we? With that said, the dialogue is just as awful and there's really not too much going on here. What's worse is the fact that this clocks in at just 71-minutes and even at that time things drag.
* (out of 4)
An insane psychopath escapes from a mental hospital and before long he's stalking the streets and killing anyone he runs into.
That plot description makes this sound like a pretty good movie, right? Well, it starts off extremely entertaining as we hear gunshots and then see about several previous serial killers with a total number of victims. Then starts the title credits and from this point on ANOTHER SON OF SAM turns into a horribly boring and rather awful movie. This here was filmed in North Carolina so it's one of those regional horror movies that has picked up popularity over the years but sadly there's very little entertainment to be had here.
So, what's wrong with this movie? Pretty much everything but we can start with the plot, which is pretty messed up and rarely makes too much sense. It's almost as if they were filming the movie and forgot to film certain scenes as there are moments where things don't see to be connected or things happening out of place. The next awful thing is the editing, which is just downright bizarre at times and again there are a few moments where it seems like the film is broken.
The performances? Forget about it as they are quite awful but we don't really come to these types of movies for the performances do we? With that said, the dialogue is just as awful and there's really not too much going on here. What's worse is the fact that this clocks in at just 71-minutes and even at that time things drag.
क्या आपको पता है
- ट्रिवियाFilmed in 1975 under the title "Hostages", but not released until 1977.
- गूफ़At the end of the opening credits it says: "A small town.... -Early Summer-" yet later they mention that the campus is nearly empty because of spring break.
- क्रेज़ी क्रेडिटJuly 29, 1976 thru Wednesday, August 14 10 P.M. 1977 David Berkowitz "Son of Sam" .44 Caliber Killer..... Killed six persons, wounded seven..... Now in custody.....to stand trial?
- कनेक्शनFeatured in The Cinema Snob: Another Son of Sam (2017)
- साउंडट्रैकI Never Said Goodbye
Performed by Johnny Charro
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