A Slight Case of Murder

I can not say this movie was a hilarious, but I must have had a grin on my face the entire time. I like this darker kind of comedy; "very bad things", "8 heads in a duffel bag" or "coldblooded"

The way the main character tries to get away with murder is a lot of fun to watch. To me it was not much of a surprise what the ending would be, but the way that ending came about was. Another thing that sticks out, is the way they have managed to involve the audience. The way Terry looks at us is hilarious, you can almost pretend you're his accomplice.

Co-scripted by William H. Macy from, arguably, Donald E. Westlake's best and hardest to find novel, "A Travesty". *Very* faithful to the story, the movie stars Macy as a hapless man who gets in way too far over his head after attempting to cover up an accidental death. Costars Adam Arkin and James Cromwell in good supporting roles. The strength of the movie is in the intricate twist-after-twist storyline and in the acting, particularly by Macy who routinely and delightfully breaks through the 4th wall here and gets away with it every time. A good storyline with much dark humor, this one engaged me enough that I've watched it three times in the week since it came out. Prepare to shelve your critical faculties and emit a loud, bipartisan "wheeeeee!".

when I realized that the main character in this movie is the same man (William H. Macy) who provocate all the deaths in FARGO. I said "man, you are a real maniatic". the story has his own way to tell the story.

also the camera takes are fantastic. the first take "going up the building" are awsome, very clever.

I trully recommend this picture, not only because the story, is a great movie if you're a "Movie Classics Lover".

William H. Macy is dealing with "A Slight Case of Murder" as well as with his libido and blackmail in this 1999 TNT movie. The film also stars Felicity Huffman, Adam Arkin, James Cromwell, Julia Campbell, Paul Mazurski, and Vincent Pastore.

Macy plays a film critic and teacher, Terry Thorpe, who accidentally kills his girlfriend and becomes frantic to cover up the crime and hide the body. The matter is complicated by a detective (Cromwell) who saw him at the building and is now attempting to blackmail him. Then Thorpe makes the fatal mistake of getting involved with someone else -- someone else besides his other, alive girlfriend, played by Felicity Huffman.

Using a convention from Columbo, Thorpe works on forming a friendship with the detective assigned to the case, Stapelli (Arkin) - which has interesting consequences.

Macy is the same befuddled wreck that he was in Fargo, but he's smarter and more worldly. He gives a wonderful, wacky performance in a film that is filled with all kinds of humorous dialogue and humorous moments, despite the subject. A fresh twist on the film noir. Recommended.

It is probably the reductio ad absurdum of the self-conscious neo-noir that its ultimate hero/villain/victim should be a film critic, about as far removed from the original prole/lower-middle-class noir heroes (e.g. 'The Postman Always Rings Twice', 'Double Indemnity') as you could get. Faced with a crisis, Terry Thorpe turns it into a screenplay, a fiction. And this is what saves the film from smart-alecky ghastliness - it is a film about mid-life crisis, the flaws and difficulties of the modern affluent, middle-aged man. it seems like noir can still speak for people rather than to itself, but this often palls - the best joke is a corpse called Laura who doesn't get up.