Adieu, plancher des vaches!
- 1999
- 1 घं 58 मि
IMDb रेटिंग
7.1/10
1.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंNicolas, the eldest son of a wealthy family, works far from his home environment as a window washer and dishwasher in a bistro. He does not notice at all the baseness of his new relationship... सभी पढ़ेंNicolas, the eldest son of a wealthy family, works far from his home environment as a window washer and dishwasher in a bistro. He does not notice at all the baseness of his new relationships.Nicolas, the eldest son of a wealthy family, works far from his home environment as a window washer and dishwasher in a bistro. He does not notice at all the baseness of his new relationships.
- पुरस्कार
- 4 जीत और कुल 1 नामांकन
Niko Tarielashvili
- Son
- (as Nico Tarielashvili)
फ़ीचर्ड समीक्षाएं
All members were unique like this : a mother was very busy for her job, a father played with locomotive models all day, a son got along with homeless friends, a seles girl of the cafe whom he had been in a one way relationship with and a dull servant who worked in a house of the mother's lover.
It was similar to a miniature world. I enjoyed watching interpersonal relationships passed by each other and fitting them perfectly! Maybe we circulate in the narrower range than we expect.
I watched it twice. I couldn't follow the progress because, at first, I watched it while having done something. I recommend it to peple like Jacques Tati.
It was similar to a miniature world. I enjoyed watching interpersonal relationships passed by each other and fitting them perfectly! Maybe we circulate in the narrower range than we expect.
I watched it twice. I couldn't follow the progress because, at first, I watched it while having done something. I recommend it to peple like Jacques Tati.
Iosseliani is a truly controversial figure of film making; You either like his films or fell asleep watching them. No in betweens. Having only minimal traditional narrative or story telling clichés, the film manages to illustrate true emotions without being bombastic or over-sophisticated. Doing this by showing everyday people who are only drifting with the waves of life, wishing to get away from their existence.There's a slight sarcasm involved in the portrayal of how everyone is unhappy with what he/she has and wants to be like the other who wants to be like him , and vice versa.(Really sharp.)However, Itt all ends up in positive, placing emphasis on the need for seeking personal freedom and finding hope and refugee in true friendship, in a plastic, greedy, selfish world.
Personally, i think it has one of the most touching end sequences in film history.
Personally, i think it has one of the most touching end sequences in film history.
I saw this immediately following the same director's Falling Leaves and found it much more accessible. The twenty-odd year gap between the two films and the fact that this one was made in France as opposed to Georgia may, of course, have something to do with it. Again, the Georgian-born director (he made a point of saying he was Georgian and NOT Russian) introduced it - in fluent French yet - and described it as his most complicated film. It's a gently, meandering piece and at least half a dozen times you think, OK, that's it, a logical ending, only to have it spin out yet moor gossamer thread. There's a distant relationship with Renoir's The Rules Of The Game but only around the edges. It's about a disparate group of people whose lives intersect and sometimes, but not always, connect. Bizarre, eccentric, both could be fairly employed to describe some of the characters. Again the director chooses to spin his web around a young male, this time around the scion of a wealthy family who, for reasons best known to himself, works as a dishwasher in a restaurant - and an inept dishwasher at that; he's fired halfway through the film - and chooses friends from among the outcasts of society (again, we could, if we wanted to stretch a point, find a link with Boudu Saved From Drowning). Characters come and go on this patchwork quilt and some we find more interesting than others. None of the actors are well known but most are fairly competent and overall the film holds the attention.
a subtle and poetic film about people trying to find their real place and run away from origins. two guys frequently meet not knowing that one of them is rich but prefers washing dishes in a bar, while the other is poor but rents a suite and motorbike to spend a fancy day in town. probably, one of the most beautiful moments of the film is the rich piere's (played by ioselliani himself) acquintal with a drunkard from the town. both sing long gone melodies while drinking and watching a mini train running around on a table. many have regarded the film as too slow and boring what apparently comes from ioselliani's refusal to use close-ups and crane/dolly shots. in opposite, it adds a silent observing character and avoids to give any human judgment.
Otar Ioselliani's masterpiece about pursuing life's dreams and remaining true to your beliefs combines a wonderful sense of warmth and an exceptional sense of humor as it paces along in its very own, unconstrained fashion while inviting us for a ride into its pleasant and touching world.
Scenes of often over-the-top situation comedy are juxtaposed with soulful explorations of the human heart, where staying honest to oneself as a person is the only way of avoiding life's inevitable cruelty.
Both entertaining and thoughtful, it is the most enjoyable film to-date by Ioselliani.
Scenes of often over-the-top situation comedy are juxtaposed with soulful explorations of the human heart, where staying honest to oneself as a person is the only way of avoiding life's inevitable cruelty.
Both entertaining and thoughtful, it is the most enjoyable film to-date by Ioselliani.
क्या आपको पता है
- ट्रिवियाPresented in the official selection, out of competition at the 1999 Cannes Film Festival.
- कनेक्शनEdited into Spisok korabley (2008)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि
- 1 घं 58 मि(118 min)
- रंग
- पक्ष अनुपात
- 1.66 : 1
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